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From the depths of a valley rises the city of Mahala. It's a city built upwards, not across - where streets are built upon streets, buildings upon buildings. A city that the Ministry rules from the sunlit summit, and where the forsaken lurk in the darkness of Under. Rojan Dizon doesn't mind staying in the shadows, because he's got things to hide. Things like being a pain-mage, with the forbidden power to draw magic from pain. But he can't hide forever. Because when Rojan stumbles upon the secrets lurking in the depths of the Pit, the fate of Mahala will depend on him using his magic.

The neighbors all whisper about the two sisters who live on the hill: It's Blanche Hudson who lives in that house, you know. The Blanche Hudson, who starred in big Hollywood films all those years ago. Such a shame her career ended so early, all because of that accident. They say it was her sister, Jane, who did it - that she crashed the car because she was drunk. They say that's why she looks after Blanche now, because of the guilt. That's what they say, at least.

When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania. What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves. Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them

I’m under the influence of centuries-old, incredibly powerful vampire Meg, and, as such, I’m wreaking havoc all over Splendor and the Netherworld. But, I can’t help it. I’m not even aware of what’s going on.

John Grissom's enhanced vampiric hearing leads him to investigate the oldest and most powerful order of vampires in England. His investigation takes him from London to Brighton and back again, from a vampire proof dungeon to a glittering masked assembly.

From first dates to shipwrecked sailors, encompassing modern horror to gothic tropes, this anthology has something for every listener with one thing in common: They want something to think about when they go to bed.

Her beauty was mingled with madness. Unable to escape the horrific memory of a pirate attack, Evangeline Avenes is haunted by the specter of diabolical Captain Pyke. But she was not the only child to survive that fateful day. Alessio Draven is forever connected to Evangeline through the violence and bloodshed. When the brutal man who destroyed her childhood turns up later in her life, destiny affords her revenge and she kills him.

Favel Farrington meets Roc Pendorric on the idyllic Mediterranean island of Capri, where she was raised and lives with her father. Roc sweeps her off her feet, taking her from her home by an emerald sea to the ancient family home of the Pendorrics, in Cornwall. His sister and her family await them with open arms, welcoming young Favel. She is the much anticipated Bride of Pendorric, a name that amuses and flatters her. The castle is beautiful in its way, but the atmosphere is foreboding. Roc's twin nieces begin watching her carefully; even the stones in the courtyard seem to have eyes.

When she was just fourteen, Jill’s family moved to Walney Island. Initially intoxicated by the freedom of the seaside setting—and fifteen-year-old Andrew Brownstone—she came to learn that her first impressions were very wrong. After making a shocking discovery in Seaview House, Jill fled the scene—a guilty secret she’s carried with her ever since. Now, thirty years later, when the decrepit Seaview House is being demolished, a body is found buried in the garden. But who is the deceased?

"Anoche soñé que volvía a Manderley...". Nadie que conozca la película basada en esta novela podrá olvidar la voz en off que recita la frase inicial de la obra más lograda de Daphne du Maurier: "Rebeca". Así comienzan los recuerdos de la segunda señora de De Winter, que la transportan de nuevo a la aislada y gris mansión situada en la húmeda y ventosa costa de Cornish. Con un marido al que apenas conoce, la joven esposa llega a este inmenso predio para ser inexorablemente ahogada por la fantasmal presencia de la primera señora Winter.

When an alcoholic archaeologist removes a scythe from the chest of an unusually well preserved plague victim, he unknowingly awakens a tyrannous ancient vampire. Halfway across the world, a long-dormant bloodline curse is simultaneously revived in college freshman Sofia Kennigen, a direct descendant of the old vampire's mortal queen.

Five years ago, I drove away from my birthday party, my father, and his mafia organization. I’ve been living off the grid in Moab, Utah. When my father is brutally killed, I am suddenly a wanted woman by various entities, including the Feds, the Cartel, my father’s odious second-in-command, and the head of the Gateway Syndicate, Nolan Hamilton, none of them good.

Una spietata caccia all’alce che si tramuta in una tragedia, un incubo adolescenziale che torna a perseguitare quattro adulti, un’acuta riflessione sul costo della rottura con le tradizioni. Un horror mozzafiato, campione di vendite e pluripremiato, capace di unire la tensione di una storia horror a una fine analisi sociale.

Young Fleetwood Shuttleworth is with child again. As the mistress of Gawthorpe Hall, she is anxious to provide her husband with an heir. But none of her previous pregnancies have come to term. Then she discovers a hidden letter from her physician that warns her husband that she will not survive another pregnancy. Distraught over the frightening revelation, Fleetwood wanders the woods of Pendle Hill, where she comes across a young local woman named Alice Gray who is gathering herbs. A midwife, Alice promises Fleetwood she can help her deliver a healthy baby.

The Lair of the White Worm is a horror novel by the Irish writer Bram Stoker. It was first published by Rider and Son of London in 1911 - the year before Stoker's death - with colour illustrations by Pamela Colman Smith. The story is based on the legend of the Lambton Worm. It has also been issued as The Garden of Evil.

At just three years of age, Estella is taken from her mother, adopted by the wealthy but eccentric Miss Havisham and taught how to break men's hearts. Satis House is dark and oppressive and life with the vengeful Miss Havisham a confusion of contradictory lessons, but the kindness of the household cook and Estella's love of the nearby marshes bring her some joy. Forced to play with Pip, a local boy from a lowly background, Estella captivates his soul and breaks his heart, exactly as Miss Havisham has planned.

Lange schon wütete der Rote Tod im Lande, nie war eine Pest verheerender, nie eine Krankheit grässlicher gewesen. Blut war der Anfang, Blut das Ende – überall das Rot und der Schrecken des Blutes. Mit stechenden Schmerzen und Schwindelanfällen setzte es ein, dann quoll Blut aus allen Poren, und das war der Beginn der Auflösung. Die scharlachroten Tupfen am ganzen Körper der unglücklichen Opfer – und besonders im Gesicht – waren des Roten Todes Bannsiegel, das die Gezeichneten von der Hilfe und der Teilnahme der Mitmenschen ausschloss, und alles, vom ersten Anfall bis zum tödlichen Ende, war das Werk einer halben Stunde.

Abandoned by her first-love on the eve of her arranged marriage, Simonetta resigns herself to life as a peasant mother in a village controlled by creatures of the night. But when her lost love returns, she must choose between her family and her last chance at freedom.

Joseph Thomas Sheridan Le Fanu was born on August 28th, 1814, at 45 Lower Dominick Street, Dublin, into a literary family with Huguenot, Irish and English roots. Between 1838 and 1840 Le Fanu had written and published twelve stories which purported to be the literary remains of an 18th-century Catholic priest called Father Purcell. Set mostly in Ireland they include classic stories of gothic horror, with grim, shadowed castles, as well as supernatural visitations from beyond the grave, together with madness and suicide.

Occasionally an author appears who, in a short career, emblazons a legacy so bright and so distinct, as well as popular, that it is difficult to believe it is the output of only one man. Robert Louis Balfour Stevenson was such a talent. Over the course of his prolific career, Stevenson had not only given his audience many classic novels but beautiful poetry such as ‘A Child’s Garden of Verses’ and many short stories as with his dark classic of Christmas Day ‘Markheim’ (1884).