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In It’s All in the Lyrics: How Music Helped Me Heal and Find My Voice, Tony Kessel invites you on a deeply personal journey where music becomes more than background noise—it’s a transformative force that shapes his life. From the echoes of his parents’ divorce to navigating his own mental health struggles, Tony’s story unfolds like the lyrics of a powerful song.

Maria Callas, born Maria Anna Cecilia Sophia Kalogeropoulos (December 2, 1923 to September 16, 1977) was an American-born Greek soprano and one of the most renowned and influential opera singers of the 20th century. The following recordings are from 1959 and 1962 TV interviews.

Alice Coltrane (1937-2007) was one of the most forward-looking yet misunderstood artists of the last sixty years. For most of her life—and even in the decades since her passing—she was primarily known as the widow of the late John Coltrane. John Coltrane is widely seen as being one of the greatest tenor saxophonists and composers of the 20th century, with a fervor and devotion approaching sainthood. Yet ever so slowly, that level of love and appreciation is also being bestowed upon pianist, organist, harpist, and composer Alice Coltrane.

Tina Davidson is three-and-a-half when she is adopted from her foster home in Sweden by a visiting American professor. Soon she is the oldest of five children, living with her mother and stepfather in Turkey, Germany, and Israel. She studies music and becomes a prolific pianist and composer. But something about her birth remains unnamed and hidden. When she returns to Sweden, she contacts the Swedish adoption agency. “Come,” says the voice on the phone, “I have information for you.”

Even the Good Girls Will Cry begins with Melissa Auf der Maur’s bohemian upbringing in Montreal, where her early, deep connection to art and music gave her entry to the colorful and thriving local creative scene. Working as a cassette DJ and ticket girl, she would see (and sometimes meet) the luminaries who’d pass through town–Nirvana, Jane's Addiction, Pavement, Sonic Youth. Thanks to a thrown beer bottle and a long-shot fan letter to a P.O. BOX, her band Tinker scored a life-changing opening slot for The Smashing Pumpkins.

For four decades, Robbie Robertson produced music for Martin Scorsese's films, a relationship that began when Robertson convinced Scorsese to direct The Last Waltz, the iconic film of the Band's farewell performance at the Winterland Ballroom on Thanksgiving 1976. As their friendship deepened into a career-altering collaboration, their shared journey would take them around the world and down the rabbit hole of American culture in the long hangover of the seventies.

To understand Taylor Swift is to understand the modern entertainment industry itself. She is not just a singer-songwriter. She is a brand, a businesswoman, a strategist, and a mirror reflecting the cultural, emotional, and political zeitgeist of each era she occupies. Her presence transcends music charts and tour stages. It inhabits the corridors of corporate boardrooms, the timelines of millions of social media accounts, and the private emotional landscapes of listeners worldwide.

Beware the Beast: hard rock pioneers Iron Maiden boast numerous awards, countless No.1 albums and singles worldwide and over 130 million sales. And with 2025 marking fifty years since their founding – on Christmas day, no less – there is simply nobody like them. This book celebrates the epic, all-conquering albums and gets under the skin of a group of characters unlike any other. Using new stories from over 80 original interviews, renowned music writer Joe Shooman has painted a truly kaleidoscopic, 360-degree portrait of Iron Maiden and their immortal music.

Everybody’s Fly is a fast-moving, all-access pass to Fab’s extraordinary life—one that begins in a book- and jazz-filled Brooklyn home and takes us deep into New York's creative explosions from the 1970s to the 1990s. He didn’t just shape culture, he synthesized it—from highbrow to street, Harlem to SoHo, punk to rap, Warhol to Wild Style. Whether he’s skipping school to wander MoMA, painting subway cars that became moving masterpieces, or bringing hip-hop to downtown clubs for the first time, Freddy’s genius has always been in seeing what others couldn’t—until he made them see it too.

Originally published in 1988, and charting the first decade of Prince's meteoric rise, Prince: Imp of the Perverse, was the earliest book to explore Prince's prodigious and eccentric talent. Prince Rogers Nelson stood alone as a musical maestro amongst his peers, and proved you could do it all yourself: write, play, perform, produce and take control of your career. He took American pop by the scruff of the neck and shaped it to his own mercurial ends.

Sound interesting? The author thinks so too! Listen to No New York today.

El árbol de la vida es el primer memoir de la cantante y compositora Lila Downs. Este audiolibro narra la vida privada, siempre a caballo entre México y Estados Unidos, de una gran artista imposible de categorizar, ganadora de varios premios Grammy.

The Indiana Jones of rock history and founding curator of the Rock and Roll Hall of Fame Museum narrates the Hall's wild history and his quest to build its collection from scratch—from Ozzy Osbourne's country manor to Keith Moon’s childhood bedroom and Art Garfunkel’s personal archives—including stories about Debbie Harry, Mick Jagger, Chuck Berry, Bob Dylan, Bruce Springsteen, and more.

Ein Auffahrunfall dort ist Anlass für die Erinnerung an das Musikgenie Jakob Händel, dessen Charme und Spiel sich niemand entziehen kann. Ein Nervenzusammenbruch jedoch zerstört seine perfekt komponierte Welt aus Affären, Scriabin und dem Meisterschülerstudium. Der Psychiatrieaufenthalt weist den Weg zur dunklen Quelle seines musikalischen Genies.

Richard Wagner setzte für Figuren, Vorgänge und Gefühle charakteristische Leitmotive ein und entwickelte dies im Ring des Nibelungen zu einer systematischen Methode. Das von ihm propagierte Gesamtkunstwerk verbindet unterschiedliche Künste wie Musik, Dichtung und Schauspiel zu einer Einheit.

Bowie lived in the future, using the pop song to chronicle overwhelming and dangerous times, searching for the light, and creating a communication channel between post-war 20th-century times and where(ever) we are now. This anniversary book will place him in the now and next, as much as is past, and argue that his songs, and his messages, reflections, and warnings become ever more relevant and compelling as time passes.

Cynthia Erivo learned the music to Wicked a decade before she needed it, not knowing that those same lyrics would change her life. Ten years later, she has the chance to perform those songs on a world stage, showing us that there is always time to keep discovering ourselves, that the journey of becoming is not a finite one. In a series of powerful, personal vignettes, Cynthia Erivo reflects on the ways that she has grown as an actor and a person, the lessons she’s learned over years of performing, and how we are capable of so much more than we think.

If any man in pop history deserved the tag of genius, it was Brian Wilson. As leader, producer and chief composer of the Beach Boys, he displayed an instinctive command of melody, harmony and arranging skills. The result was a run of hits that included many of the most sparkling and creative records of the 1960s. But there was a dark side to this seemingly effortless success, rooted in his tortured family background. No sooner had Brian masterminded such gems as the Pet Sounds album and "Good Vibrations" than his psychological demons began to derail his life.

Brian Douglas Wilson (June 20, 1942-June 11, 2025) was an American musician, songwriter, singer, and record producer who co-founded the Beach Boys. Often called a genius for his novel approaches to pop composition and mastery of recording techniques, he is widely acknowledged as one of the most innovative and significant songwriters of the 20th century. His best-known work is distinguished for its high production values, complex harmonies and orchestrations, vocal layering, and introspective themes. The following is from an interview recorded in the mid 1970s.

For almost 40 years, from its genesis in 1967 to its eventual live unveiling at London's Royal Festival Hall in 2004, the album SMiLE has been written into music mythology. SMiLE: The Rise, Fall and Resurrection of Brian Wilson documents the history of the album, drawing on interviews with collaborator Van Dyke Parks, Brian's band (especially Darian Sahanaja), close friends, family, and many others who were part of its story.