検索キーワード： 制作 "--Tyson Hanks" ダークユーモア

Jonathan and Barbara Rose are the perfect couple, living the dream in their beautiful house, filled with their precious antiques, their darling children, and their prized Ferrari in the garage. It’s all any red-blooded American could possibly want. But when Jonathan experiences a sudden heart attack (or so he thinks) Barbara realizes that she wants a new life, without him. There’s just one problem: they both want the house. For husband and wife, it’s not just a residence: it’s a passion, one that will escalate an ugly divorce into a full-blown battlefield, complete with weapons and casualties.

A collection of John Waters essential screenplays, adapted for audio. Listen as Waters himself narrates each role in the most delightfully deranged and iconic classics of American filth, camp, and trash! John Waters takes us back to the scenes of his most beloved films, as well as his original...

In dieser Fortsetzung von "Oh nein! Ein Esel kommt selten allein", müssen Yusuf und Marie erneut mit einer Menge seltsamer Zwischenfälle fertig werden, von sehr verdächtigen Gästen gar nicht erst zu reden. Damit nicht genug, taucht auch noch die Familie auf und macht keinerlei Anstalten, wieder abzureisen. Ganz im Gegenteil: Oma hat Karrierepläne. Damit nicht genug, trifft auch noch ein Kuckuck auf einen Esel. Mit gänzlich unerwarteten Folgen.

Leo, die sich als Straßenmalerin durchschlägt, überlegt nicht lang. Sie reist in ihrem altersschwachen Bus nach Totenheim, um das Erbe anzutreten. Doch was sich so verheißungsvoll anhört, entpuppt sich als bitterböser Nachlass mit rachsüchtigen Enterbten. Schnell merkt sie, dass sie verdammt viel lernen muss, damit ihr das Mordserbe nicht um die Ohren fliegt.

Überm Sargnagel kreist der Pleitegeier, seit das Krematorium abgebrannt ist und die kriminelle Verwandtschaft sich selbst eliminiert hat. Es spukt, es geistert, es kracht gewaltig in Totenheim. Die Totenheimer Chronistin empfiehlt: Lest zuerst Sargnagel 1, bevor ihr euch mit den Helden ins zweite rabenschwarze Abenteuer stürzt.

The name’s Jett Turner and my early retirement to a lake on the Texas–Mexico border was supposed to be fun and easy going. It didn’t involve me writing up the twisted exploits of the head of the Acuña Cartel, reporting such to the DEA, or watching pandas blow up, people being fed to tigers, or learning about the bodily functions of the tortured.

Sarah Todd is pregnant. She doesn’t believe in cravings, and is determined to live the next seven months giving her baby all they nutrients it needs to grow into a healthy boy, or girl. The baby, however, has other plans. How far is she willing to go to succumb to her… CRAVINGS?

A night that starts out as the best night of David’s life goes terribly wrong. He and his fiancé, Julie, wander into Banger territory while trying to help a wounded man. David ends up shot in the head and his girlfriend, kidnapped. Fighting for his life, David is rushed to the hospital where a brilliant neurologist uses a daring new treatment to save him. He survives, but he doesn't remember a thing... not who he is or where he comes from, or that his girlfriend is in terrible danger.

Steven Hammer was once an acclaimed literary star. Now, his career is floundering, his marriage to a high-powered woman is crumbling, and the only bright spot in his life is Astrid, the Norwegian au pair who cares for their children—and reveres his neglected novels. But what begins as a secret infatuation soon spirals into a scandal that makes them both infamous. As a headline-grabbing trial captivates the world with a salacious story of sex, power, and betrayal, Steven must confront the wreckage he’s created—and the deeper insecurities that fueled it.

Arvy Keening is just trying to get through the week. Tantalizingly close to leaving her college years at Westheimer University behind, all she has to do is pass her finals, pack up her life, and ship off to San Francisco for a prestigious Big Pharma internship. The problem? Arvy just found 200 hits of Molly in her dead mother’s closet. And when two drug dealers come to collect what they are owed, they reveal that the pills are not Molly, but Mona – a rare pharmaceutical that induces intense orgasms.

Un giorno al Biondo e a Quello con la cravatta capita un incarico che richiede un salto di qualità: l'obiettivo è un arcimilionario, un esponente dell'altissima finanza che vive in una favolosa non-zona sospesa tra Londra e Milano. Incassato l'anticipo, però, piovono le complicazioni, in un ottovolante di equivoci, colpi di scena, incidenti, avventure e sconvolgimenti vertiginosamente intrecciati, in ambienti esclusivi ed extra lusso dove si mischiano fondi di investimento e realtà inconfessabili.

Using stolen plans for an experimental weapon, a rogue faction has engineered a terrifying new missile and launched it into orbit. As the head of the deployed Special Forces Unit, it is Jay's responsibility to stop it from destroying another hospital. And Jay has the perfect plan.

The graduation trip of a lifetime comes with deadly consequences. For six friends, two weeks at a sprawling mansion on a private island in the Caribbean seems like a dream come true. But it's more like a nightmare. Welcome to La Isla del Cordero: a private paradise for the ultra-rich—and the setting for a darkly comic, twist-filled tale of secrets, sabotage, and scandal.

In einem Hotel im Schwarzwald von einem axtschwingenden Irren als Kuckucksuhren-Bauer versklavt … ist das das Ende von Heff dem Chef und seinen unglücklichen Angestellten?

Thrift fashionista Dez Lane doesn't want to date Patrick Ruskin; she just wants to meet his mother, the editor-in-chief of Nouveau magazine. When he invites her to his family's big Easter reunion at their ancestral home, she's certain she can put up with his arrogance and fend off his advances long enough to ask Marie Caulfield-Ruskin for an internship someone with her pedigree could never nab through the regular submission route. But once all the family members are on the island and the ferry has departed, things take a dark turn.

From the bestselling author of The Boat People comes a moral thriller about money, the dark side of philanthropy, and what happens when you try to change the world for all the wrong reasons.

Frankie Gallows has spent seven years paying his dues on the stand-up comedy circuit with only limited success, but when he finally lands a headline slot at London’s legendary King Alfred’s Theatre, the opportunity comes with a sinister catch: perform a joke handed to him by the theatre manager—or risk everything.

Rose Cutler defines herself by her exacting standards. As an anti-racist, Jewish secular feminist eco-warrior, she is convinced she knows the right way to do everything, including parent her six-year-old nephew Nathan. When Rose offers to look after him while his parents visit Mexico for a week, her brother and sister-in-law reluctantly agree, provided she understands the rules—routine, bedtime, homework—and doesn’t overstep. But when Rose’s Newfoundland attacks and kills a corgi at the park, Nathan starts acting strangely: barking, overeating, talking to himself.

Yrsa is in a funk. She’s bored of her PhD program, bored of her research on Afropessimism, bored of the entitled undergrads she has to cater to. But most of all, she’s bored of the men in her life—especially the bad ones. When her best friend, Nina, confesses to having an affair with her professor, and that he’s stolen her research, Yrsa is mad. On the quad, Yrsa bumps into the professor and witnesses his death: an unfortunate incident involving his San Pellegrino and a bee allergy. What she sees that afternoon awakens something in her: a taste for murder.

She is going to be murdered on stage every night. All Ian has to do is make sure she is safe off stage. No one would want to murder the leading lady, would they? Don’t be too sure. After a few days at the Dundas Farm opera camp, Ian is beginning to think that everyone the diva meets would be more than pleased to see the back of her. Two weeks listening to music on a Scottish alpaca farm is twisting and turning in a distinctly sinister direction. And if she continues to treat him like a servant, refusing to tell him anything about her fears, how on earth is Ian going to prevent a tragedy?