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The poems in Leaked Footages carry urgent subjects, ranging from death to disappearance to grief to memory. Not only do the poems fulfill the tradition of witnessing often manifested in contemporary poets such as Garous Abdolmalekian and Ilya Kaminsky, but they extend that tradition by the medium through which they witness: the technical and the technological.

The human senses, though finely tuned to observe, cannot comprehend the vastness of life. To go beyond our limitations, we must experience the world through feeling. Using striking imagery that cuts to the heart, Tributaries: A Book of Poetry deftly describes the wonders of the universe—from a fledgling bird to the unfathomable cosmic ocean above.

À l’arrière-saison, un chevalier quitte sa maison, seul, en proie aux pensées. La nature se défait—feuilles, fleurs, odeurs—tout tend à froideur et à neige. À l’écoute d’un propos de vérité, il mesure l’enfance passée, la jeunesse dépensée, l’honneur et la grâce divine. Composé à l’ombre d’un deuil—la mort du duc de Bourgogne, trépassé devant Nancy en Lorraine—ce poème méditatif interroge la gloire qui s’éteint, la vanité des choses et la constance des âmes. Une élégie chevaleresque, grave et sobre, où le temps et la mémoire conduisent vers une ferme résolution.

Discover the hidden depths of the male experience in Rust and Roots—a collection of 50 piercing, heartfelt poems by Elias Stone. This evocative work invites you on a transformative journey, unravelling the layers of stoic masculinity to reveal the inner struggles, quiet resilience, and emerging hope of everyday life.

Love is rarely a straight path. It stumbles, it soars, it aches, it heals. In Can I Say I Loved Her?, P. Pierre and YOA trace the fragile beauty of longing, desire, hope, and heartbreak through poems that are both intimate and universal. Like watercolor wings pressed against the page, each verse moves between vulnerability and strength, between love lost and love remembered.

Nestes poemas, Fabrício Corsaletti vai a São Sebastião das Três Orelhas, povoado na Serra da Mantiqueira, e passa os dias observando a paisagem, as montanhas, os vales, os ipês. Lá ele ouve as araucárias e os insetos, evocando uma espécie de locus amoenus, mas sem perder o humor e o lirismo que marcam sua poesia.

Je Dezembertag wird hinter diesen hörbaren Türchen ein Gedicht zu den Themen Winter, Advent, Weihnachten und Jahreswechsel alter bekannter und alter weniger bekannter Dichter:innen präsentiert.

A 2024 Best Book Awards Winner for Urban Poetry, and Finalist in both the Narrative and Contemporary Poetry categories, The Cabin at the End of the World is Douglas Cole’s first poetry collection to explore the prose poem. Inspired by Charles Baudelaire, Octavio Paz, Claudia Rankine and James Wright, Cole tells a tale of the world in fragmentary, dreamlike poems rich in musical language that retains a mystery bringing listeners back again. If the finger pointing at the moon is not the moon, then these poems are visions wrought in moonlight.

The year is 878. Young King Alfred struggles to regain his West Saxon kingdom from the invading pagan Danes led by Gormr (aka Guthrum, aka Godrum). His kingdom overrun, Alfred joins Gormr's court disguised as a Welsh gleeman. Gormr consults Alfred as a counselor and wizard, but resists Alfred's attempts to convert him. Meanwhile, Alfred learns that his lady and their children are Gormr's prisoners.

In this collection, Eugene Hewitt and his daughter Elizabeth share their love of poetry with listeners of all ages and each other. The poetry is meant to capture time spent with family and friends. These poems are also written for inspiration and moments of reflection on life, love, and the pursuit of happiness. Father and Daughter write for one another in what they hope will be a timeless classic to be passed down from one generation to the next. Eugene and Elizabeth both hope these poems will resonate with listeners and find a place in their hearts and souls.

Spring is a time of rebirth and renewal, when the world emerges from the slumber of winter and blossoms into a tapestry of vibrant colors and sweet scents. The air is filled with the fragrance of fresh blooms and the sweet aroma of freshly cut grass, as nature awakens from its hibernation and comes to life once again. The beauty of spring is not just in its stunning visuals and intoxicating scents, but also in the feeling of hope and new beginnings that it brings.

First published in 1855, when Whitman was 37, Leaves of Grass announced a new voice and style in American letters. It attempted to reach out to the common person with an optimistic epic that took the nation as its subject and encouraged readers to connect with nature and unite in a harmonious society where race and class are transcended.

Vivimos en cambio constante, con miedo a decir «te quiero» por las consecuencias que podría traer. Pero debemos arriesgarnos, tenemos que perdernos para poder encontrarnos, aprender del daño y seguir soñando. Quiere, quiere mucho. Pero nunca te olvides de quererte a ti. Cuando Manu Erena empezó a escribir poesía en sus cuadernos, no podía imaginar que se convertiría en un fenómeno de ventas gracias a la publicación de su primer libro, Consecuencias de decir te quiero, con el que ha llegado a lo más alto de las listas de best sellers.

John Donne was born on the 22nd January 1572 in London, into a Roman Catholic family when Catholicism was illegal in England, and there was turbulence and unrest with both state and church throughout much of Europe. During the 1590s, Donne wrote a wide range of verses, including both erotic and sacred poems, creating two major volumes of work. His strong vivacious and sensual style fusing intellect and passion, as well as inventive use of subtle argument and syntax, provided a new radical perspective that reached beyond his contemporaries.

Emily Dickinson was one of the most reclusive of all poets. She spent much of her life in seclusion in her father’s house in Amherst, and only a handful of her 1800 poems were published in her lifetime. Credit for the posthumous publication of her work must be given to her editor and friend Thomas W. Higginson, who reported that, in spite of the voluminous correspondence which passed between himself and Dickinson, he only met her twice in person.

Our quoted authority is not the people in white coats but those with a quill, a heart and a soul that can take these feelings of love and loss and with the ink of words put to verse feelings and emotions that can be re-lived and shared by all. As they venture through depression, war, slavery to heartache and the loss of loved ones our eyes may mist and tears gently fall at what collectively we have done, have experienced, have witnessed and lost.

Featuring both Ak’abal’s Spanish translations from the indigenous K’iche’ and English translations by acclaimed poet Michael Bazzett, this collection blossoms from the landscape of Momostenango—mountains covered in cloud forest, deep ravines, terraced fields of maize. Ak’abal’s unpretentious verse models a contraconquista—counter-conquest—perspective, one that resists the impulse to impose meaning on the world and encourages us to receive it instead.

Balmont's lyrical prowess shines through his poignant verses, offering listeners a profound exploration of themes such as love, nature, spirituality, and the human experience. With exquisite language and evocative imagery, Balmont's poems evoke a range of emotions, transporting listeners into a world where beauty and introspection intertwine.

The Prophet is a book of 26 prose poetry fables written in English by the Lebanese-American poet and writer Kahlil Gibran. It was originally published in 1923 by Alfred A. Knopf. It is Gibran's best known work. The Prophet has been translated into over 100 different languages, making it one of the most translated books in history, and it has never been out of print. The prophet, Al Mustafa, has lived in the city of Orphalese for 12 years and is about to board a ship which will carry him home. He is stopped by a group of people, with whom he discusses topics such as life and the human condition.

A treasure of compiled poems about the magic and mysteries of the sea, K. J. Neithercutt invites us into a deeply magical, fantastical, and mysterious aquatic world with her poetry.