検索キーワード： 制作 "--Tyson Hanks" 詩

A beautiful extract from the famous biblical hymn to love, read by Jenny Agutter.

A short section from Milton's epic poem, expressing how much sweeter the world is when you are with the one you love, read by Jenny Agutter.

After a century of civil strife in Rome and Italy, the poet Virgil wrote The Aeneid to honor the emperor Augustus by praising Aeneas, Augustus's legendary ancestor. As a patriotic epic imitating Homer, The Aeneid also set out to provide Rome with a literature equal to that of Greece.

Together, Hafez, a giant of world literature; Jahan Malek Khatun, an eloquent princess; and Obayd-e Zakani, a dissolute satirist, represent one of the most remarkable literary flowerings of any era. Here Dick Davis, an award-winning poet widely considered "our finest translator of Persian poetry" (The Times Literary Supplement), presents a diverse selection of some of the best poems by these world-renowned authors and shows us the spiritual and secular aspects of love, in varieties embracing every aspect of the human heart.

The iconic love story of the Middle East, by a 12th-century Persian poet who has been compared to Shakespeare for his subtlety, inventiveness, and dramatic force, Layli and Majnun tells of star-crossed lovers whose union is tragically thwarted by their families and whose passion continues to ripple out across the centuries. Theirs is a love that lasts a lifetime, and in Nezami's immortal telling, erotic longing blends with spiritual self-denial in an allegory of Sufi aspiration, as the amenities of civilization give way to the elemental wilderness.

After Fame is a discursive rendering of the Roman epigrammatist Martial's Book I. Its 118 poems, on themes such as work, friendship and public life, are modelled after the source material through a variety of 'treatments' - most notably machine translation (for which Latin still presents near-insurmountable difficulties), employing the results as scaffolding for poems that quickly improvise their way clear of their originals.

The epic grandeur of Dante's masterpiece has inspired readers and listeners for 700 years and has entered the human imagination. But the further we move from the late medieval world of Dante, the more a rich understanding and enjoyment of the poem depends on knowledgeable guidance.

Composed during the 14th century in the English Midlands, Sir Gawain and the Green Knight describes the events that follow when a mysterious green-coloured knight rides into King Arthur's Camelot in deep mid-winter. The mighty knight presents a challenge to the court: he will allow himself to be struck by one blow, on the condition that he will be allowed to return the strike on the following New Year's Eve.

One of the foremost achievements in Western literature, Homer's Iliad tells the story of the darkest episode in the Trojan War. At its centre is Achilles, the greatest warrior-champion of the Greeks, and his refusal to fight after being humiliated by his leader, Agamemnon. But when the Trojan Hector kills Achilles' close friend Patroclus, he storms back into battle to take revenge - although knowing this will ensure his own early death.

Ovid's sensuous and witty poetry brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformation - often as a result of love or lust - where men and women find themselves magically changed into new and sometimes extraordinary beings. Beginning with the creation of the world and ending with the deification of Augustus, Ovid interweaves many of the best-known myths and legends of Ancient Greece and Rome, including Daedalus and Icarus, Pyramus and Thisbe, Pygmalion, Perseus and Andromeda, and the fall of Troy.

Carved close to the original Greek, acclaimed classicist Caroline Alexander's new translation is swift and lean, with the driving cadence of its source - a translation epic in scale yet devastating in its precision and power.

A collection of the greatest poetry from the Romantic period, read by some of the 20th century’s most renowned actors. Love, romance and portrayals of nature are played out in these timeless readings of poetry written during the Romantic period. Performed by Richard Burton, Peter Orr, William Squire, Richard Marquand, Peggy Ashcroft, Margaretta Scott, Tony Church, Derek Godfrey, Patrick Garland, Gary Watson and Janette Richer. This collection includes poems from: William Wordsworth, Samuel Taylor Coleridge, William Blake, Lord Byron, Percy Bysshe Shelley, John Keats.

A collection of the funny, curious verse written during the 19th and 20th centuries, read by some of Britain's most renowned actors. Humorous and whimsical verse are collated together in these timeless readings of poetry from our funniest writers. Performed by Sir John Gielgud; Imogen Stubbs; Tim Pigott-Smith; Peter Orr; Wendy Hillier.

Universally admired and quoted, Shakespeare’s Sonnets have love, beauty and the passing of time at their heart. Featuring some of the best-known and best-loved lines in the history of poetry (‘Shall I compare thee to a summer’s day?’, ‘Love is not love which alters when it alteration finds’), these evocative sonnets explore passion, the fleeting nature of beauty and the essence of true and everlasting love.

Im Ameishaufen wimmelt es,

Der Aff' frisst nie Verschimmeltes.

Die Biene ist ein fleißig Tier,

Dem Bären kommt dies g'spaßig für.

Die Ceder ist ein hoher Baum,

Oft schmeckt man die Citrone kaum

Das wilde Dromedar man koppelt,

Der Dogge wächst die Nase doppelt.

Schweigen will ich von Lokalen,

Wo der Böse nächtlich prasst,

Wo im Kreis der Liberalen

Man den Heil'gen Vater hasst.

Schweigen will ich von Konzerten,

Wo der Kenner hoch entzückt

Mit dem seelenvoll-verklärten

Opernglase um sich blickt.

Die Knopp-Trilogie ist nach "Max und Moritz“ eines der bekanntesten Werke von Wilhelm Busch. Der Zweizeiler "Vater werden ist nicht schwer - Vater sein dagegen sehr“ stammt aus dieser Trilogie.

Erstmals ist hier der Bürger nicht Opfer handlungsstarker Plagegeister, wie es in "Max und Moritz“ oder "Hans Huckebein, der Unglücksrabe“ der Fall war, sondern durchgängig die handelnde Hauptperson.

Pegasus, du alter Renner,

Trag mich mal nach Afrika,

Alldieweil so schwarze Männer

Und so bunte Vögel da.

Kleider sind da wenig Sitte;

Höchstens trägt man einen Hut,

Auch wohl einen Schurz der Mitte;

Man ist schwarz und damit gut.

Vater werden ist nicht schwer,

Vater sein dagegen sehr.

Ersteres wird gern geübt,

Weil es allgemein beliebt.

Selbst der Lasterhafte zeigt,

Dass er gar nicht abgeneigt;

Nur will er mit seinen Sünden

Keinen guten Zweck verbinden,

Sondern, wenn die Kosten kommen,

Fühlet er sich angstbeklommen.

Eine Pfeife in dem Munde,

Unterm Arm zwei junge Hunde

Trug der alte Kaspar Schlich. –

Rauchen kann er fürchterlich.

Doch, obschon die Pfeife glüht,

Oh, wie kalt ist sein Gemüt! –

»Wozu« - lauten seine Worte –

»Wozu nützt mir diese Sorte?

Macht sie mir vielleicht Pläsier?

Einfach nein! erwidr' ich mir.

Wenn mir aber was nicht lieb,

Weg damit! ist mein Prinzip.«

An dem Teiche steht er still,

Weil er sie ertränken will.