検索キーワード： 制作 "-emdashery books-" ルネサンス

Seit einiger Zeit wohnt Viktoria auf dem Bauernhof der Familie Weiß. Sie ist ein verwöhntes, störrisches Mädchen. Der Bauer und seine Frau bemühen sich sehr um sie. Für die Kinder der Familie ist das Mädchen ein Rätsel. Woher kommt sie? Wer ist ihr Vater? Warum läuft sie plötzlich weg? Eines Tages erscheint König Ludwig lll. auf dem Bauernhof.

È il 1840, Enrichetta ha diciannove anni e ha da poco perso il padre, Don Fabio Caracciolo, maresciallo del Regno delle Due Sicilie a Reggio Calabria, ultimo figlio del Principe di Forino. Lei è giovane, nobile, innamorata di Domenico. Ma la famiglia di lui non approva l’unione. Sì, Enrichetta vanta ascendenze illustri, ma è priva di solidità economica e il matrimonio non s’ha da fare.

Катерину, девушку, рожденную свободной, угнали в рабство и отняли все – Родину, мечты, будущее. Невероятно сильная духом она выстояла – боролась, страдала, любила, вернула себе свободу и человеческое достоинство. Одного из детей, которого она родила еще рабыней, Катерина любила больше жизни. И он отвечал ей взаимностью, хотя ему нельзя было называть ее мамой. Имя этого ребенка прогремело по всему миру. Его звали Леонардо да Винчи.

Kit Marlowe: playwright, poet, lover. In the plague-stricken streets of Elizabethan England, Kit flirts with danger, leaving a trail of enemies and old flames in his wake. His plays are a roaring success; he seems destined for greatness. But the queen's eyes are everywhere and the air is laced with paranoia. When Marlowe is arrested on charges of treason, heresy and sodomy—all of which are punishable by death—he is released on bail with the help of Thomas Walsingham, a man he presumes to be his friend, but who has in fact hired the infamous assassin Robin Poley to take care of Marlowe.

At the age of sixty-one, Judith Shakespeare, a midwife-apothecary and twin of the long-dead Hamnet, must flee provincial Stratford on horseback to avoid arrest for witchcraft. Her traveling companions are a zealous Puritan woman and child who have been displaced by civil war—the bloody seventeenth-century strife between Royalists and Roundheads. Judith is also leaving her marriage, which has foundered since the wrenching loss of two adult sons to the plague.

A great artist of the 17th century meets his superfan from another century in a tale of passion transforming into true love and sacrifice....

"Ich, die Königin" von Susan Hastings ist nicht nur ein historischer Roman - es ist eine Zeitreise ins Kastilien von 1464, ein Land geplagt von Unordnung und Ungerechtigkeit. In dieser raue Welt, wo Reisende und Kaufleute der Gnadenlosigkeit von Räuberscharen ausgeliefert sind und Adel und Klerus sich unerbittlich an der armen Bevölkerung bereichern, erscheint die Lage düster und verzweifelt. Aber aus dem Schatten tritt Isabella hervor, die Schwester des unauffälligen Königs Enrique. Mit ihrer eisernen Entschlossenheit und scharfen Intelligenz trotzt sie den Gezeiten und bringt Veränderung.

When Sir Guy promised Will's dying mother he'd look after her son, he couldn't imagine where that oath would lead. So he takes Will on as a man-at-arms for the worst job in England—guarding the deposed king. Will's fondness for making friends in the tavern and for the occasional company of barmaids runs contrary to Guy's personal code of honor-devotion to God and king. But the young man is a competent soldier and well-liked, so Guy settles for the occasional, public admonishment to keep the others from going down what he considers Will's path of dissolution.

Once upon a time a young couple met and fell in love. You probably know that story, and how it ended (hint: badly). Only here’s the thing: That’s not how it ended at all. Romeo and Juliet are alive and well and the parents of seven kids. I’m the oldest, with the emphasis on ‘old’—a certified spinster at twenty, and happy to stay that way. It’s not easy to keep your taste for romance with parents like mine. Picture it—constant monologues, passionate declarations, fighting, making up, making out … it’s exhausting.

France, 1351: Kemp and his men are captured in a skirmish near Calais, and subsequently imprisoned in a French castle. All attempts at escape are punished with death. Then Sir Hugues de Beauconray comes to Kemp with an offer: escort a Dominican friar on a quest to steal a mysterious book from an abbey in Scotland. Fail, and ten of Kemp's friends will be hanged.

Im 16. Jahrhundert ist das Wallis Schauplatz im Kampf um die Vorherrschaft in Europa. Inmitten von Krieg, Pest und der Jagd auf Hexen hat die Kräuterfrau Magdalena Capelani einen riskanten Beruf. Zwar wird ihr Wissen gebraucht, aber man traut ihr nicht: Wer sich mit den Kräften der Natur auskennt, steht mit dem Teufel im Bund. Und tatsächlich verfügt Magdalena über ein zweites Gesicht. Sie sieht den Tod ihres Bruders voraus, der in einer der Schlachten stirbt, in denen sich Kardinal Matthäus Schiner mit dem mächtigen Volkstribun Georg Supersaxo befehdet.

Первый роман Виктора Гюго описывает события, связанные с восстанием рабов на Гаити в 1791 году. Капитан Леопольд д'Овернэ и темнокожий вождь Бюг-Жаргаль без ума влюблены в прекрасную и кроткую Марию. Оба оказывают ей знаки внимания, оба одинаково отважны и бесстрашны, но все же удача улыбается капитану д'Овернэ и именно ему отдает Мария свою руку и сердце. К сожалению счастье молодоженов длится не долго. В день свадьбы происходит восстание рабов и Мария, а позже и ее молодой супруг попадают в плен к повстанцам.

In 16th century France, Marguerite de Valois is growing up in one of Europe's most dysfunctional families - the Medici clan. Their extreme inbreeding has led to an alarming number of genetic defects in France's kings. Marguerite alone has escaped this curse. Uncharacteristically beautiful, intelligent, and sane, she is seen as a useful pawn by her mother, Catherine de Medici. In a scheme to unite the country during the raging religious wars, the queen decides to marry her Catholic daughter to Protestant Henri, Prince of Navarre, a charming libertine.

In a shabby house, on a shabby street, in the new capital of Madrid, Luzia Cotado uses scraps of magic to get through her days of endless toil as a scullion. But when her scheming mistress discovers the lump of a servant cowering in the kitchen is actually hiding a talent for little miracles, she demands Luzia use those gifts to improve the family's social position.

Political alliances are beginning to rupture, and no state is immune: England, France, the Holy Roman Empire, Milan Genoa, Venice, Constantinople . . . Every mercenary knight must sharpen his sword and prepare for battle. But Sir William Gold has other problems. Just to reach Europe, he must capture its most unassailable fortress. He must also protect his liege lord, the Green Count, from assassins hell-bent on his death.

Devin Sharp, a gentle-natured boy, has trouble sleeping. Recurring visions of strangers moving among shadows in his bedroom keep waking him at night. He swears that what he sees and hears is real. To no avail. No one believes him.

My name is Katherine Parr. I’m thirty-one years old – already twice widowed. I love a man I can’t have. I’m to wed a man no one would want. He has cast aside two wives and watched another die in childbirth. Two more have had their heads struck from their bodies, on his order. What will become of me as Henry VIII’s sixth wife? I will have the king’s ear. With that comes power. But power means danger in the Tudor court.

XV. Louis'nin sarayının en sözü geçer metresi olan güzel, zeki, merak uyandırıcı Madame de Prie, kraliyet emrine göre sarayı hemen terk etmek ve Normandiya'dan Courbépine'deki çiftliğe çekilmek zorunda kalır. Fakat sürgün döneminde manipülatif oyunları iş görmez ve topluma olan açlığı gün geçtikçe artmaya başlar. Kendini ve çevresindeki insanları kandırma eğiliminde olan madam, Paris'teki hayatını renklendirmek adına malikânesinde sıkça gösterişli eğlenceler düzenlemeye başlar. Başlattığı oyunun bedeliyse bu kez çok ağır olur.

Alexander “Sander” Cooke is the most celebrated “boy player” in the Chamberlain’s Men, William Shakespeare’s theatre company. Indeed, Sander’s androgynous beauty and deft portrayal of female roles have made him the toast of London, and his companionship is sought by noblewomen and -men alike. And yet, now at the height of his fame, he teeters on the cusp of adulthood, his future uncertain. Often, he wishes he could stop time and remain a boy forever.