検索キーワード： 制作 "--Tyson Hanks" ダークユーモア

Harry Borchard wird nach achtunddreißig Jahren Haft direkt in ein Altersheim abgeschoben. Er glaubt, dass der liebe Gott ihn hassen muss, als er seinen neuen Zimmernachbarn Rolf kennen lernt, der vor seinen Augen versucht, sich das Leben zu nehmen, aber anscheinend zu dämlich dafür ist. Als er dachte, es könnte nicht noch schlimmer kommen, stößt er auf Lothar, oder besser gesagt Lothar auf ihn. Dieser äußert einen Verdacht, dass ein Todesengel in den Gemäuern sein Unwesen treibt. Gemeinsam, mit Hilfe von Paul Joseph Braun versuchen sie dem Mörder auf die Spur zu kommen.

Carol is a divorced teacher living in a small town in Ireland, her only son now grown. A second chance at love brings her unexpected connection and belonging. The new relationship sparks local speculation: what does a woman like her see in a man like that? What happened to his wife who abandoned them all those years ago? But the gossip only serves to bring the couple closer.

Amber Patterson is tired of being a nobody: an invisible woman who melts into the background. She deserves more. She deserves a life of wealth, luxury and leisure. Daphne Parrish is the golden girl of Bishops Harbor, Connecticut. With her model looks, her picture-perfect mansion and her millionaire husband, Jackson, she has everything Amber wants.

Schwere Zeiten für den Eberhofer Franz: Seine Cholesterinwerte sind so hoch wie seine Laune im Keller ist. Statt Schlemmerorgien bei der Oma gibt's nur noch Kaninchenfutter auf dem Teller. Obendrein stresst die Susi mit knallhart durchorganisierten Besuchszeiten für Franz Junior. Und als wäre das alles noch nicht genug, steht der Franz ausgerechnet jetzt vor dem schwierigsten Fall seiner Ermittlerkarriere: ein Toter im Fremdenzimmer bei der Mooshammer Liesl, mit Brandpaste beschmiert und bis zur Unkenntlichkeit verstümmelt. Alles deutet darauf hin, dass der Mörder aus Niederkaltenkirchen stammt.

Der Rudi zieht um - und zwar ins Münchner Schlachthofviertel. Vom Balkon aus beobachtet er die Krähen, die über den Fabrikdächern kreisen. Dahinter schönstes Alpenpanorama. Doch mit der Ruhe ist's schon wieder vorbei, als ihm eine der Krähen einen abgetrennten Frauenfinger zu Füßen legt. Wie sich herausstellt, gehörte der Finger einer Prostituierten, die mit einer mysteriösen Waffe erstochen wurde. Und so ermitteln Rudi und Franz im Münchner Rotlichtviertel - aber erst Franzls Liebschaft mit einer Ex-Prostituierten bringt sie auf die richtige Spur.

Twenty-four-year-old Megan may have her whole life ahead of her, but it already feels like a dead end, thanks to her dreadful job as a gastroenterologist's receptionist and her heart-clogging resentment of the success and happiness of everyone around her. But no one stokes Megan's bitterness quite like her coworker, Jillian, a grotesquely optimistic, 35-year-old single mother whose chirpy positivity obscures her mounting struggles.

The head of a company she started from the ground-up, the worried mother of a troublingly secretive daughter, and the wife of an easy-going man who always has her picking up the slack—Ellie is already juggling too much. So, it's an inconvenient time to find herself beset by strange physical changes: hair sprouting in new places, running hot, trouble sleeping, losing time, finding bloodstains in all her clothing. And underneath it all, a boiling rage that threatens to disrupt the life she's worked so hard to build.

Mr. Montessori and his family return home from a trip to the beach to discover that their sofa is different. Once dark and contemporary, it’s now antique, green and yellow, and smelling faintly of damp. Its appearance and origins are a mystery. A joke? An inverted theft? A break in the fabric of reality? Yes, the police take the “crime” seriously. But what happens next lies outside their expertise. Strange sounds in the night. A half-bathroom toilet with a mind of its own. Odd, fleeting glimpses of something (or someone) in mirrors.

Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Hurting. Endlessly wanting. And the thing she wants most of all? Mr. Korgy, her creative writing teacher. Mr. Korgy, with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn't know why she wants him.

Tyler Neumann has spent years looking for his father, and not because he wants to meet the man. No, he wants to destroy him. And he'll manipulate whoever he can to exact his revenge. Including Stella McCormick. She's everything Tyler hates. Her wealth and privilege have protected her for her entire life, and Tyler thinks it's time she finally paid the price. Whether she's ready to or not.

A satirical adventure novel, The Flying Inn is set in a quirky, dystopian England in which a new puritanical government has outlawed alcohol and other traditional English customs. Enter Humphrey Pump and his spirited friend Captain Patrick Dalroy, who take it upon themselves to supply what the government refuses.

Ben Harper is determined to make it in comedy and music, but the world refuses to acknowledge his existence, leaving him to confront his past and the ever-present feeling of being overlooked. As he navigates the challenges of pursuing his dreams, Ben's journey becomes one of self-discovery in a world that often prefers to ignore the quiet and the broken. This novel is a poignant meditation on the human experience, using biting humor to address the struggles of fame, failure, and the search for genuine connection in a world full of facades.

The game is on for these enemies-to-lovers with laugh-out-loud banter and scorching-hot brat play. Tyler Neumann has spent years looking for his father, and not because he wants to meet the man. No, he wants to destroy him. And he’ll manipulate whoever he can to exact his revenge. Including Stella McCormick. She’s everything Tyler hates. Her wealth and privilege have protected her for her entire life, and Tyler thinks it's time she finally paid the price. Whether she’s ready to or not.

In this deathly funny and brilliantly original mystery from Adam Kay, former doctor and BAFTA-winning author of This is Going to Hurt, a chaotic young doctor might be the only one who can catch a killer targeting hospital officials—if his investigation doesn’t cost him his career first.

One wealth-obsessed man – who is also dead. One status-obsessed woman – who is the perfect accessory. Their four inheritance-obsessed children – each with a killer instinct. And a murder-obsessed outsider looking to expose them all. But there’s one thing money can’t buy… and that’s the truth.

When her mother emigrates to China for work, twenty-year-old Chizu moves in with 71-year-old Ginko, an eccentric distant relative, taking a room in her ramshackle Tokyo home, with its two resident cats and the persistent rattle of passing trains. Living their lives in imperfect symmetry, they establish an uneasy alliance, stress tested by Chizu's flashes of youthful spite. As the four seasons pass, Chizu navigates a series of tedious part-time jobs and unsatisfying relationships, before eventually finding her feet and salvaging a fierce independence from her solitude.

Lawyer turned murderer Björn wants to stop killing. Unfortunately, the prisoner in his basement is getting restless, the parents' committee at his daughter's preschool is clamouring for his attention, and to cap it all, he's also being blackmailed. To manage all this stress, he turns to a mindfulness coach to learn about the unmet needs of his inner child. As he begins listening to this inner child, he finds it doesn't just have needs, but solutions: creative ways he can solve his problems. All of them.

Introducing The Last Laugh Club. Four strangers who meet to discuss the one thing they don’t want to talk about. But sometimes, when it rains, it pours. Because retired copper Ray has been mugged. This is unfortunate – mostly for the thief, who ends up dead. Ray should feel guilty. But doesn’t quite. And that’s when The Last Laugh Club finds its calling. There are other bad people out there. People who the world might be better off without. And once you’ve had a taste, murder is strangely moreish . . .

The very liberal Kirks are throwing a party. For Howard Kirk, liberal sociology lecturer whose deluded sense of heroism has him moving seductively around the university campus, the net must be perfectly cast: ‘if you want to have something that’s genuinely unstructured, you have to plan it carefully.’ Kirk embodies the contradictions of the era’s intellectual and political climate. As he navigates complex relationships with his wife, his students and his colleagues, he pursues personal and professional agendas under the guise of progressive thought.

Fletcher Spence is dying for a promotion. And her colleagues are more than happy to oblige. After three years working seventy-hour weeks as assistant to the most terrifying CEO in the magazine world, Fletcher finally finagled a spot on Cartwright Media’s annual corporate retreat—a famously luxurious week on the Cartwrights’ private island, where promotions are handed out like party favors. And her plan to snag her dream job as a travel magazine photographer was going great...until her boss’s dramatic death reveals his last will and testament: Whoever survives the week will inherit the company.