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Spring, 1905: Free-spirited like the Thoroughbreds she rides across the Kentucky countryside, Stella takes adventure by the reins when she's asked to attend a mysterious wedding in rural England. But once she arrives at the lush Morrington Hall estate, her cold and ambitious father confesses that he won't only give away his best racehorses as gifts - he has also arranged to give away his daughter as bride to the Earl of Atherly's financially strapped son. Stella refuses to be sold off like a prized pony. Yet despite a rough start, there's something intriguing about her groom-to-be.

Boston, 1982. Private investigator Andy Roark has spent the past decade trying to rediscover his place in the world. In Vietnam, there was order and purpose. Everything - no matter how brutal - happened for a reason. Deborah Swift, wealthy wife of an aspiring California politician, is trying to trace her father, last seen on Cape Cod, who walked out on her and her mother long ago. Other investigators have turned up nothing, but Roark's local connections might give him an edge.

Hester Thursby has given up using her research skills to trace people who don't want to be found. A traumatic case a few months ago unearthed a string of violent crimes, and left Hester riddled with self-doubt and guilt. Caring for a four-year-old is responsibility enough in a world filled with terrors Hester never could have imagined before. Finisterre Island, off the coast of Maine, is ruggedly beautiful and remote - the kind of place tourists love to visit, though rarely for long. But not everyone who comes to the island is welcome.

An ax-wielding monk hacks at the door. Toby Peters is on the other side, running as fast as his recently broken leg will allow. Alongside him is Salvador Dalí, dressed in a rabbit suit, insistently muttering "grasshoppers" as they try to make their escape. Dalí insists on being carried across the lawn, so Peters hobbles along with the surrealist in his arms. They get in the car just as the monk chops down the front door. The car doesn't start, and the monk charges silently, the ax in the air.

Poet Kitty Clark has waited her entire life to see a total eclipse of the sun. News of an impending eclipse thrills her until she learns it will be visible only from Nantucket, where her ex-lover Joe Green recently moved with his new wife. Unable to resist the astronomical lure, she flies from Boston and makes her way to an isolated lighthouse, hoping to avoid Joe. The eclipse itself is overwhelming. When the sun returns a few minutes later, Kitty is standing over the bloodied body of Mrs. Joe Green, claiming "the moon did it."

The year 1942 is a bad time to stage Madame Butterfly. Although Puccini's masterpiece is a perennial favorite of the San Francisco opera crowd, its sympathetic depiction of a Japanese girl causes tension in the dark months following Pearl Harbor. Newspaper editorialists rage against the production, opera buffs picket the theater, and a note appears nailed to the house door, threatening violence against the cast and crew. When the first workman dies, the maestro calls Toby Peters, a Los Angeles detective who works discreetly for Hollywood's rich and famous.

Hollywood detective Toby Peters is asleep on his floor when the dentist who shares his office calls, wailing that his wife has left him. While on the one hand, Toby is shocked that a woman as unpleasant as Mildred could ever attract a suitor, he's even more surprised by the name of the alleged Lothario: Peter Lorre, the scaly-voiced, bug-eyed Hollywood character actor. Though he can't imagine why the dentist would want her back, Toby agrees to track down his missing wife. He finds Lorre in a greasy spoon near the Warner Brothers' lot, but the actor doesn't know a thing about the missing Mildred....

The first case is simple. A wealthy man’s wife has grown distant, and he asks Frank Clemons, a private eye hardened by his past work on Atlanta’s homicide beat, to find out why. There are a number of simple reasons why a young woman might withdraw from her older husband, but the spurned spouse rejects them all. Her jewelry is disappearing, but he insists that she doesn’t have trouble with blackmail, drugs, or gambling. The answer must be more complex, and he begs Frank to find out what it is.

dentist dangles from the window of a swanky Park Avenue hotel, while Toby Peters, a Los Angeles detective who's very far from home, clutches the man by his jacket, which is tearing slowly, stitch by stitch. Across the room, a dead man lies on the bed, his killer pounding on the hotel room door, which sounds like it's going to give way as quickly as the dentist's jacket. Somehow, this entire mess is Albert Einstein's fault. Two nefarious groups have been threatening the great physicist. One is a ring of blackmailers who claim to have evidence that he has been passing nuclear secrets to Russia.

The sleek high-rises of Park Avenue make Frank Clemons uneasy. The former Atlanta homicide detective came to New York after a sickening murder case soured him on the South, but despite the glitz and excitement of his new surroundings and the beauty of the woman he shares them with, the city makes his skin crawl. Now a private eye, he is only at ease in the city's darker corners, among the whores, gamblers, and pimps who call Eighth Avenue home. That affinity for the socially isolated is what draws him to the case of Hannah Karlsberg, an elderly seamstress who deserved a better death than she got.

Toby Peters wakes up with a headache, a gun in his face, and a body on the hotel-room bed. He is less surprised by the gun than by the man holding it: Marion Morrison, a.k.a John Wayne. Both of them were lured here by the dead man. The next arrival is a prostitute named Olivia, and hot on her heels is the house detective, who's come to check on the commotion in Room 303.

Although she spent her life withdrawn from the people of Amherst, Massachusetts, every man, woman, and English professor in this small university town claims ownership of poet Emily Dickinson. They give tours in her house, lay flowers on her grave, and now, as the hundredth anniversary of her death approaches, they organize festivals in her name. Dickinson scholar Owen Kraznik has just been railroaded into organizing the event when Amherst starts to burn.

The young girl lies in a ditch without a scratch on her - a white high school student stretched out dead in the black part of Atlanta. She was a rich girl from a cold family, too genteel for the neighborhood where she died, and only the baby in her belly suggests how she might have gotten there. For Detective Frank Clemons, the scene is far too familiar. Too close to how it was when he found his own daughter, dead in the woods by her own hand, her youthful beauty cruelly ravaged by depression. To hang on to sanity, he must do everything he can to find justice for the dead.

The citizens of Concord, Massachusetts, never tire of their heritage. For decades, the intellectuals of this little hamlet have continued endless debates about Concord’s favorite sons: Emerson, Hawthorne, Thoreau, and their contemporaries. Concord’s latter-day transcendental scholars are a strange bunch, but none is more peculiar than Homer Kelly, an expert on Emerson and on homicide. An old-fashioned murder is about to put both skills to the test.

Coffins fill the basement of a crumbling Los Angeles movie theater. Five vampires crowd around fading horror idol Bela Lugosi, peppering him with questions. A malfunctioning plastic fang causes one of the undead-wannabes to lisp. The effect is less than fearsome, but Lugosi is terrified, for one of these oddballs has been making threats on his life. He hires Toby Peters to provide security against his unbalanced fans. The detective is not concerned, but he should be.

The uniformed man standing before Toby Peters is General Douglas MacArthur, a soldier who considers himself the only man who can defeat the Japanese. But though he may be all-powerful in the South Pacific, today he is in Los Angeles with a problem only a detective can solve. The general has an eye on a postwar promotion to the White House, and an aide has stolen his war chest, his donor list, and a handful of embarrassing private letters. To get them back, Toby may need some help.

Amor Towles selects the best mystery short stories of the year, including tales by Andrew Child, Jeffrey Deaver, and T. C. Boyle. Under the auspices of New York City's legendary mystery fiction specialty bookstore, The Mysterious Bookshop, and aided by Edgar Award-winning anthologist Otto Penzler, New York Times bestseller Amor Towles has selected the twenty most puzzling, most thrilling, and most mysterious short stories from the past year, collected now in one entertaining volume.

It's 1942, and as far as her father knows, Evelyn Bishop, heiress to an aeronautics fortune, is working as a translator in London. In truth, Evelyn—daring, beautiful, and as adept with a rifle as she is in five languages—has joined the Office of Strategic Services as a spy. Her goal is personal: to find her brother, who is being held as a POW in a Nazi labor camp. Through one high-risk mission after another, she is paired with the reckless and rebellious Nick Gallagher, growing ever close to him until the war's end brings with it an act of deep betrayal.