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Walter Matthau and Jack Lemmon are probably best remembered for their films together, but both were clearly established actors in Hollywood by the time they appeared in their first film together. The great film director Billy Wilder once noted of Jack Lemmon that Lemmon "was my everyman", and Lemmon did indeed represent a great everyman to American audiences during the latter half of the 20th century.

"I was a 13 year old boy for 30 years." (Mickey Rooney) In 1939, the year of Gone with the Wind and The Wizard of Oz, Time magazine noted, "Hollywood's No. 1 box office bait in 1939 was not Clark Gable, Errol Flynn or Tyrone Power, but a rope-haired, kazoo-voiced kid with a comic-strip face, who until this week had never appeared in a picture without mugging or overacting it."

Since Woody Allen has been prolific in his output and transparent in his presentation to the public, it is easy to lose sight of the remarkable breadth of his career. Indeed, over his career, Woody has excelled at slapstick humor while also tackling philosophical themes, often in the same films. His films have appealed to both a mass audience as well as an international art house audience.

If one assembled a list of the most iconic actors of the film noir genre, Robert Mitchum would surely rank at the top of the list. With his deadpan façade and slow, monotone verbal delivery, Mitchum encapsulated the disillusioned hero of the postwar crime genre.

Over the course of a career that spanned several decades and ranged from the stage to movies and television, Shirley MacLaine has been one of the most critically acclaimed actresses in America.

Of all the screen legends whose names remain synonymous with Hollywood, few took as long to become a star as Spencer Tracy, who is today recognized as one of the greatest actors ever, but whose career did not truly take off until he was already in his mid-30s. However, after joining MGM in 1935, Tracy catapulted to fame with one of the most impressive runs in Hollywood history, winning Oscars for Best Actor in 1938 and 1939 after already being nominated in 1937.

When the American Film Institute assembled its top 100 actors of all time at the close of the 20th century, Jimmy Stewart ranked third, behind only Humphrey Bogart and Cary Grant. There is a certain inevitability to these three actors ranking at the top of the list; after all, they were the dominant faces of Hollywood during the height of the era known as classical Hollywood cinema, a time before the onset of television when the movies still enjoyed relatively uncontested supremacy over American entertainment.

Marlon Brando. Few names in the acting profession evoke such a strong, almost visceral reaction. Over the course of his long, prolific career, he was considered perhaps the greatest actor of the 20th century, as well as one of the most complicated and misunderstood. Uniquely able to be both emotionally charged and technically constrained in the same performance, he single-handedly changed the direction of not only the American style of acting.

Walter Matthau is probably best-remembered for his films with Jack Lemmon, but he was clearly an established actor in Hollywood by the time they appeared in their first film together. Before his movies with Lemmon, Matthau most often played shady criminals in dramatic films, and his character in Elia Kazan's A Face in the Crowd (1957) offers one of the best examples.

Kitty Carlisle surely stands as one of the most recognizable figures of the 20th century, but unlike major actors, actresses, and other artistic luminaries, however, Carlisle was not decorated so much for any specific performances. Instead, she came to embody the very face of art in the United States.

Americans have always loved movie stars, and there have been no shortage of Hollywood icons, but one man has long been considered the greatest male star. From the time he first became a leading man, Humphrey Bogart's screen image has resonated with viewers more than perhaps any other actor.

In the 1940s, there were few actors who personified the all-American look like Burt Lancaster, who set Hollywood ablaze quickly with performances in movies like The Killers, The Flame and the Arrow, and The Crimson Pirate. Indeed, his status as a heartthrob was cemented by 1953's From Here to Eternity, when he and Deborah Kerr shot a romantic scene on a Hawaiian beach that ensured the film's inclusion in the American Film Institute's Top 100 Romantic Films of the 20th century.

As it turned out, however, that was just the first phase in a critically acclaimed career that would span over 40 years. As Lancaster grew older, he wisely veered away from the early kinds of roles he had as a leading man and branched out into more distinguished roles that were also more challenging, earning him brand new levels of acclaim. In time, he would go on to be nominated for four Academy Awards for Best Actor, including a win for Elmer Gantry (1960) when he was in his late 40s. By the time he was finished, the American Film Institute named him 19th on its list of the 50 best actors of the 20th century.

On January 16, 1942, a plane crashed into the side of a mountain southwest of Las Vegas. Aboard the plane were 15 servicemen, but the plane was also carrying one of Hollywood's biggest stars: actress Carole Lombard. Although Lombard's death and her marriage to Gone with the Wind star Clark Gable have overshadowed her career, her untimely death in 1942 cut short the life of one of Hollywood's most prominent stars at the time.

Hepburn acted in some capacity from the start of the 1930s through the early-1990s, and it is important to view how the nature of Hepburn's roles changed from her youth to old age. Aside from being one of the most recognized and acclaimed actresses in history, Hepburn's career is also of great importance because she forced Americans to reevaluate their expectations for female behavior, both in films themselves and off the movie set as well.

In 1939, Olivia de Havilland had her most memorable role as Melanie Hamilton in Gone With the Wind (1939), perhaps the most famous movie in American history, but Hollywood legend has it that she only got the role because her own younger sister, Joan Fontaine, was asked to audition for the part and recommended Olivia instead so that she could audition for Scarlett O'Hara.

Hollywood has never had a shortage of actors who thrived in one genre, whether it was John Wayne in Westerns or James Cagney in gangster films, but few had success across the entire spectrum like Gary Cooper, who managed to earn five Academy Award nominations despite an untimely death that cut short his career. Those nominations came for comedies, Westerns, and dramas, with wins for High Noon and the World War I film Sergeant York.

When Robert Redford first entered the national spotlight in the early 1960s, he was hardly viewed as a serious actor, and with his red hair, blond complexion, and athletic build, he was seen more as a handsome man than a skilled one. On top of that, he came at a time in which most Hollywood stars were tall, dark, and slender - like one of his most famous costars, Paul Newman - and by comparison, Redford looked more like a surfer.

By the 1920s English comic Stan Laurel had been in dozens of films, and American Oliver Hardy had appeared in hundreds, but it was not until they formed a duo together in 1926 that they began to be noticed. Once they did, however, Laurel & Hardy became one of the most famous comedy teams in American history, with a career that spanned four decades and included over 100 combined shorts and feature films.

Over the course of his long film career, Paul Newman was one of the most bankable stars in Hollywood during his peak. Having come to prominence as a handsome but rebellious young man in the mold of James Dean, Newman was able to maintain an aura that viewers found both cool and irresistible even into his 60s, typically an age when leading men find themselves on the outs. Newman was even nominated for an Academy Award for Best Supporting Actor for Road to Perdition (2002) when he was in his late 70s.

What made 1939 the watershed year was the release of several critically acclaimed movies, including The Wizard of Oz and Mr. Smith Goes to Washington. But the most famous of the bunch, and perhaps the most famous movie of all, is Gone With the Wind, and one of the most remarkable aspects of the film is that the quintessential Southern belle was played by Vivien Leigh, a British actress still relatively unknown in Hollywood.