検索キーワード： 制作 "-- Kevin Wright --" 芸術家・建築家・写真家

В книгу включены важнейшие сочинения Василия Кандинского: его первое теоретическое обоснование абстракционизма и эстетический манифест художника "О духовном в искусстве", автобиографические записки "Ступени", в которых художник рассказывает, почему он посвятил свою жизнь искусству, и фундаментальное исследование основ художественного языка "Точка и линия на плоскости". Также в издание вошли статьи по педагогике искусства.

Life with Picasso, written with Carlton Lake, is about Picasso the artist and Picasso the man. We hear him talking about painting and sculpture, his life, his career, as well as other artists, both contemporaries and old masters. We glimpse Picasso in his many and volatile moods, dismissing his work, exultant over his work, entertaining his various superstitions, being an anxious father. But Life with Picasso is not only a portrait of a great artist; it is also a picture of a talented young woman of exacting intelligence at the outset of her own notable career.

कलेला जीवन वाहिलेल्या व्यक्तीने लग्नाच्या भानगडीत पडावं की नाही ? त्याचं पहिलं लग्न आवडीच्या कलेबरोबर लागलेलं असतं. डोक्यात सदैव आगामी कलाकृतीविषयीचा विचार किंवा तिची प्रत्यक्ष निर्मिती सुरू असते. कितीही संवेदनशील असलं तरीही आपल्या सहचरणीच्या भावना त्याच्या लक्षात येऊ शकत नाहीत. त्याचं पर्यावसन दुःखद , वेदनामय होऊ शकतं. दैवाचा खेळ !

Throughout his five-decade career, film director Abel Ferrara—now in his seventies—has been one of cinema’s most provocative and critically revered figures. Since beginning as an independent filmmaker in Manhattan in the early 1970s—before “indie films” were a genre—and refining his craft as a director for the TV show Miami Vice, he has directed more than thirty feature films, most notably the cult classics Bad Lieutenant, King of New York, and Dangerous Game.

« Mes grands-parents ont grandi à l’Est de l’Europe, dans des pays de grands froids. Ils ont connu le chaos, les persécutions et l’exil. Plus qu’un désir, une fascination, la France fut pour eux une intuition. Même si tout cela m’est inconnu, cela ne m’est pas étranger. Je porte en moi leurs racines et aujourd’hui, sans que je les convoque, elles se rappellent à moi. ».

Camille Claudel la transgressive, la sculptrice de génie, l’artiste sulfureuse et maudite, l’amante libre de Rodin, basculant dans la folie, enfermée à l’asile durant les trente dernières années de sa vie. Artiste trop avance sur son temps, elle s’affranchit de toutes les règles, de toutes les conventions sociales. Son œuvre sera sa vie. Outre qu’elle a sculpté avec acharnement durant trente ans, elle a été, quasiment toute sa vie, une épistolière assidue. Des lettres, elle en a écrit des centaines, et nombreuses sont celles perdues ou détruites.

This is the story of a woman who wielded imagination and hope in the face of intolerance and who transformed everything she touched into art. In this compelling biography, author Marilyn Chase brings Ruth Asawa's story to vivid life. She draws on Asawa's extensive archives and weaves together many voices to offer a complex and fascinating portrait of the artist.

In this brilliantly listenable autobiography, one of India’s greatest writers shows us the roots of everything he has written. He begins with a dream and a gentle haunting before taking us to an idyllic childhood in Jamnagar by the Arabian Sea and New Delhi in the early 1940s - where he found material for his first short story. A search for companionship and security, undercut by a fierce independence and a tendency for risk-taking, would inform every choice he made for the rest of his life.

Scritta tra il 1943 e il 1944, durante la sua militanza nel Comitato di Liberazione Nazionale, viene pubblicata nel 1945, a guerra ormai conclusa...

VI VED JO HVORDAN DET ER AT VÆRE MENNESKE er et enestående kig ind i hoved, hjertekule og hylster på en af Danmarks mest markante, nysgerrige og alsidige skuespillere. Et opgør med den gamle traver om et fag, hvis aktører er for nærige og hemmelighedsfulde til at give noget af sig selv. Det er en bog om at gøre brug af andres fortælling - de virkelige væsners såvel som de fiktives. En bog om at tage sig selv op til revision. En bog om rollerne og om livet indimellem. En bog om det, vi har til fælles: At være menneske og historiefortæller.

Un brillante escritor de repercusión mundial. Escritor y etnólogo peruano, renovador de la literatura de inspiración indigenista y uno de los más destacados narradores de su país del siglo XX, su prosa directa y vigorosa buscó con afán denunciar las eternas desigualdades entre el indígena y los terratenientes, dueños de una labor opresora y abusiva que él consideraba "intolerable".

The paintings of Johannes Vermeer of Delft are some of the most beautiful, even sublime, in the history of art. Yet like the life of Vermeer himself, they are mysterious and have for centuries defied explanation. Following new leads, and drawing on a mass of historical evidence, some of it freshly uncovered in the archives of Delft and Rotterdam, Andrew Graham-Dixon paints a dramatically new picture of Vermeer, revealing many of the painter’s hitherto unknown friendships as well as his previously undetected allegiance to a radical movement driven underground by persecution.

" Le 19 avril 1980, une foule immense, silencieuse, accompagne le convoi funèbre de Sartre jusqu’au cimetière du Montparnasse, à Paris. Derrière Simone de Beauvoir, en tête de cortège, plus de cin-quante mille personnes sont venues rendre un dernier hommage au penseur français le plus célèbre au monde. Comment expliquer sa notoriété, comment mesurer aujourd’hui l’impact de la pensée et de l’écriture de Sartre dans la société actuelle ?

Appréhender l’œuvre et la pensée de Machiavel n’est pas un exercice facile, tant l’ombre du machia-vélisme plane au-dessus d’elles. De ces fables, l’auteur nous invite à nous départir afin d’accéder à la pensée politique de l’humaniste et chancelier de Florence, Niccolò Machiavelli et aux conditions de sa formation. Ainsi nous découvrons l’homme Machiavel, soucieux de se mettre au service de la Sei-gneurie de Florence et se lamentant des divers revers de fortune.

Léonard de Vinci est l’une des figures les plus emblématiques de la Renaissance. Fils illégitime privé de formation universitaire, son approche autodidacte dans quantités de domaines garantit l’originalité de cet esprit universel qui fut bien plus que l’auteur de La Joconde ou l’inventeur de machines volantes. Il fut également un anatomiste de renom, un ingénieur, un philosophe, un architecte et un inventeur.

Мы снова и снова гуляем по залам музеев и любуемся прекрасными произведениями живописи, подолгу вглядываясь в каждое полотно. Нам кажутся такими чарующими великолепные портреты, натюрморты и пейзажи и поэтому личности знаменитых художников кажутся нам безупречными, они для нас – образчики чистоты и красоты. Мы ведь привыкли воспринимать знаменитых художников через небольшие пояснения к их картинам и краткие биографические сведения, которые не сложно отыскать в библиотеках и на просторах интернета. Это делает их образы почти бесплотными.

Wer war er? Scharlatan, Guru, Magier, Schamane? Oder ein Künstler, der die Dimensionen herkömmlicher Kunst und Kunstauffassung sprengte? Basierend auf jahrzehntelangen persönlichen Kontakten und Gesprächen mit Angehörigen und Freunden, Anhängern und Gegnern, entwirft Heiner Stachelhaus ein einfühlsames und differenziertes Portrait eines komplizierten Künstlerlebens.

The enchanting story of La Maison du Pastel, a tiny shop in Paris that has been providing pastels to artists since the eighteenth century, and the two women who fell in love and brought it back to life.

Leonardo da Vinci [1453-1519], nascido em Florença, na Itália, foi um dos maiores gênios que já existiram; ele se interessou por praticamente todos os campos do conhecimento humano, abrangendo as mais diversas ciências, além de ser exímio artista, escultor e pintor da mais alta categoria. Ainda hoje o mundo inteiro admira seus inventos, esboços e projetos de todo tipo, e seus quadros maravilhosos como a Santa Ceia e a Mona Lisa; admiremos um pouco desse gênio.

Flower is a book of realistic admissions, likes, dislikes, memories and no-brainer observations, treating personal truth as unavailable – something that must be made up and convincing. Taking cues from confessional literature, his daughter’s improvised games, poor internet writing and shitty AI, Ed Atkins, in his first work of non-fiction, equivocates between inanity and divinity, ease and pain, sentimentality and sterility.