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The son of Sicilian immigrants, Camillo Carmine Galante was raised in Manhattan's Little Italy and by all accounts born bad. By fifteen he was terrorizing the streets of New York's Lower East Side, scoring high marks for the "errands" he was running for his La Cosa Nostra elders. When he turned twenty, Galante was already one of the mob's top enforcers­-a sadistic thrill killer and clinically diagnosed psychopath with big dreams.

In the fall of 1969, a public execution in an Italian restaurant in Brooklyn earned Joey a mention in the New York Daily News and a twenty-grand payout from the mob. On the surface, his next job seemed just as routine: The bosses suspected their trusted numbers controller, Joe Squillante, was skimming the nightly bets to settle personal debts. Joey gave Squillante two weeks to live.

One of America's most historic and enduring cities, New Haven has wrangled with a perpetual identity struggle, torn between worlds that occasionally converged in chaos and violence. In the 1930s, Connecticut became a region where Mafia families like the Genoveses, Gambinos, Colombos, and Patriarcas shared turf—working together with enough profits to go around or descending into open war to rival that experienced in any major city. Central to this conflict were three men who were, at different times, cautious allies or sworn nemeses.

Early in the Prohibition era, Moe Sedway became part of the New York organized crime gang led by Meyer Lansky and Benjamin "Bugsy" Siegel. A loyal and highly effective operative for Siegel, Sedway eventually gained monopoly control of the race wire service in Las Vegas and also became an effective casino manager of the Las Vegas Club, El Cortez, and the Rex Club. Moe Sedway is now at last brought out into the light in this riveting tale of the sensational life and times of one of Vegas's most mysterious and little-known figures.

Caught between the Mob and the feds in a plot to save the casinos in Havana from Castro's revolution, Wolfe Rabin pulls the biggest money-laundering scheme in history, but his hubris leads to the conspiracy unraveling in a sensational trial. At a time when there was a jukebox in every restaurant, diner, bar, barracks, arcade, and canteen, Rabin's trajectory from inventor to promoter to outlaw is set against the Mob's growing infiltration of the jukebox industry.

The Bronx-born son of a Jewish bootlegger, "Joey the Hit Man" was introduced to crime when he was just eleven years old. For the next thirty years he was a numbers king, scalper, loan shark, enforcer, and drug smuggler. He hijacked trucks, fenced stolen goods, and trafficked in pornography. But Joey really made his name as a Mafia assassin, racking up thirty-eight cold-blooded hits-thirty-five for cash, three for revenge.

A vivid, wild ride through a century of Mafia lore, this book tells stories of organized crime rings that have settled in Florida and made the state their base of operations for bootlegging, gambling, extortion, money laundering, and drug running.

The fair sex. We've often heard this cliched expression being used to refer to women. Although it has become increasingly outdated, the mindset still exists that women are the gentle and nurturing sex. When it comes to murder, that notion gets turned on its head. And this isn't a recent phenomenon; we can find plenty of female killers going back in history. In fact, some of the world's most notorious serial killers have been women. These female killers give their male counterparts a run for their money and deserve to be counted among the most famous serial killers.

Bizarro is a must-listen tale of the unprecedented prosecution of Burton Ritchie and Ben Galecki, the Florida-based founders of a sprawling "spice" (synthetic cannabinoid) operation. With this book, journalist and former New York City narcotics prosecutor Jordan S. Rubin exposes a Reagan-era law called the Analogue Act, which targets dealers selling drugs that are "substantially similar" to controlled substances—an unwieldy law that produces erratic results in court.

Like sharks to blood in the water, the mob arrived in Hollywood greedy and ready to tear away huge chunks of cash. Opportunistic mobsters saw labor unions as the means for muscling into the movie industry and extorting millions of dollars from studio bosses. Control the unions to which projectionists, art directors, cinematographers, electricians, scene designers, stagehands, extras belong, and you control the whole industry.