検索キーワード： 制作 "-- Kevin Wright --" 大衆文化

Against the Written Word is the most important, most revolutionary book produced since the advent of the printing press; the book that will liberate readers from reading, writers from writing, and booksellers from peddling their despicable wares. This book ushers in a new era of freedom from reading and all its attendant bedfellows such as Enlightenment thinking and the mass alienation wrought by the phonetic alphabet. Against the Written Word will be a tremendous best seller and simultaneously the last book that anyone will listen to.

Guardano il cielo stellato ma non si meravigliano, sono angosciati dall'esistenza ma non sono tragici, elaborano ricette ma non redigono nuove tavole della legge, parlano di tutto ma non di noi. I contemporanei non ci sono attuali. Sono i classici i competenti in umanità e i maestri di saggezza: con i loro precetti – obbedire al tempo, seguire il demone, conoscere se stessi, non eccedere, conoscere la natura - ci soccorrono nel rispondere alla domanda di Agostino: "Tu chi sei?".

The Microsoft mogul on the positive power of intelligence and creativity.

It has sadly become evident that over the past 70 years, Americans have become increasingly ignorant of our nation's founding principles. Civic education and American history have either not been taught, or have been deliberately mistaught throughout our nation's public—and in numerous cases, private education system.

Mental health advocate Lucy Nichol takes a deep dive into 10 of the most harmful mental health stereotypes. She examines where they come from and how they are fed, drawing heavily on the impact of social media, the press and popular culture.

For word nerds and grammar geeks, a witty guide to the most commonly mispronounced words, along with their correct pronunciations and pithy forays into their fascinating etymologies and histories of use and misuse.

Status was once easy to identify—fast cars, fancy shoes, sprawling estates, elite brands. But in place of Louboutin’s and Lamborghinis, the relevance of the rich, famous, and gauche is waning and a riveting revolution is underfoot. Chuck Thompson—dubbed “savagely funny” by The New York Times and “wickedly entertaining” by the San Francisco Chronicle—sets out to determine what “status” means today and learns that what was once considered the low life has become the high life.

It’s a truth universally acknowledged that terrible apologies are the worst. We’ve all been on the receiving end, and oh, how they make us seethe. Horrible public apologies—excuse-laden, victim blame-y, weaselly statements—often go viral instantaneously, whether they’re from a celebrity, a politician, or a blogger. We all recognize bad apologies when we hear them. So why is it so hard to apologize well? How can we do better? How could they do better?

For most of Jen Sookfong Lee's life, pop culture was an escape from family tragedy and a means of fitting in with the larger culture around her. Anne of Green Gables promised her that, despite losing her father at the age of twelve, one day she might still have the loving family of her dreams. Princess Diana was proof that maybe there was more to being a good girl after all. And yet as Jen grew up, she began to recognize the ways in which pop culture was not made for someone like her.

If it seems like everyone you know is playing Dungeons & Dragons, it's because they are! After nearly five decades, the iconic roleplaying game is more popular than ever. Famous Hollywood actors and directors, therapists, educators, politicians, kids, parents, and grandparents all count themselves as fans. In Welcome to Dragon Talk, hosts of the official D&D podcast Shelly Mazzanoble and Greg Tito and their surprising guests show how this beloved pastime has amassed a diverse, tight-knit following of players who defy stereotypes.

Quando diciamo: "Prima gli italiani!" cosa intendiamo? Chi ha la cittadinanza italiana o chi in Italia ci abita? Chi parla italiano? Chi ha genitori italiani o chi in Italia ci è nato? E non è la prima volta che ci poniamo questa domanda: ha cominciato Dante con la ‘serva Italia’; poi d’Azeglio con gli ‘italiani da fare’; e ancora, i ‘santi, poeti e navigatori’; gli ‘italiani nuovi’ fascisti o ‘gli italiani brava gente’. Urliamo questo slogan in un paese dai confini incerti, diviso tra nord e sud, est e ovest, città e campagna.

Per una meravigliosa e tremenda ambiguità linguistica, la morte e la vita sono iscritte nella stessa parola bios: bíos è vita, biós è arco. Noi siamo così un cerchio incompiuto, imperfetto, un arco, in cui inizio e fine non coincidono. Solitari restare a riva a osservare le tempeste della vita o salire a bordo senza troppo curarci dei compagni di viaggio? Seguire le leggi del cosmo o le leggi dell'io? Scegliere la politica o l'antipolitica? Il negotium o l'otium? Credere o capire di fronte a Dio e alla morte? Seguire la lezione dei padri o la rivoluzione dei figli?

"In nome della mia ormai pluridecennale consuetudine con le piante, ho immaginato che queste care compagne di viaggio, come genitori premurosi, dopo averci reso possibile vivere, vengano a soccorrerci osservando la nostra incapacità a garantirci la sopravvivenza. Come? Suggerendoci una vera e propria costituzione su cui costruire il nostro futuro di esseri rispettosi della Terra e degli altri esseri viventi.

La situazione della giustizia in Italia è peculiare. Da un lato si assiste a una dilatazione del ruolo dei giudici, dall’altro a una crescente inefficacia del sistema giudiziario. Molti osservatori concordano sul fatto che la magistratura sia diventata parte della governance nazionale; che vi sia una indebita invasione della magistratura nel campo della politica e dell’economia; che in qualche caso la magistratura cerchi persino di prendere il posto della politica, controllando anche i costumi, oltre ai reati.

Attraversiamo metropoli futuristiche e hutong, locali fumosi e campi di ginseng, antichi principi confuciani e intelligenza artificiale, neomarxismo e ipercapitalismo. Incontriamo l’ambiguo funzionario del Partito comunista, l’operosa dottoressa di Wuhan, l’eterea vlogger della Cina rurale, l’astro della letteratura fantascientifica, la giovanissima attivista per l’ambiente. Addentriamoci nella Cina nuova, quella che scopriamo appena smettiamo di leggerne soltanto la superficie.

Para empezar, analizaremos por qué los seres humanos distamos mucho de ser seres racionales. Entenderemos cómo procesamos la información de una manera que está lejos de ser objetiva porque, en definitiva, buscamos creer lo que queremos creer. Examinaremos por qué nuestra memoria no es fiable y cómo elaboramos falsos recuerdos de una manera perfecta.

In a world where violence—of the market, of climate change, of capitalism—is part of our everyday lives, Which as You Know Means Violence focuses on those who enact violence on themselves, or for art and entertainment, and analyzes the role that violence plays in 21st century culture.

In a world of social media and 24/7 news, screen addiction is a very real problem...but with the right guidance, you can escape its clutches and reclaim your life. Up to 47 percent of US citizens admit to being addicted to their cell phones. Perhaps you’ve even said it of yourself, laughing it off as a light addiction—like saying you’re addicted to Pringles or your favorite song.

The essential guide to veteran British indie favorites Saint Etienne—the story of how they made music out of memories, and how we made memories out of them. Saint Etienne have spent three decades making music out of memories for people who make memories out of music. How We Used Saint Etienne to Live is the story of that reciprocal process, told in the wrong order, but the right time.

If you’re a never-Trumper, maybe you’d like to understand better your Trump-supporting relative at Thanksgiving dinner. Over 74 million of your fellow Americans voted for Trump in 2020. Despite all the things about him that make you crazy, they decided, "that’s my guy", and filled in the dot or pulled the lever. Why did they? How could they? Is there any way to bridge the gap between you and them?