検索キーワード： アフリカ

Skeletons on the Zahara chronicles the true story of twelve American sailors who were shipwrecked off the coast of Africa in 1815, captured by desert nomads, sold into slavery, and subjected to a hellish two-month journey through the perilous heart of the Sahara. The western Sahara is a baking...

The most feared ship in Britain’s West Africa Squadron, His Majesty’s brig Black Joke was one of a handful of ships tasked with patrolling the western coast of Africa in an effort to end hundreds of years of global slave trading. Sailing after the spectacular fall of Napoleon in France, yet before the rise of Queen Victoria’s England, Black Joke was first a slaving vessel itself, and one with a lightning-fast reputation; only a lucky capture in 1827 allowed it to be repurposed by the Royal Navy to catch its former compatriots.

Fifty years after the Atlantic slave trade was outlawed, the Clotilda became the last ship in history to bring enslaved Africans to the United States. The ship was scuttled and burned on arrival to hide the wealthy perpetrators to escape prosecution. Despite numerous efforts to find the sunken wreck, Clotilda remained hidden for the next 160 years. But in 2019, journalist Ben Raines made international news when he successfully concluded his obsessive quest through the swamps of Alabama to uncover one of our nation’s most important historical artifacts.

African Founders explores the little-known history of how enslaved people from different regions of Africa interacted with colonists of European origins to create new regional cultures in the colonial United States. The Africans brought with them linguistic skills, novel techniques of animal husbandry and farming, and generations-old ethical principles, among other attributes. This startling history reveals how much our country was shaped by these African influences in its early years, producing a new distinctly American culture.

Why has land reform been such a failure in South Africa? Will expropriation without compensation solve the problem? What can be done to get the land programme back on track? Tembeka Ngcukaitobi tackles these questions and more. Going back in history, he shows how Africans’ communal land ownership was used by colonial rulers to deny that Africans owned the land at all. He explores the effect of the Land Acts, Bantustans and forced removals. And he considers the ANC’s policies on land throughout the 20th century, during the negotiations of the 1990s, and in government.

This is the story of the "Benin Bronzes", their creation, theft, and what should happen to them now. When first exhibited in London, they caused a sensation and helped reshape European attitudes towards Africa, challenging the prevailing view of the continent as "backward" and without culture. But seeing them in the British Museum today is, in the words of one Benin City artist, like "visiting relatives behind bars". In a time of fevered debate about the legacies of empire, loot, museums, and history, what does the future hold for the Bronzes themselves?

Africa has been known as "the cradle of mankind", and its recoverable history stretches back to the Pharaohs. But the idea of studying African history is itself new, and the authors show why it is still contested and controversial. This VSI, the first concise work of its kind, will prove essential for anyone interested in the African continent and the diversity of human history.

“Randy Shilts and Laurie Garrett told the story of the HIV/AIDS epidemic through the late 1980s and the early 1990s, respectively. Now journalist-historian-activist Emily Bass tells the story of US engagement in HIV/AIDS control in sub-Saharan Africa. There is far to go on the path, but Bass...

Abdul is just seven years old when his parents are killed before his eyes. As a brutal war sweeps Sudan, Abdul and his three-year-old brother are forced to flee. Their gruelling journey across the Sahara to a refugee camp in Chad is fraught with danger, and every day is a struggle against hunger and disease. Until one day Abdul is offered a chance to escape. A chance that could save him, but will force him to make the most heartbreaking decision of his life. Abdul's death-defying flight leaves deep scars.

Pacifique Irankunda’s childhood in Burundi was marked by a 13-year civil war - a grueling struggle that destroyed his home, upended his family, and devastated his country’s beautiful culture. As young boys, Paci and his brother slept in the woods on nights when the shooting and violence grew too intense; they hid in tall grass and watched as military units rolled in and leveled their village.

In the Forest of No Joy captures in vivid detail the experiences of the men, women, and children who toiled on the railroad, and forces a reassessment of the moral relationship between modern industrialized empires and what could be called global humanitarian impulses - the desire to improve the lives of people outside of Europe. Drawing on exhaustive research in French and Congolese archives, a chilling documentary record, J.P. Daughton tells the epic story of the Congo-Océan railroad and in doing so reveals the human costs and contradictions of modern empire.

Whilst it’s impossible to capture the essence of Nigeria in one story, its writers have given listeners the opportunity to experience the many different parts that make up Africa’s most populous nation. In Of This Our Country, acclaimed and award-winning Nigerian writers go a step further and describe their Nigeria, sharing personal essays about a country that holds so much more than any one perspective could. Through the words of these writers, a living portrait of Nigeria is woven, one that is as beautiful as it is complex.

Finding from my own personal experience how troublesome it is to hunt through piles of dusty old volumes, I have decided to make a small selection of these papers which I consider are not only rare and very interesting, but which also give an insight into the varied activities and achievements of Burton’s crowded life. It will, I think, be realized that such a volume as this will not be superfluous, for, apart from saving people an enormous amount of trouble, it will give them further insight into the life-work of one of the greatest men of the Victorian era.

After the Dance first appeared in 2004, 10 years after South Africa’s wildly enthusiastic embrace of freedom and democracy. Its value now, 15 years later, seems to be as a portrait of a new democracy that is losing its innocence. The optimism remains widespread, but the cracks, first hinted at in the 2004 edition, are beginning to show. The halcyon days of the Nelson Mandela presidency have slipped away too rapidly, replaced by early signs of that distinctive post-Uhuru pattern.

In time the Piby shall contain all worthy prophecies and inspirations endowed by God upon the sons and daughters of Ethiopia, but no article shall be permitted to enter the Piby save that which is in accordance with the gospel of the 20th century, preached by his holiness, Shepherd Athlyi, apostle Marcus Garvey and colleague; the three apostles anointed and sent forth by the Almighty God to lay the foundation of industry, liberty and justice unto the generations of Ethiopia that they prove themselves a power among the nations and in the glory of their God.

The Africans have a long history, although not everything has been preserved in writing. And many folklore stories have been passed on through generations. The African tribes vary as much as the colors of the rainbow. It is for these reasons, and entertainment as well, that this book has been put together. It entails several mythological tales that refer to African gods, creatures, and entities. Some of these have morals. Others are symbolic of one thing or another.

The Mau Mau Rebellion took place in Kenya, beginning in 1952. A group of native Kenyan peoples, mostly from the Kikuyu tribe, rose up against their British colonizers, who had held the region since 1895. With a complicated story, it can be difficult to place the Mau Mau Uprising within the larger history of Kenyan nationalism and nationhood. Regardless of nuance, though, its importance in the history of Kenya, Africa, and British colonialism cannot be understated. This is the complete history of the Mau Mau Rebellion.

The modern history of Africa was, until very recently, written on behalf of the indigenous races by the White man, who had forcefully entered the continent during a particularly hubristic and dynamic phase of European history. In 1884, Prince Otto von Bismark, the German chancellor, brought the plenipotentiaries of all major powers of Europe together to deal with Africa's colonization in such a manner as to avoid provocation of war.

The Napoleonic Wars radically altered the old, established European power dynamics, and in 1795, the British, now emerging as the globe’s naval superpower, assumed control of the Cape as part of the spoils of war. In doing so, they recognized the enormous strategic value of the Cape as global shipping routes were developing and expanding. Possession passed back and forth once or twice, but more or less from that point onward, the British established their presence at the Cape, which they held until the unification of South Africa in 1910.

The extensive history of Africa provides us with a topic of curiosity and novelty. For this reason, this guide has been composed to help you understand some of the cultural anecdotes as well as the religious and traditional tales that have been told to previous generations. When we dive into some background information, you will have a better grasp of the context of the four intense stories that follow. Enjoy this short, simple yet profound compilation of African myths.