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Diane Williams, "godmother of flash fiction" (The Paris Review), returns with thirty-three brilliant short stories. In Williams's stories, life is newly alive and dangerous; whether she is writing about an affair, a request for money, an afternoon in a garden, or the simple act of carrying a cake from one room to the next, she offers us beautiful and unsettling new ways of seeing everyday life.

In the novel Who's Who When Everyone Is Someone Else, the character "C. D. Rose" searches an unnamed middle-European city for the long-lost manuscript of a little-known writer named Maxim Guyavitch. That search was fruitless, but in The Blind Accordionist, "C. D. Rose" has found the manuscript—nine sparkling, fable-like short stories—and he presents them here with an (hilarious) introduction explaining the discovery, and an afterword providing (hilarious) critical commentary on the stories, and what they might reveal about the mysterious Guyavitch.

Evoking such classics as Elmer Gantry and The Day of the Locust, William Giraldi's About Face boldly transfers the perennial literary themes of celebrity, ambition, and obsession to twenty-first-century Boston. There we meet Val Face, a charismatic self-help guru who captivates multitudes with his uncanny ability to heal adherents using only the power of his words, the mysterious touch of his hands, and the transcendent beauty of his face.

Diane Williams, an American master of the short story who will "rewire your brain" (NPR), is back with a collection in which she once again expands the possibilities of fiction. These stories depict ordinary moments - a visit to the doctor's office or a married couple's hundredth dance together - but within the quotidian, Williams delivers a lifetime of insecurities, lusts, rejections, and revelations, making her work equally discomfiting and amusing.

Just when things have finally cooled down for 88-year-old Maud after the disturbing discovery of a dead body in her apartment in Gothenburg, a couple of detectives return to her doorstep. Though Maud dodges their questions with the skill of an Olympic gymnast a fifth of her age, she wonders if suspicion has fallen on her, little old lady that she is. The truth is, ever since Maud was a girl, death has seemed to follow her....

Summer 1989: Gunther Fahnstiel, once a tough cop who wasn't averse to taking a little side money from a certain madam, has just escaped the dementia ward of his Wichita nursing home. He's not exactly sure where he wants to go, but wherever it is, it has to do with the bag full of cash belonging to the man he accidentally backed over with his RV in 1979. During his search, Gunther begins to relive the violent fallout of that madam's sex lottery 40 years ago. As Gunther's memories unravel, his past and present will collide in a devastating reckoning.

James Orr - husband, father, reliable employee and all-around model citizen - awakes one morning to find half his face paralyzed. Waiting for the affliction to pass, he stops going to work and wanders his idyllic estate, with its woodland, uniform streets and perfectly manicured lawns. But there are cracks in the veneer. And as his orderly existence begins to unravel, it appears that James himself may not be the man he thought he was.

Maya's been able to get by in New York on her wits and a dead-end bookstore job for years, but when her husband leaves her and her favorite professor ends their affair, her barely-calibrated life descends into chaos, and she has to make some choices. Maya's struggle to be alone, to be a woman, and to be thoughtful and imperfect and alive in a world that doesn't really care what happens to her is rendered with dead-eyed clarity and unnerving charm. This book takes every tired trope about addiction and recovery, "likeable" characters, and redemption narratives and blows them to pieces.

Karl, Eleanor, and their daughter, Irina, arrive from New York City in the wake of Karl's infidelity to start anew. Karl tries to stabilize his flailing art career. Eleanor, a successful commercial novelist, eagerly pivots in a new creative direction. Meanwhile, 12-year-old Irina becomes obsessed with the brutal murders that occurred in the house years earlier. And, secretly, so does her mother.

There is a distinct surreal quality to some (including "Exposure" and "And Now Let's Have Some Fun"), a strong sense of irony (as in "You Too Can Graduate in Three Years with an Advanced Degree in Contextual Semiotics"), and moments of awkward and therefore very real grapplings with sex and romance (most especially in "The Rescues" and the title story, "Welcome Thieves").

It would be easier for Thomas Mullen to move on from what he'd seen if Sarah stopped calling. It would be even better if she stopped appearing to him, and only him, to remind him of what he was powerless to stop. But months later, after Thomas loses his phone and the random woman who recovers it arranges to return it to him, his predicament intensifies. This woman tells him that while she's had his phone, his mother has called. His mother really needs him to call her back. And who is Sarah?

Taking us inside one of the 20th century's most ambitious assassination attempts - "making history personal", as one character puts it - High Dive moves between the luxurious hospitality of a British tourist town and the troubled city of Belfast, Northern Ireland, at the height of the armed struggle between the Irish Republican Army and those loyal to the UK government.

Suzie's seen it all, but now she's looking for something she lost: a sense of the future. So when the chance comes to work with a maverick video artist on his road movie about Donald Trump's America, she's pretty sure it's a bad idea, but she signs up anyway, hoping for an outside shot at starting over. A provocative, genderqueer, shape-shifting musical romp through the brain-eating nightmare of contemporary America, I Heart Oklahoma! is about art, guns, cars, American landscapes, and American history.

Maud is an irascible 88-year-old Swedish woman with no family, no friends, and...no qualms about a little murder. Ever since her darling father's untimely death when she was only 18, Maud has lived in the family's spacious apartment in downtown Gothenburg rent-free, thanks to a minor clause in a hastily negotiated contract. That was how Maud learned that good things can come from tragedy. Now in her late 80s, Maud contents herself with traveling the world and surfing the net from the comfort of her father's ancient armchair. It's a solitary existence, and she likes it that way.

On a ravaged street overlooking a cemetery in Beirut's Christian enclave, we meet an eccentric young man named Pavlov, the son of a local undertaker. When his father meets a sudden and untimely death, Pavlov is approached by a colorful member of the mysterious Hellfire Society - an anti-religious sect that, among many rebellious and often salacious activities, arranges secret burial for outcasts who have been denied last rites because of their religion or sexuality.

It's New Year's Eve, the holiday of forced fellowship, mandatory fun, and paper hats. While dining out with her husband and their friends, Kirshenbaum's protagonist - an acerbic, mordantly witty, and clinically depressed writer - fully unravels. Propelled by stand-up comic timing and rife with pinpoint insights, Kirshenbaum examines what it means to be unloved and loved, to succeed and fail, to be at once impervious and raw. Rabbits for Food shows how art can lead us out of - or into - the depths of disconsolate loneliness and piercing grief.

Pregnant and secretly married, Cheryl Anway scribbles what becomes her last will and testament on a school binder shortly before a rampaging trio of misfit classmates gun her down in a high school cafeteria. For a handful of people still reeling from that horrific day, life remains derailed.

One of the many well-educated Ivy League graduates with literary ambitions who flock to New York City every year, 25-year-old Melissa Fleischer has the great fortune to work as the assistant to Austin Bloch, an editor responsible for refining and publishing the work of some of America's most esteemed writers. But after she begins working at this prestigious magazine in the late 1970s, Mel soon learns that the extravagantly long lunches her boss indulges in actually belie his affairs with a stream of young women.

Beloved New Yorker writer Lore Segal, at ninety-five years old, is a national treasure. Working at the height of her powers, in this story collection she turns her gimlet eye and compassionate humor on aging and life in the slow lane. From the master of the short short comes a collection of sixteen new stories featuring old friends who have loved and lunched together for over forty years. These erudite, sharp-minded nonagenarians offer startling insights into friendship, family and aging.