検索キーワード： 制作 "Audible studios" 短編小説

First published in 1988, the award-winning Trash showcases Allison at her most fearlessly honest and startlingly vivid. The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse; and the healing power of storytelling.

कबीरदास का यह दोहा वरिष्ठ लेखक राजेन्द्र राव के इस कहानी-संग्रह पर खरा उतरता है। संग्रह की पहली दस कहानियाँ प्रेम के अलग रंग-रूप और सौन्दर्य को पाठकों के सामने जीवन्त रूप में प्रस्तुत करती हैं।

‘tetaree’ bhojapuree kahaanee-sngrah hai jisamen kul 11 kahaaniyaan snkalit hainl sheerṣak kahaanee 'teteree' jo teen bhaa_iyon ke baad janmee subhaagee ladakee hote hue bhee durbhaagy aur apamaan kee gaṭharee ḍhotee hai aur samaaj dvaaraa ḍaayan karaar kar die jaane ke baavajood khush v sntuṣṭ hai.

Premchand ne hindi kahaanee ko ek nishchit pariprekshy aur kalaatmak aadhaar diya. Unkee kahaaniyaan parivesh buntee hai. Paatr chuntee hai. Uske sanvaad bikal usee bhaav-bhoomi se liye jaate hain jis bhaav-bhoomi mein ghatna ghat rahee hai. Isliye paathak kahaanee ke saath ansyoot ho jaata hai. Isliye Premchand yathaarthvaadee kahaaneekaar hain. Lekin ve ghatna ko jyon ka tyon likhne ko kahaanee nahin maante.

Álex Ayala escribe acerca de unos jubilados que cumplen heroicamente su última misión en la vida: vigilar una estatua de John Lennon para que nadie robe sus características gafas. Y también lo hace sobre los habitantes de un pueblo de Bolivia que comercian con sus recuerdos sobre las últimas horas de vida del Che Guevara. En otro capítulo se habla del sastre Sillerico, quien ha gozado del dudoso honor de ver en paños menores a la mayoría de los presidentes de su país.

Urdu bhaasha ke prakhyaat kahaaneekaar Saaadat hasan Manto vishv katha sahitya kaa ek aisa naam hai, jisase sahitya kee samajh aur prem rakhne vaala pratyek paathak parichit hai. Manto ne apane jeevan kaal mein samaaj kee jis gandagee aur ghinaunepan kaa anubhav kiya tatha jindagee ke jahar ko mahasoos kiya, use hee apnee kahaaniyon mein utaara. Manto kee kahaaniyaan ek arth mein manovaigyaanik sansanee paida karne vaalee kahaaniyaan hain.

Isliye ye apni priyata ki saarthakta siddh karti hain.

Bees saal ki umr paar karte hee Rusty Dehra chodhkar London chala jata hai. Uske mann mein sapna hai vahan jaakar ek lekhak banne ka. Din mein vah clerk ki naukari karta hai aur der raat jaagkar likhta hai. Tees saal vahan bitaane ke baavjood Rusty ko London ras nahin aata. Uske mann mein, yaadon mein ab bhi basa hai Bharat aur Dehra, jahan usne apna bachpan bitaya tha. Aakhirkaar vah Dehra vaapis aa jata hai aur fhir vahin rehta hai.

In this moving collection of short stories and essays, Gordon Lee Johnson (Cupeño/Cahuilla) cements his voice not only as a wry commentator on American Indian reservation life but also as a master of fiction writing. In Johnson’s stories, all of which are set on the fictional San Ignacio reservation in Southern California, we meet unforgettable characters like Plato Pena, the Stanford-bound geek who reads Kahlil Gibran during intertribal softball games; hardboiled investigator Roddy Foo; and Etta, whose motto is “early to bed, early to rise, work like hell, and advertise”.

Tall and sturdy, their leaves gently rustling in the wind, trees form the backbone of life on Earth. They never discriminate between life forms while welding them from the heat or showering them with their bounty. But these providers of life have always been taken for granted, chopped down or burnt to ashes to accommodate the March of modernity. In this book, Ruskin Bond gives a humane touch to these gentle giants, from the legendary Willows, who do more than ‘weep’, to the godlike deodars, who are forever trying to reach the heavens to live up to their name.

En las historias de Manos de lumbre, como diría Jean-Paul Sartre, no hay necesidad de fuego, el infierno son los otros. Un escritor que practica el plagio literario, una mujer obsesiva bajo una maternidad malentendida o una enferma frente al trance de elegir son algunos de los personajes de Alberto Chimal que conviven con su propio infierno, con su propio disimulo, manipulación o incertidumbre.

Esta obra constituye tal vez una de las síntesis más perfectas del imaginario de Galeano: celebraciones, sucedidos, crónicas, sueños, memorias y desmemorias; todo ello mediante relatos breves, directos, conmovedores, asombrosos, en los que hasta las paredes hablan.

जुड़वाँ लेखकों की दुनिया एक साथ देखना अपने-आप में रोमांच भर देता है। इस कहानी-संग्रह की सबसे बेहतरीन बात यही है कि एक ही किताब में आपको ज़हनी तौर पर दो अलग-अलग शैलियों के रास्ते मिलते हैं।

El estreno es un ajuste de cuentas, una declaración de amor a la literatura, un homenaje en clave humorística a un puñado de prosistas (Bernhard, Pessoa, Mann, Dickens) y, en fin, una rotunda manifestación de la estela centroeuropea en la que Pablo d'Ors se ha movido como narrador.

शिवानी नारी जीवन व उसके मन की पर्तों को गहराई से उद्घाटित करने वाली विषयवस्तु के कारण हिन्दी की महिला कथाकारों में अपना विशिष्ट स्थान रखती हैं ।

वरिष्ट कथाकार फणीश्वरनाथ 'रेणु' की ये चुनी हुई कहानियाँ उनके समग्र लेखन का प्रतिनिधित्व करती हैं । इनमें उनकी 'तीसरी कसम’ जिस पर बहुचर्चित फिल्म भी बनी

हिन्दी साहित्य के आधुनिक कहानीकारों में अग्रगण्य राजेन्द्र यादव की अपनी चुनी हुई कहानियाँ इस संकलन में संगृहीत हैं।

प्रतिभा राय की गिनती भारत के अग्रणी लेखकों में होती है । इस पुस्तक में उन्होंने उन बारह कहानियों को चुना है जो उन्हे विशेष प्रिय हैं ।

In "Newlywed", an unhappily married young man deliberately misses his stop on the train, only to be questioned by a shape-shifting homeless man about the trials of his marriage. In "Blood and Water", a woman recalls how she left the village she grew up in - which was run by a New Age cult - in order to lead a fulfilling life, even against her parents' wishes. And in the title story, "Lizard", a woman who has never before felt truly secure in her life admits a deep secret to her lover.

Racconto magico, Il colombre ha come protagonista lo squalo di misteriosa natura che si rende visibile solo alla propria vittima, che inseguirà per anni e anni finché sarà riuscito a divorarla. Durante un viaggio per mare col padre, il piccolo Stefano ha la sciagura di vedere il mostro: per tutta la sua lunga vita di navigatore resterà inchiodato a una muta, terribile gara a distanza. Ma quando, ormai vecchio, egli si deciderà a sfidare lo squalo, apprenderà da lui che ben altro era il compito della bestia.