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In Lethal Tides, Catherine Musemeche weaves together science, biography, and military history in the compelling story of an unsung woman who had a dramatic effect on the U.S. Navy’s success against Japan in WWII, creating an intelligence-gathering juggernaut based on the new science of oceanography. When World War II began, the U.S. Navy was unprepared to enact its island-hopping strategy to reach Japan. Anticipating tides, planning for coral reefs, and preparing for enemy fire was new ground for them, and with lives at stake it was ground that had to be covered quickly.

Running from Bondage, Karen Cook Bell's enlightening and original contribution to the study of slave resistance in eighteenth-century America, explores the individual and collective lives of these women and girls of diverse circumstances, while also providing details about what led them to escape. She demonstrates that there were in fact two wars being waged during the Revolutionary Era: a political revolution for independence from Great Britain and a social revolution for emancipation and equality in which Black women played an active role.

At thirty-two years old, everything in Nona Willis Aronowitz’s life, and in America, was in disarray. Her marriage was falling apart. Her nuclear family was slipping away. Her heart and libido were both in overdrive. Embroiled in an era of fear, reckoning, and reimagining, her assumptions of what “sexual liberation” meant were suddenly up for debate.

After the end of World War II, the race for technological supremacy sped on. Top-secret research into ballistics and computing, begun during the war to aid those on the front lines, continued across the United States as engineers and programmers rushed to complete their confidential assignments. Among them were six pioneering women, tasked with figuring out how to program the world's first general-purpose, programmable, all-electronic computer—better known as the ENIAC. Proving Ground restores these women to their rightful place as technological revolutionaries.

You won't be familiar with every one of the huge array of women featured in this book, but all, familiar or not, leave unanswered questions behind them—from Cleopatra to Ruth Ellis, from Boudicca to Bonnie Parker, from Lady Caroline Lamb to Moll Cutpurse, from Jezebel to Ava Gardner. The risqué, the adventurous and the outrageous, the downright nasty and the downright desperate—all human (female!) life is here. Wicked? Misunderstood? Naïve? Foolish? Predatory? Manipulative? Or just out of their time? Listen and decide.

In 1943, Kathleen, then thirty, was a nurse-in-training at the Blackburn Royal Infirmary. For the next three years, she kept a meticulous diary of her day-to-day existence, leaving behind a vivid record of the real-time concerns of a busy, thoughtful woman on the frontline of the war at home. Kathleen’s days were never the same. She writes in clear and lively prose about life in the hospital: of her fellow nurses, her patients, about death and dying, and the progress of the war as wounded soldiers returned from Normandy in the summer of 1944.

Extraordinary women have held positions of power throughout history. But, aside from the select few, why do we not hear about them? The middle ages are seen as a bloodthirsty time of Vikings, Saints and Kings: a patriarchal society that oppressed and excluded women. But by digging a little deeper into the truth, drawing on evidence from all disciplines, we can see that the 'dark' ages were anything but. BBC historian Janina Ramirez has uncovered countless influential women's names struck out of historical records, with the word femina annotated beside them.

Before Barbie, the Gibson Girl epitomized female fashion and beauty of her era. She was the image every woman aspired to in Progressive America . She not only influenced fashion but changed all of American society. But, who exactly was this elusive Gibson girl?

In 1955, Katharine Clark, the first American woman wire reporter behind the Iron Curtain, saw something none of her male colleagues did. What followed became one of the most unusual adventure stories of the Cold War. While on assignment in Belgrade, Yugoslavia, Clark befriended a man who, by many definitions, was her enemy. But she saw something in Milovan Djilas, a high-ranking Communist leader who dared to question the ideology he helped establish, that made her want to work with him. It became the assignment of her life.

In 16th-century Europe, two women came to hold all the power, against all the odds. They were Elizabeth I and Catherine de Medici. One a Virgin Queen who ruled her kingdom alone, and the other a clandestine leader who used her children to shape the dynasties of Europe, much has been written about these iconic women. But nothing has been said of their complicated relationship: 30 years of friendship, competition and conflict that changed the face of Europe.

Le forme di violenza esercitate nel Medioevo contro le donne compongono un catalogo impressionante: percosse in nome del diritto del marito a "correggere" la moglie, del padre a costringere e punire la figlia, del padrone a battere la serva; ingiurie connesse al comportamento femminile; stupri, segregazioni, omicidi in nome dell'onore tradito; spoliazione di beni, a partire dalle eredità e dalle doti; matrimoni e monacazioni forzate; manipolazione delle coscienze e violenze inquisitoriali; maltrattamenti, prevaricazione e discriminazione nel mondo del lavoro.

Mira como una mujer y pinta como un hombre. Eso decían de la vanguardista francesa Émilie Charmy en pleno siglo XX, o de la española Elena Brockman, una de las pocas artistas con obra en el Museo del Prado. Esta frase condensa muchas de las claves para entender la difícil aceptación en torno a la actividad artística femenina a lo largo de la historia. Ese silencio es posterior a sus creaciones: si tras las guerras la historia la escriben los vencedores, los manuales de arte solo se escribieron desde una perspectiva masculina.

A Woman's Game explores the history of women's football from the Victorian era—with players in high-heeled boots—to the present day. It is the story of a rise, fall and rise again: from the game's first appearance in England in the late 19th century, through the incredible teams, which at their height in 1920 drew 53,000 spectators to Goodison Park, to its 50-year ban in the UK and the aftershocks when that ban was lifted.

La mujer ha sido la gran relegada de los libros de historia lo que no quiere decir que no haya tenido una importancia decisiva en el devenir de la Humanidad tanto como protagonista como desde un segundo plano. Así lo demuestran una serie de anécdotas o curiosidades que revelan su ingenio, su astucia o su consejo tanto en el ámbito privado como en las grandes gestas de la humanidad. Desde emperatrices y reinas, pasando por las grandes rivalidades entre mujeres de distintas épocas, cortesanas, pensadoras, artistas y escritoras.

Vi kender alle historierne om kongerne – om politik og magt, om arvefølge, alliancer, rænkespil og skandaler. Men hvad med alle de kvinder, der gennem tiderne og udfordringerne stod ved deres side? Denne bog dykker ned i historien og mærker suset fra 600 års kvindelig kongehistorie med små biografier om dronninger og elskerinder – hvem var de, og hvad tænkte de egentlig? Mød alle de kvinder, der stod bag magten, hør deres historie, forstå den tid, de levede i, og lyt til deres stemme.

The history of European philosophy is usually constructed from the work of men. In Metaphysical Animals, a pioneering group biography, Clare Mac Cumhaill and Rachael Wiseman offer a compelling alternative. In the mid-twentieth century Elizabeth Anscombe, Mary Midgley, Philippa Foot, and Iris Murdoch were philosophy students at Oxford when most male undergraduates and many tutors were conscripted away to fight in the Second World War. Together, these young women, all friends, developed a philosophy that could respond to the war’s darkest revelations.

Let Me Be Frank illuminates with a wry warmth the incredible stories of a diverse group of women from different ethnicities and cultural backgrounds who have defied the patriarchy, refusing to allow men or the status quo to define their lives or break their spirit. An often sardonic and thoroughly impassioned homage to female ingenuity and tenacity, the women profiled in this inspiring anthology broke the rules to reach their goals and refused to take “no” for an answer.

Ellen Ann Willmott was a remarkable woman whose achievements in horticulture, botany, landscape architecture, photography and more should have made her one of the most well-known trailblazers of her age. Yet, both posthumously and within her lifetime, she instead became known as a bitter, cantankerous and eccentric miser, and her reputation has been forever stained by the image of her maliciously seeding other people's gardens with thorns.

This book is for and about the women who kicked in doors, as pioneers of their craft or making politics central to their sound: those who offer a new way of thinking about the vast spectrum of women in music. In this radical departure from the historic narrative of music and music writing being written by men, for men, This Woman’s Work challenges the male dominance and sexism that have been hard-coded in the canons of music, literature, and film and has forced women to fight pigeon-holing or being side-lined by carving out their own space.

Robin Hood, Dick Turpin, Ronnie Biggs, the Krays.... All have become folk heroes, glamorised and romanticised, even when they killed. But where are their female equivalents? Where are the street robbers, gang leaders, diamond thieves, gold smugglers and bank robbers? Queens of the Underworld reveals the incredible story of female crooks from the 17th century to the present.