検索キーワード： 制作 "-- Kevin Wright --" ルネサンス

Artemisia Gentileschi dreams of becoming a great artist. Motherless, she grows up among a family of painters - men and boys. She knows she is more talented than her brothers, but she cannot choose her own future. She wants to experience the world, but she belongs to her father and will belong to a husband. As Artemisia patiently goes from lesson to lesson, perfecting her craft, she also paints in private, recreating the women who inspire her, away from her father's eyes. Until a mysterious tutor enters her life.

Once upon a time a young couple met and fell in love. You probably know that story, and how it ended (hint: badly). Only here’s the thing: That’s not how it ended at all. Romeo and Juliet are alive and well and the parents of seven kids. I’m the oldest, with the emphasis on ‘old’—a certified spinster at twenty, and happy to stay that way. It’s not easy to keep your taste for romance with parents like mine. Picture it—constant monologues, passionate declarations, fighting, making up, making out … it’s exhausting.

France, 1351: Kemp and his men are captured in a skirmish near Calais, and subsequently imprisoned in a French castle. All attempts at escape are punished with death. Then Sir Hugues de Beauconray comes to Kemp with an offer: escort a Dominican friar on a quest to steal a mysterious book from an abbey in Scotland. Fail, and ten of Kemp's friends will be hanged.

Im 16. Jahrhundert ist das Wallis Schauplatz im Kampf um die Vorherrschaft in Europa. Inmitten von Krieg, Pest und der Jagd auf Hexen hat die Kräuterfrau Magdalena Capelani einen riskanten Beruf. Zwar wird ihr Wissen gebraucht, aber man traut ihr nicht: Wer sich mit den Kräften der Natur auskennt, steht mit dem Teufel im Bund. Und tatsächlich verfügt Magdalena über ein zweites Gesicht. Sie sieht den Tod ihres Bruders voraus, der in einer der Schlachten stirbt, in denen sich Kardinal Matthäus Schiner mit dem mächtigen Volkstribun Georg Supersaxo befehdet.

In 16th century France, Marguerite de Valois is growing up in one of Europe's most dysfunctional families - the Medici clan. Their extreme inbreeding has led to an alarming number of genetic defects in France's kings. Marguerite alone has escaped this curse. Uncharacteristically beautiful, intelligent, and sane, she is seen as a useful pawn by her mother, Catherine de Medici. In a scheme to unite the country during the raging religious wars, the queen decides to marry her Catholic daughter to Protestant Henri, Prince of Navarre, a charming libertine.

From the author of The Good Wife of Bath comes this brilliant recreation of the vibrant, optimistic but politically treacherous world of London's Restoration theatre, where we are introduced to the remarkable playwright Aphra Behn, now a feminist icon but then an anomaly, who gravitated to the stage—a place where artifice and disguise are second nature and accommodates those who do not fit in.

Thomasin Marwood is one of Queen Catherine's ladies-in-waiting at the court of Henry VIII, and she does not trust Lady Anne Boleyn. But when an accident forces Thomasin and her family to take refuge at the Boleyn family home at Hever Castle, Thomasin is entrusted with an unexpected mission by Anne's mother.

As Allied bombs rain down on Torino in the autumn of 1942, Stella Costa’s mother sends her to safety with distant relatives in a Tuscan villa. There, Stella finds her family tasked with a great responsibility: hiding nearly 300 priceless masterpieces from Florence, including Botticelli’s famous Primavera. With the arrival of German troops imminent, Stella finds herself a stranger in her family’s villa and she struggles to understand why her aunt doesn’t like her. She knows it has something to do with her parents.

It is 1916 and Rasputin has finally been killed by those who have long feared his influence over Tsar Nicholas and Tsarina Alexandra. But for Princess Militza, famed as one of the 'Witches of St Petersburg', and her daughter Nadezhda, life is about to become extremely dangerous. Revolution is bubbling and with it will come the murder of the Romanov imperial family. Now the rest of the court is also on the run, fleeing from the mob. Against this violent and turbulent backdrop, Nadezhda, the witch's daughter, finds in exile and captivity an extraordinary and unlikely love.

After three long years of war and disruptions, Alfred hopes for a time of peace and tranquility. A time to devote his energy to bettering the lives of his people, to focus on what the future holds for his children, to nurture his alliances, and to see his previous endeavors bear fruit. But even the home front has bumps in the road. The campaign to suppress Teuton aggression has been costly, Lord Meriden's threat to disrupt the kingdom shows no sign of abating, and Nerrick's growing negativity casts a shadow over the mutual defense plans with the Territories.

All’approssimarsi di un evento decisivo per la storia della Cristianità – la battaglia di Lepanto (1571) che impegnerà la flotta mussulmana dell’Impero Ottomano e quelle alleate del Papa e dell’Imperatore guidate da don Giovanni d’Austria, figlio naturale di Carlo V d’Absburgo – a Messina un maturo frate intellettuale e una donna di nobili origini, giunta da Aquisgrana al seguito del giovane condottiero, tramano un complesso intrigo per favorire la flotta imperiale a scapito dei papisti, tra colpi di scena e difficoltà nel portare a buon esito il piano.

La increíble historia de Caterina, una niña nacida en la meseta caucásica. Su lengua era la más antigua del mundo y ella estaba destinada a ser una guerrera como sus ancestros, pero un día se vio arrastrada violentamente a la historia. Capturada en Tana, la última colonia veneciana en la desembocadura del Don, emprende un asombroso viaje por el Mar Negro y el Mediterráneo para llegar a Florencia en pleno esplendor del Renacimiento.

Highland Scotland was no place for a woman in the early 1500s. Life was turbulent and short, battles were waged, and sisters and daughters were traded as pawns in marriage. Catherine Campbell was one such young bride, betrothed to Lachlan Maclean and sent from her fine home to join him on the Isle of Mull, to bear his sons and heirs. But Lachlan proved to be nothing like the man of Catherine’s dreams, and she was forced to resign herself to enduring life with him for the sake of duty. Until the day when he threatened to take away the one thing she couldn’t sacrifice: her daughter.

Mia madre era una strega. O almeno così dissero quando la trascinarono via. Ma per me era vera solo una cosa: lei era il centro del mio universo. Avevo nove anni e la mia vita cominciò quel giorno. Inghilterra, 1573: in un mondo già illuminato dalla luce del Rinascimento, ma in cui ancora si dà la caccia alle streghe, la piccola Rose è figlia di una madre accusata di stregoneria, e per lei la vita sembra avere in serbo solo povertà e amarezza.

"Столпы земли" - грандиозная панорама самых темных лет в истории Англии, когда борьба за престол и междоусобные войны были привычным фоном жизни. Перед читателем раскрываются сплетенные в единый клубок истории самых разных людей - от простых ремесленников до графов и членов королевских семей. Воссоздан целый мир страстей и преступлений, интриг, тайн, страхов, любви и верности, на фоне которого медленно и величественно разворачивается строительство самого высокого собора в Англии.

"Столпы земли" - грандиозная панорама самых темных лет в истории Англии, когда борьба за престол и междоусобные войны были привычным фоном жизни. Перед читателем раскрываются сплетенные в единый клубок истории самых разных людей - от простых ремесленников до графов и членов королевских семей. Воссоздан целый мир страстей и преступлений, интриг, тайн, страхов, любви и верности, на фоне которого медленно и величественно разворачивается строительство самого высокого собора в Англии.

"Столпы земли" - грандиозная панорама самых темных лет в истории Англии, когда борьба за престол и междоусобные войны были привычным фоном жизни. Перед читателем раскрываются сплетенные в единый клубок истории самых разных людей - от простых ремесленников до графов и членов королевских семей. Воссоздан целый мир страстей и преступлений, интриг, тайн, страхов, любви и верности, на фоне которого медленно и величественно разворачивается строительство самого высокого собора в Англии.

Palermo 1632: Giulia is thirteen years old when she learns her mother Teofania's greatest secret. Her mother knows how to brew an undetectable lethal poison, which she uses to free the broken and abused women of Palermo. Now Teofania wants to pass her recipe on to her daughter, and Giulia soon learns that, in a time when women have no voice, justice is sometimes best served in a cup of wine. Rome, 1659: Years later, Giulia ends up alone and poor in Rome. Within the alleys and shadows of the Eternal City, she forms her own circle of female poisoners.

Florence, 1415. Banker Cosimo Medici is looked down upon as a jumped up money-changer. Then he marries the noble Contessina de Bardi and becomes the richest man in Europe. But his wealth and power threaten the Florentine elite, who are determined to bring him down. However, the House of Medici cannot be crushed that easily. Sixty years and many violent deaths later, the family are the unquestioned, ruthless rulers of Florence.

Seit einiger Zeit wohnt Viktoria auf dem Bauernhof der Familie Weiß. Sie ist ein verwöhntes, störrisches Mädchen. Der Bauer und seine Frau bemühen sich sehr um sie. Für die Kinder der Familie ist das Mädchen ein Rätsel. Woher kommt sie? Wer ist ihr Vater? Warum läuft sie plötzlich weg? Eines Tages erscheint König Ludwig lll. auf dem Bauernhof.