検索キーワード： 第二次世界大戦・ホロコースト

Каждому свое — заключительная часть художественно-документальной трилогии Елены Съяновой, посвященной истории фашистского Третьего рейха и судьбам его вождей. Казалось бы, с документальной основой этого романа проблем не было — огромный массив материалов Нюрнбергского процесса исследователям доступен. Самая интересная их часть — это стенограммы допросов и записки американского психолога Гилберта, работавшего с подследственными. «Но, — пишет автор, — эти записки имеют мало общего с подлинником, не прошедшим цензуру и перевод». Елена Съянова работает с подлинниками.

Juin 1943. Alors que la paix ne semble plus qu'une illusion lointaine, Albane profite d'une parenthèse de bonheur. Après des mois d'attente, elle épouse enfin Raphaël. Mais la fête tourne court, interrompue par des soldats allemands. Ils viennent d'arrêter une fillette qui affirme connaître Albane. Il s'agit de Louisette, la fille illégitime de Louis Molinier. Touchée par le sort de cette orpheline, Albane décide de l'accueillir. L'enfant, qui cache un lourd secret, rejoint ainsi le rang des opprimés et des persécutés pour qui le château est devenu un refuge.

When war sends five displaced children to her door, Dodie Fitznorton knows life will never be the same. Eight-year-old Olive trembles when spoken to and won't say how she got a bruised lip, and her brother Peter seems angry at the entire world. With whispers of spies in the village and the children's precious futures at stake, Dodie must decide who to trust before everything she's built crumbles to ashes around her.

London, 1941. The war has robbed eight-year-old orphan Elsie of everything except her older brother Jack. Evacuated together, they escaped a cruel farming family only to find their home destroyed, their mother gone. Elsie hasn’t spoken since. Wandering under the falling ash, their stomachs twist with hunger and Jack knows he cannot protect Elsie alone. But everything changes when they join a rag-tag band of orphans, runaway evacuees who’ve returned to the city just like them.

London, 1941. Britain has endured the relentless bombing campaign of the Blitz and emerged, scarred but unbroken. Caitrin, too, strives to weather each challenge that comes her way, though her ever-ready banter belies deep heartbreak and loss. But now the war has entered another phase. Instead of indiscriminate bombing, the Luftwaffe is pinpointing historic targets, including cathedrals and ancestral homes. It's as if Germany plans to erase Britain's very essence and culture, destroying morale as it does so.

«Гнездо орла» — вторая часть художественно-документальной трилогии Елены Съяновой, посвященной истории фашистского Третьего рейха и судьбам его лидеров. Время действия 1937—1939 годы — зенит власти Адольфа Гитлера, период от аншлюса Австрии до начала Второй мировой войны. «Документов я получила так много, — рассказывает автор, — что весь этот период можно было буквально хронометрировать, снабдив текст ссылками на источники».

Nach einer wahren Geschichte ... Lehrer Heimann hat Anton immer mehr auf dem Kieker. Er gibt Strafarbeiten, wenn Anton zuckt. Er schlägt, wenn Anton schweigt. Er lacht ihn aus, wenn Anton stottert. Er spottet, wenn Anton rechnet. Einer wie Anton hat in der Schule nichts zu suchen. Einer wie Anton hat eigentlich überhaupt kein Recht zu leben. Denn Anton ist behindert, und es ist das Jahr 1941. Aus der Perspektive der Familie und ihres unmittelbaren Umfeldes wird erzählt, wie sich die Situation für Behinderte, für Juden und Andersdenkende zwischen 1938 und 1943 immer weiter zuspitzt...

Ein dunkles Familiengeheimnis um eine angesehene Familie von Bestsellerautorin Serena Avanlea. Devon, 1899: Elodie träumt davon, sich als Gestalterin in die familieneigene Tapetenfabrik einzubringen. Doch stattdessen wird sie als höhere Tochter in ein Leben gezwungen, das sie nicht will – und das sie beinahe zerstört. Welche dunkles Geheimnis verbirgt hinter der wunderschönen Tapete mit den weißen Lilien? Deutschland, 1981: Anna erbt eine Villa in England. Doch was zunächst als großes Glück erscheint, birgt eine düstere Vergangenheit.

Als Karen Cartwright in ihr Elternhaus zurückkehrt, um ihren kranken Vater zu pflegen, geht sie mit schwerem Herzen. Das Haus trägt die schmerzhafte Erinnerung an den tragischen Tod ihrer Mutter Elizabeth und die von ihrem Vater streng gehüteten Geheimnisse darüber, wie sie zu Tode kam. Beim Aufräumen entdeckt Karen ein altes Foto und den zerfledderten Liebesbrief eines Fremden an ihre Mutter, der nach dem zweiten Weltkrieg in Deutschland abgestempelt wurde.

Anna, Bernie en Elica sluiten een verbond om voor altijd vriendinnen te blijven. Maar zal hun vriendschap de verschrikkingen van de oorlog doorstaan? Het verraad van mijn zus is deel 2 van de Oorlogszussen-serie. De oorlog raakt iedereen, zo ook de bloedzussen. In de hoop herenigd te worden met haar man Daniël, loopt de wanhopige Elica het gevreesde hoofdkwartier van de Gestapo binnen. Ze is bereid alles op te offeren voor hun liefde. Anna en haar familie zijn overgeleverd aan de grillen van Ulf. Krijgt zijn obsessie voor Anna de overhand, of blijft hij loyaal aan de Führer?

NEW YORK, 1942. ER KÆRLIGHEDEN STØRRE END DRØMMEN OM SUCCES? Sophia arbejder for den succesrige Elizabeth Arden, men da en loyalitetskonflikt skaber problemer i hendes kærlighedsliv, overvejer hun, om tiden er inde til at stå på egne ben. Da veninden Henny pludselig bliver alvorligt syg, er Sophia nødt til at hjælpe, og hun vender tilbage til sin tidligere arbejdsgiver, Helena Rubinstein, der stiller hende over for en næsten umulig opgave. Samtidig melder Sophias mand sig frivilligt til at kæmpe ved fronten, hvilket bringer krigen i Europa foruroligende tæt på.

The BRAND NEW instalment in Rosie Clarke's heartwarming Blackberry Farm saga series.

يأخذ الروائي الأرجنتيني التشيلي، آريل دورفمان (1942)، يوماً من تقويم ذاكرة قُبيل الحرب العالمية الثانية، تحديداً اليوم الذي وقّعت فيه ألمانيا والاتحاد السوفييتي معاهدة عدم اعتداء، وتقسيم أوروبا، سراً، كمناطق نفوذ (20 آب/ أغسطس 1939)، ليسيّر فيه أحداث روايته "ثقة" الصادرة أواخر العام الماضي، بترجمة صالح علماني، عن "دار بلومزبري" في قطر، مُستخدماً فيها أكبر قدر ممكن من تقنيات السرد، ليعرض أزمة الثقة، ممتدّةً من علاقات أعضاء الحزب الواحد والناس العاديين مع السلطة، إلى الأصدقاء والأزواج. "ما كادت المرأة تدخل الغرفة 242، حتى رنَّ الهاتف".

Bravery, courage, fear, and love in a time of war. Despite their differences sisters Viann and Isabelle have always been close. Younger, bolder Isabelle lives in Paris while Viann is content with life in the French countryside with her husband, Antoine, and their daughter. But when the Second World War strikes, Antoine is sent off to fight, and Viann finds herself isolated, so Isabelle is sent by their father to help her. As the war progresses, the sisters' relationship and strength are tested.

After Grand-mere Ursule gives her life to save her family, their magic seems to die with her. Even so, the Orchires fight to keep the old ways alive, practicing half-remembered spells and arcane rites in hopes of a revival. And when their youngest daughter comes of age, magic flows anew. The lineage continues, though new generations struggle not only to master their power, but also to keep it hidden. But when World War II looms on the horizon, magic is needed more urgently than ever.

Once upon a time in an enormous forest lived a woodcutter and his wife. The woodcutter is very poor and a war rages around them, making it difficult for them to put food on the table. Yet every night, his wife prays for a child. A Jewish father rides on a train holding twin babies. His wife no longer has enough milk to feed both children. In hopes of saving them both, he wraps his daughter in a shawl and throws her into the forest. While foraging for food, the woodcutter’s wife finds a bundle, a baby girl wrapped in a shawl.

Claudia Hampton - beautiful, famous, independent, dying. But she remains defiant to the last, telling her nurses that she will write a 'history of the world...and in the process, my own'. And it is her story, from a childhood just after the First World War through the Second and beyond. But Claudia's life is entwined with others, and she must allow those who knew her, loved her, the chance to speak. There is Gordon, brother and adversary; Jasper, her untrustworthy lover and father of Lisa, her cool conventional daughter; and then there is Tom, her one great love.

It's 1940, and for newlywed Daisy Turner, Kew Gardens is a haven away from the bombs that are falling nightly on her East End home. She grew up around plants - her parents met when they were gardeners at Kew in the last war. And her work on the Dig for Victory campaign at Kew keeps her occupied while her husband, Rex, is away in the RAF. Beth Sanderson works with Daisy at the gardens, but she dreams of being a doctor while juggling her gardening job with nursing shifts. And there's the added complication of her forbidden romance with her colleague, Gus Campbell.

London, 1943: war and dwindling resources are taking their toll on the staff of Partridge Press. The pressure is on to create new books to distract readers from the grim realities of the war, but Partridge's rising star, Alice Cotton, leaves abruptly and cannot be found. Alice's secret absence is to give birth, and although her baby's father remains unnamed, Alice's mother promises to help her raise her tiny granddaughter, Eadie. Instead, she takes a shocking action. Theo Bloom is employed by the American office of Partridge.

1944. Maebelle Willett arrives in Oak Ridge, Tennessee, eager to begin her new government job and send money home to her impoverished family. She knows little about the work she will be doing, but she’s told it will help America win the war. Not all is what it seems, however. Though Oak Ridge employees are forbidden from discussing their jobs, Mae’s roommate begins sharing disturbing information, then disappears without a trace. Mae desperately attempts to find her but instead comes face-to-face with a life-altering revelation―one that comes at significant cost.