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Richard Hoffman sometimes felt as though he had two fathers: the real one who raised him and an imaginary version, one he talked to on the phone, and one he talked to in his head. Although Hoffman was always close to the man, his father remained a mystery, shrouded in a perplexing mix of tenderness and rage. When his father receives a terminal cancer diagnosis, Hoffman confronts the depths and limitations of their lifelong struggle to know each other.

In Mein Kampf, Hitler wrote that "We must also do away with the conception that the treatment of the body is the affair of every individual." It was a direct slap at the feminist movement of Germany in the late 19th and early 20th century, an influential force for, among other things, divorce, contraception, and abortion; in short, for a woman's right to control her own body.

"You will be a son, my daughter." With these stunning words Ukmina learned that she was to spend her childhood as a boy. In Afghanistan there is a widespread practice of girls dressing as boys to play the role of a son. These children are called bacha posh: literally "girls dressed as boys." This practice offers families the freedom to allow their child to shop and work - and in some cases, it saves them from the disgrace of not having a male heir. But in adolescence, religion restores the natural law.

There is a human genetic fluke that is surprisingly common, due to a change in a key pair of chromosomes. In the normal condition the two look the same, but in this disorder one is malformed and shrunken beyond recognition. The result is a shortened life span, higher mortality at all ages, an inability to reproduce, premature hair loss, and brain defects variously resulting in attention deficit, hyperactivity, conduct disorder, hypersexuality, and an enormous excess of both outward and self-directed aggression. It is called maleness.

My Transgender Coming Out Story is the memoir of Parker Marie Molloy, a transgender woman from Chicago, detailing her upbringing, the struggles she had coming to terms with her transgender status, her experience starting hormone replacement therapy, and the act of building and sustaining relationships in a post-transition life. She also shares thoughts on gender, coming out, and the concept of self-discovery.

As Ian Brown's 60th birthday loomed, every moment seemed to present a choice: confront or deny the biological fact that the end was now closer than the beginning. True, he was beginning to notice memory lapses, creaking knees, and a certain social invisibility - and yet it troubled him that many people think of 60 as "old", because he rarely felt older than he had at 40.

What is femininity? How is it measured? What are its demands? How are women meant to dress, look, think, act, feel, and be, according to the mores of society?

The intersection of motherhood and creative life is explored in these writings on mothering that turn the spotlight from the child to the mother herself. Here, in memoirs, testimonials, diaries, essays, and fiction, mothers describe firsthand the changes brought to their lives by pregnancy, childbirth, and mothering.

In 2005, when Lawrence Summers, then president of Harvard, asked why so few women, even today, achieve tenured positions in the hard sciences, Eileen Pollack set out to find the answer. A successful fiction writer, Pollack had grown up in the 1960s and '70s dreaming of a career as a theoretical astrophysicist. Denied the chance to take advanced courses in science and math, she nonetheless made her way to Yale.

In Eyes of the Storm, Roksana Badruddoja explores the perceptions of second-generation South Asian-American women about daily social practices in the U.S. and how they view themselves in comparison to broader American society. She accomplishes this by engaging in a year-long feminist ethnography (in 2004) with a cross-national sample of twenty-five women in the U.S., spending a day in the life of each woman eating, drinking, and talking about work, partners, families, food, clothing, and how they feel about being children of immigrants, among other things. The research on which Eyes of the Storm is based explores the meaning of national belonging (and lack of belonging) for a group of "second-generation" South Asian women in America. Here, Badruddoja focuses on both the conceptual and theoretical perspectives of the social, economic, cultural, aesthetic, and political dimensions of transnational migration, which includes the effects of population circulations and demographic change (community formation, segregation, and integration).

In 1814, Eunice Chapman came home to discover that her three children had been carried off by her estranged husband. He had taken them, she learned, to live among a celibate, religious people known as the Shakers. Defying all expectations, this famously petite and lovely woman mounted an epic campaign against her husband, the Shakers, and the law.

When Ye Pei dreamed of Venice as a girl, she imagined a magical floating city of canals and gondola rides. And she imagined her mother, successful in her new life and eager to embrace the daughter she had never forgotten. But when Ye Pei arrives in Italy, she learns her mother works on a farm far from the city. Her only connection, a mean-spirited Chinese auntie, puts Ye Pei to work in a small-town café. Rather than giving up and returning to China, a determined Ye Pei takes on a grueling schedule.

With intolerance and inequality increasingly normalised by the day, it's more important than ever for women to share their experiences. We must hold the truth to account in the midst of sensationalism and international political turmoil. Nasty Women is a collection of essays, interviews and accounts on what it is to be a woman in the 21st century. People, politics, pressure, punk. Keep telling your stories.

Throughout World War II, when Saturday nights came around, servicemen and hostesses happily forgot the war for a little while as they danced together in USO clubs, which served as havens of stability in a time of social, moral, and geographic upheaval. Meghan Winchell demonstrates that in addition to boosting soldier morale, the USO acted as an architect of the gender roles and sexual codes that shaped the "greatest generation".

This is the story of an independent woman who is a model for our time—photographer Toby Molenaar. It begins in Holland during World War II, when her country is decimated by the occupying German army and she is literally left to starve. As a little girl, she learns to be self-sufficient—survival is the order of the day. Courage, indomitable spirit, an open mind, and accountability only to herself are the stuff of this fascinating and inspirational story.

When reviewing the great figures of feminism, few would call to mind the creator of the Cosmo Girl, but as Jennifer Scanlon argues in her fascinating biography Bad Girls Go Everywhere: The Life of Helen Gurley Brown, the longtime editor of Cosmopolitan and diva of the New York magazine world powerfully changed the way modern culture views the single woman.

Young and idealistic, Tori Hogan travels to Kenya as an intern for Save the Children, intent upon doing her part to improve the lives of refugees. But the cynicism of a young African boy changes Tori’s life and sets her on a course to reconsider everything she thought she knew about helping those in need. Years later, Tori returns to Africa and embarks on a journey through Kenya, Uganda, and Rwanda, searching for the truth about what does and does not work in international aid.

Blithely flinging aside the Victorian manners that kept her disapproving mother corseted, the New Woman of the 1920's puffed cigarettes, snuck gin, hiked her hemlines, danced the Charleston, and necked in roadsters. More important, she earned her own keep, controlled her own destiny, and secured liberties that modern women take for granted. Her newfound freedom heralded a radical change in American culture.

Public Sex collects the best of Pat Califia's work published over the past 20 years. Providing both a chronicle of the radical sex movement in the United States, as well as the definitive opinions of America's most consistent and trenchant sexual critic, Public Sex is must-listen material for anyone interested in sexual practices, feminism, censorship, or simply the art of the political essay.

Swoon is a glittering pageant of charismatic ladies' men from Casanova to Lord Byron to Camus to Ashton Kutcher. It challenges every preconceived idea about great lovers and answers one of history's most vexing questions: what do women want? Contrary to popular myth and dogma, the men who consistently beguile women belie the familiar stereotypes: satanic rake, alpha stud, slick player, Mr. Nice, or big-money mogul.