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Are We Free Yet? The Black Queer Guide to Divorcing America is simultaneously a personal reflection and a collective examination of our relationship to liberation and oppression. In it, Tina Strawn, host of the Speaking of Racism podcast and Instagram platform of the same name, shares her intimate experiences of queerness and Blackness, heartbreak and loss, foreign and home, as she navigates and finds freedom.

In the 1970s, gay men and lesbians were openly despised and drag queens scared the public. Yet that was the era when Doris Fish (born Philip Mills in 1952) painted and padded his way to stardom. He was a leader of the generation that prepared the world not just for drag queens on TV but for a society that welcomes and even celebrates queer people. How did we get from there to here? In Who Does That Bitch Think She Is? Craig Seligman looks at Doris’s short but overstuffed life as a way to provide some answers.

Author of Farming While Black and co-founder of Soul Fire Farm, Leah Penniman reminds us that ecological humility is an intrinsic part of Black cultural heritage. While racial capitalism has attempted to sever our connection to the sacred earth for 400 years, Black people have long seen the land and water as family and treating the Earth as a home essential.

Ryan Speedo Green had a tough upbringing in Southeastern Virginia: His family lived in a trailer park and later a bullet-riddled house across the street from drug dealers. His father was absent; his mother was volatile and abusive. At the age of 12, Ryan was sent to Virginia's juvenile facility of last resort. He was placed in solitary confinement. He was uncontrollable, uncontainable, with little hope for the future. In 2011, at the age of 24, Ryan won a nationwide competition hosted by New York's Metropolitan Opera, beating out 1,200 other talented singers.

A brilliantly honest, funny, and insightful account of a Buddhist's life, work, and family. For Satyadasa, the Buddhist path has been fulfilling and often joyous, but also full of doubts and obstacles.

Finally, an audiobook of affirmations just for us. This audiobook was written specifically to benefit us queer folks. The LGBTQIA+ experience is unique, and this book honors that.

Raúl Krauthausen ist der bekannteste Aktivist für Inklusion und Barrierefreiheit – und die lauteste Stimme in Deutschland, wenn es um die Durchsetzung der Rechte von Menschen mit Behinderung geht. "Betrachten Sie Behinderung einfach als eine Eigenschaft wie die Haarfarbe" ist eine seiner zentralen Botschaften, und er kämpft auf allen Plattformen – analog und digital – für Sichtbarkeit und gegen Diskriminierung.

Wanting to be a dancer while growing up in a large military family made Christine Barker somewhat of a black sheep, but she followed her dreams to New York City, where—in a moment of almost unbelievable good fortune—she was chosen for the London cast of A Chorus Line. London, and then New York, in the '70s and '80s opened up Christine’s world. The creativity, culture, and nightlife were intoxicating, enough so to compel her older brother Laughlin to join her. Once there, the divorced father, veteran, and corporate lawyer met rising fashion star Perry Ellis.

Against a backdrop of ongoing resistance to racial desegregation and strident calls for Black Power, the NBA in the 1970s embodied the nation’s imagined descent into disorder. A new generation of Black players entered the league then, among them Kareem Abdul-Jabbar and Spencer Haywood, and the press and public were quick to blame this cohort for the supposed decline of pro basketball, citing drugs, violence, and greed.

Meg Zucker was born with one finger on each hand, shortened forearms, and one toe on each misshapen foot, caused by a genetic condition called ectrodactyly. She would eventually pass this condition on to her two sons, and, along with her husband, raise them and their adopted daughter, who has her own invisible differences. Born of the family’s hard-won experiences, this book offers invaluable advice on raising confident, empathetic, and resilient children who succeed, not despite but because of their differences.

Growing up as a Black girl in America, Deborah Mouton felt alienated from the stories she learned in class. She yearned for stories she felt connected to—true ones of course—but also fables and mythologies that could help explain both the world and her place in it. What she encountered was almost always written by white writers who prospered in a time when human beings were treated as chattel, such as the Greek and Roman myths, which felt as dusty and foreign as ancient ruins. When she sought myths written by Black authors, they were rooted too far in the past, a continent away.

In Homegrown, cultural critics Bell Hooks and Amalia Mesa-Bains reflect on the innate solidarity between Black and Latino culture. Riffing on everything from home and family to multiculturalism and the mass media, Hooks and Mesa-Bains invite listeners to re-examine and confront the polarizing mainstream discourse about Black-Latino relationships that is too often negative in its emphasis on political splits between people of color. A work of activism through dialogue, Homegrown is a declaration of solidarity that rings true even ten years after its first publication.

What does it mean to be an American? The story of the African American past demonstrates the difficulty of answering this seemingly simple question. This book illuminates the US's core paradoxes, inviting profound questions about what it means to be an American, a citizen, and a human being. This book considers how, for centuries, African Americans have fought for what the black feminist intellectual Anna Julia Cooper called "the cause of freedom." It begins in Jamestown in 1619, when the first shipment of enslaved Africans arrived in that settlement.

In 1870, a 26-year-old Paiute, Sarah Winnemucca, wrote to an army officer requesting that Paiutes be given a chance to settle and farm their ancestral land. The eloquence of her letter was such that it made its way into Harper’s Weekly. Ten years later, as her people languished in confinement as a result of the Bannock War, she convinced Secretary of the Interior Carl Schurz to grant the requests in her letter and free the Paiutes as well.

The New Negro Movement of the 1920s marked a shift in the pursuit of African American equality. African American soldiers were returning home from World War I, and after fighting for freedoms abroad, they were inspired to continue that fight on their own soil. The “old” ways had focused on passively accepting social policies, but the “new” ways would harness their collective voices in defining their own identity. The intellectual and artistic movement of the Harlem Renaissance stirred a tremendous wave of social change.

President Lyndon B. Johnson’s War on Poverty did more than offer aid to needy Americans; in some cities, it also sparked both racial conflict and cooperation. Race and the War on Poverty examines the African American and Mexican American community organizations in Los Angeles that emerged to implement War on Poverty programs. It explores how organizers applied democratic vision and political savvy to community action, and how the ongoing African American, Chicano, and feminist movements in turn shaped the contours of the War on Poverty’s goals, programs, and cultural identity.

Award-winning viral curator and poet Natasha Marin follows up her acclaimed Black Imagination with a brilliant new collection of sharply rendered, breathtaking reflections from more than one hundred Black voices.

Dammed: The Politics of Loss and Survival in Anishinaabe Territory explores Canada’s hydroelectric boom in the Lake of the Woods area. It complicates narratives of increasing affluence in postwar Canada, revealing that the inverse was true for Indigenous communities along the Winnipeg River.

A collision with a moose on a dark highway left Susan Mockler with an incomplete spinal injury, suddenly compromising her ability to walk and to care for herself. She spent months in a rehabilitation facility learning how to adjust to her new reality, and though her body partially recovered, every aspect of her life changed.

Claudia Garcia crossed the border because her toddler, Natalia, could not hear. Leaving behind everything she knew in Mexico, Claudia recounts the terror of migrating alone with her toddler and the incredible challenges she faced advocating for her daughter’s health in the United States. When she arrived in Texas, Claudia discovered that being undocumented would mean more than just an immigration status—it would be a way of living, of mothering, and of being discarded by even those institutions we count on to care.