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Stories matter. In this collection of poems and stories that are shaped like poems, Ken Briodagh hopes to say that every story has the potential to educate, titillate, entertain, and stimulate. He also thinks that the most fun and interesting stories come from those places that are deemed “sinful” by authority figures and killjoys (not mutually exclusive). Here, he explores being queer, loving as much as possible, living polyamorous, and his probable overfondness of allegory. (Note: Sorry, Papa Tolkien.)

Requiem & Rebirth is an anthology and debut book from author/illustrator Skyler Rose (@chronicmaverick). We follow Skyler as they recall and attempt to come to terms with the memory of their abusive relationship and past traumas. This collection is a testament to laying the past to rest through rebirth and self-recovery, with the absolute belief that self-worth can weather any storm or self-love drought we go through along the way.

Visceral and astonishing, Paul Tran's debut poetry collection All the Flowers Kneeling investigates intergenerational trauma, sexual violence, and U.S. imperialism in order to radically alter our understanding of freedom, power, and control. In poems of desire, gender, bodies, legacies, and imagined futures, Tran’s poems elucidate the complex and harrowing processes of reckoning and recovery, enhanced by innovative poetic forms that mirror the nonlinear emotional and psychological experiences of trauma survivors.

In As I Ascend, Sina not only gives listeners an intimate, unfiltered look into her own experiences with romantic love and heartbreak; she also explores self-love and love for her culture – Black culture. She examines the lunacy of what it means to be Black in America in the poem "The Evolution of Woke" while also celebrating the unmatched characteristics of her people in poems such as "Sunflowers" and "Superheroes".

Welcome to Midland is a queer coming-of-age narrative in verse set against the backdrop of conservative, small town Texas. These linked poems explore the cultural and natural history of West Texas (from the horned lizard to dirt storms to Laura Bush’s car accident), connecting events and movements from across eras to create a tenuous yet strong sense of place.

The Lyme Letters is epistolary verse that spells out a memoir. R, a nonbinary femme character, narrates their experience of disease and recovery through recurrent letters to doctors, pets, family members, lovers, and a “Master”. R, in letter form and repurposed religious texts, also explores the paradoxical experiences of queer non-reproductivity, chronic illness and disability, and the healing that can be found in the liminal spaces between.

Mr. Hunter has a passion for expressing his voice through the writing of children’s books and poetry. This book is a compilation of about three dozen poems written during his younger years accompanied by narrative reflections on the inspiration for much of the poetry as he navigated early life through loss, love, abuse, and work as a bisexual and gay identified person.

A raw and relatable story of emotional growth and self-exploration told in the style of poetry. Company Alone is there when you can't find the words and struggle with the emotions. This story will remind you to fall in love with your own company and listen to the voice that you may often ignore.

Demcak continues to blossom as a poet of note with Zero Summer, his newest collection of pieces of imagination married to craftsmanship. These poems define lust, desire, onanism, finding and feeling and losing love affairs, childhood longings, and memories - the sum of a sensual being. Demcak's range is from the lyrical ("Vincent V. in 1993") to the raw ("Venus in Furs").

Dazzle your mind with this one of a kind force of the brain's handiwork.

Inside the phobic and the crushing we trudge through the wreckage, the slippage, and the comic, in our search for joy. The beauty in these poems is an amalgam, like a gathering storm, of the meteorological and political, the mundane and the distressing.

Aside from a delicious fruit best enjoyed with chocolate, Black Cherry is a collaborative effort by 18 Black queer authors and poets sharing a singular vision. With stories and poems ranging from saccharine to downright sultry, Black Cherry is full of sensual delights. Black Cherry celebrates the unique, powerful, intimate connection between Black women. L.M. Bennett delivers her delightfully snarky short “Regards, My Dear", Dujuana Sharese drops truth bombs in the stunningly introspective “Self Deflection", and much, much more.

Following in the footsteps of such category killers as Milk and Honey and Whiskey Words & a Shovel I, Fariha Róisín's poetry book is a collection of her thoughts as a young, queer, Muslim femme navigating the difficulties of her intersectionality. Simultaneously, this compilation unpacks the contentious relationship that exists between Róisín and her mother, her platonic and romantic heartbreaks, and the cognitive dissonance felt as a result of being so divided among her broad spectrum of identities.

This collection of poems is about the people I adore, the house that Mel and I lived in and the love that we shared, and the land that I breathe.

Ink and Magic is a poetic picture of life and inspirations drawn from anxiety, relationships, writing, and motivation. Words that are made to evoke emotions and encourage and support others the way I have been. After each poem I try to explain where my head and motivation was at when I worked to create it. Contains profanity, descriptions of panic, allusions to sex, and maybe hope.

Indecency is boldly and carefully executed and perfectly ragged. In these poems, Justin Phillip Reed experiments with language to explore inequity and injustice and to critique and lament the culture of white supremacy and the dominant social order. Political and personal, tender, daring, and insightful - the author unpacks his intimacies, weaponizing poetry to take on masculinity, sexuality, exploitation, and the prison industrial complex and unmask all the failures of the structures into which society sorts us.

What does it mean to claim your space in a world that’s ending? Sarah M. Sala’s Devil’s Lake breaks open the American moment of unchecked gun violence, climate changes, and the growing rift between "us" and "them" with formal daring. Like a prism, this startling debut fractures into shades of possibility and memory, queering science, nature, and form to lay bare the colors of joy despite a world that seems intent on its destruction.

In this debut poetry collection, Halsey bares her soul. Bringing the same artistry found in her lyrics, Halsey’s poems delve into the highs and lows of doomed relationships, family ties, sexuality and mental illness. More hand grenades than confessions, these autobiographical poems explore and dismantle conventional notions of what it means to be a feminist in search of power.

A Hundred Lovers is a catalog of encounters, sublime, steamy, and frank. Inspired by French autofiction, the poems feel both sharp and diaristic; their lyrical, intimate world brings us everyday scenes imbued with sex. "Eros enters, where shame had lived," the speaker observes, as the poems explore risk and appetite, promiscuity and violence, and, in the wake of his marriage, questions about monogamy and desire.

Jonah Mixon-Webster works at the intersections of space and the body, race and region, sexuality and class. Stereo(TYPE), his debut collection of poetry, is a reckoning and a force, a revision of our most sacred mythologies, and a work of documentary reporting from Mixon-Webster’s hometown of Flint, Michigan, where clean tap water remains an uncertainty and the aftermath of racist policies persist.