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In a memorable scene from Steven Spielberg’s film Schindler’s List, viewers the world over witnessed the clandestine marriage of two Jews in the Płaszów concentration camp: Joseph and Rebecca Bau. At once a tale of horror and beauty, Bau: Artist at War is one man’s memoir of a miracle: the bloom of love in the depths of a Nazi concentration camp. In his painstaking prose, Joseph Bau also shares his experience of other wartime traumas—the bombing of Kraków, the brutality of the ghetto, the harsh last days at Oskar Schindler’s factory—with surprising wit and irony.

At a time when civilian periodicals faced strict censorship, the army’s chief of staff George Marshall won the support of President Franklin Delano Roosevelt to create an expansive troop-newspaper program. Both Marshall and FDR recognized that there was a second struggle taking place outside the battlefields of World War II—the war of words. While Hitler inundated the globe with propaganda, morale across the US Army dwindled. As the Axis blurred the lines between truth and fiction, the best defense was for American troops to bring the truth into focus by writing it down.

On October 19, 1965, American Special Forces in Vietnam came under attack at their camp at Plei Me. This marked the first major confrontation between the North Vietnamese and US armies during the war. Throughout six days of constant hostile fire, Captain Lanny Hunter sorted the seriously wounded from the dead and saved those comrades-in-arms he could. For his actions, he was awarded the Distinguished Service Cross. In Exit Wounds, Hunter recalls his tour in the central highlands of Vietnam in 1965/66 at the bloody interface of medicine and combat.