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Lone Stars follows the arc of four generations of a Texan family in a changing America. Julian Warner, a father at last, wrestles with a question his husband posed: what will you tell our son about the people you came from, now that they're gone? Finding the answers takes Julian back in time to Eisenhower's immigration border raids, an epistolary love affair during the Vietnam War, crumbling marriages, queer migrations to Cambridge and New York, up to the disorienting polarization of Obama's second term.

Farah moves into Liberty House - an arcadia, a community in harmony with nature - at the tender age of six, with her family. The commune's spiritual leader, Arcady, preaches equality, non-violence, anti-speciesism, free love, and uninhibited desire for all. At 15, Farah learns she is intersex, and begins to go beyond the confines of gender, as she explores the arc of her own desires. What, Farah asks, is a man or a woman? What does it mean to be part of a community? What is utopia when there are refugees nearby seeking shelter who cannot enter?

After retrieving the magical Tarlaeth and ensuring those who seek to use it remain in exile, the fierce warrior Shalmar returns to a celebration of victory. But her celebration is short-lived. Shalmar can feel another evil approaching, one darker and more powerful than she’s ever seen before. When a lone rider visits her in her dreams, haunting her with questions from her murky past, Shalmar soon finds herself on a quest to recover something that was lost in her childhood.

Shalmar is an Amazon warrior, feared and renowned among the people of her home country Gilsk. But when a prized statuette from a neighbouring country mysteriously disappears, tensions between the two kingdoms flare and their war reaches an all-time high. In an attempt to stop the bloodshed, Shalmar recruits the newly trained Jacqueline to help her retrieve the sacred statuette. As they embark on their search, the connection between them soon becomes undeniable. But the missing statuette holds a frightening and evil power.

Set in the wide-open spaces of the American West, The Power of the Dog is a stunning story of domestic tyranny, brutal masculinity, and thrilling defiance from one of the most powerful and distinctive voices in American literature. The novel tells the story of two brothers—one magnetic but cruel, the other gentle and quiet—and of the mother and son whose arrival on the brothers’ ranch shatters an already tenuous peace.

Eighteen-year-old aspiring comic Joey Rossi just found out his boyfriend has been cheating on him for the past 10 months. But what did he expect? Joey was born with an addiction to toxic jerks - something he inherited from his lovably messy, wisecracking, Italian-American spitfire of a mom (and best friend): 34-year-old Gia Rossi. When Gia’s latest non-relationship goes up in flames only a day later, the pair’s New Jersey apartment can barely contain their rage. In a misguided attempt at revenge, Joey and Gia inadvertently commit a series of crimes and flee the state....

Born under different stars, Protestant Mungo and Catholic James live in a hyper-masculine world. They are caught between two of Glasgow’s housing estates where young working-class men divide themselves along sectarian lines, and fight territorial battles for the sake of reputation. They should be sworn enemies if they’re to be seen as men at all, and yet they become best friends as they find a sanctuary in the doocot that James has built for his prize racing pigeons. As they begin to fall in love, they dream of escaping the grey city.

Keith Ridgway, author of the acclaimed Hawthorn & Child, writes about people whose understanding of their own situation is only ever partial and fuzzy, who are consumed by emotions and anxieties and narratives, or the lack thereof, that they cannot master. He focuses on peripheral figures who mean well and to whom things happen, and happen confusingly, and his fictional strategies reflect this focus. In a deftly conjured high-wire act, Ridgway achieves the fine balance between the imperatives of drama and fidelity to his characters.

In the summer of 1973, teenage Ruth and her four friends are obsessed with pre-Raphaelite paintings and a little bit obsessed with each other. They spend the scorching summer days in the river by Ruth's grand family home, pretending to be the drowning Ophelia and recreating tableaus of other tragic mythical heroines. But by the end of the summer, real tragedy has found them. Twenty-four years later, Ruth is a wife and mother of three children and moves her family into her still-grand, but now somewhat dilapidated, childhood home following the death of her father.

Hanne is nearly 15, and the domestic world of womanhood is quickly closing in on her. A child of nature, she yearns instead for the rush of the river, the wind dancing around her. Hanne finds little comfort in the local girls, and friendship doesn't come easily, until she meets Thea and she finds in her a kindred spirit and finally, acceptance. Hanne's family are Old Lutherans, and in her small village hushed worship is done secretly—this is a community under threat.

Teddy Spenser spends his days selling design ideas to higher-ups, living or dying on each new pitch. Stodgy engineer types like Romeo Blue, his nemesis - if you can call someone who barely talks to you a nemesis - are a necessary evil. A cute necessary evil.

Of all the women and men Noni Blake has pleased in her life, there’s one she’s often overlooked - herself. After the end of a decade-long relationship, Noni decides it’s time for that to change. She’s finally going to prioritize her wants and desires and only do things (and people) that feel good in the moment. As she embarks on a pleasure-seeking quest that takes her halfway around the world, she discovers that maybe she can have everything, and everyone, she’s ever wanted.

Raised as a boy in a grand but unhappy family in Nigeria, Otolorin Akinro escapes to boarding school knowing two things: she is truly a girl, and to stay safe, she must hide that truth. Away from the cruelty of her childhood home, Oto blooms even as she strives to be the best boy she can, finding true friendship and working hard to earn a scholarship to an American university, hoping someone out there might help her understand the secrets her body holds.

Stuck in a dead-end job, broken-hearted, broke and estranged from her best friend, Violet's life is nothing like she thought it would be. She wants more - better friends, better sex, a better job - and she wants it now. So, when Lottie - who looks like the woman Violet wants to be when she grows up - offers Violet the chance to join her exciting start-up, she bites. Only it soon becomes clear that Lottie and her husband, Simon, are not only inviting Violet into their company, they are also inviting her into their lives.

26-year-old Akash Amin has everything he ever wanted, but as he tries to kickstart his songwriting career and commit to his boyfriend, he is haunted by the painful memories of the first boy he ever loved. When his mother tells him she is selling the family home, Akash returns to Illinois, hoping to finally move on. Renu Amin always seemed perfect: doting husband, beautiful house, healthy sons. But as the one-year anniversary of her husband's death approaches, Renu can't stop wondering if she chose the wrong life thirty-five years ago.

Andrew and Eddie did everything together, best friends bonded more deeply than brothers, until Eddie left Andrew behind to start his graduate program at Vanderbilt. Six months later, only days before Andrew was to join him in Nashville, Eddie dies of an apparent suicide. He leaves Andrew a horrible inheritance: a roommate he doesn’t know, friends he never asked for, and a gruesome phantom that hungers for him.

Dazzling drag couture and cosmic terror weave together to reveal a tale of horrifying design.

In his Locus review of Two Worlds and in Between - the first volume of The Best of Caitlín R. Kiernan - Gary K. Wolfe wrote, “...it makes you wish the second volume were here now.” Well, the long wait is over. This second volume completes this ambitious undertaking, collecting the finest of Kiernan’s stories from 2004 to 2012, selected by the author herself. The book includes 25 short stories and one poem, plus the short novel Black Helicopters - more than 200,000 words of fiction, including the World Fantasy Award-winning “The Prayer of 90 Cats”.

When Julia flees her unhappy marriage for the handsome tailor Eve Perret, she expects her life from now on will be a challenge, not least because the year is 1911. They leave everything behind to settle in Vienna, but their happiness is increasingly diminished by Julia's longing for a child. Ada Bauer's wealthy industrialist family have sent her to Dr Freud in the hope that he can fix her mutism and do so without a scandal. But help will soon come for Ada from an unexpected quarter and change many lives irrevocably.

Men are disappearing from Toronto's gay village. They're the marginalized, the vulnerable. One by one, stalked and vanished, they leave behind small circles of baffled friends. Against the shifting backdrop of homophobia throughout the decades, from the HIV/AIDS crisis and riots against raids to gentrification and police brutality, the survivors face inaction from the law and disinterest from society at large. But as the missing grow in number, those left behind begin to realize that whoever or whatever is taking these men has been doing so for longer than is humanly possible.