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A Is for Alien is award-winning author Caitlín R. Kiernan’s first collection devoted entirely to her science-fiction work. It includes the critically acclaimed novelette Riding the White Bull, along with seven other tales of a less-than-utopian future. Ranging from the wastelands and mountains of Mars to the streets of a late 21st-century Manhattan, from the moons of Europa and Saturn to an iceless Antarctica, these tales bring Kiernan’s trademark brand of the eco-gothic to bear on what it means to be human and the paths and decisions that may face mankind....

Amanda McKee is a psiot, an evolved subspecies of humanity with mysterious psychic powers. According to billionaire Toyo Harada and his secret research organization, the Harbinger Foundation, she has the ability to talk to machines, control technology, and even see into a secret parallel world that exists inside computers: the Digital World. But Harada wants Amanda to keep that last bit under wraps—along with the fact that she’s his adopted daughter.

When a terrorist group detonates a small nuclear device at a level four biohazard facility, it releases the infection vectors stored within and creates a contagion that devastates the planet. Entire species are wiped out, while those that survive are genetically transformed into prehistoric mutations of their former self. Secret Service agent Alex Durham is assigned to protect the president. As the dangers of the expanding nuclear fallout become apparent, he accompanies the country’s leadership as they seek shelter from the impending contagion.

In NecroTek, Asphodel space station was accidentally teleported to the far side of the galaxy, where they became embroiled in a never-ending war against ancient cosmic horrors. But there is much more to the story … On Earth, scientists uncover an alien spacecraft buried for millions of years beneath Antarctic ice. Inside are terrible secrets and a creature desperate to escape. Soon the scientists studying the Artifact begin to have terrifying dreams, driving many of them to madness and acts of shocking violence.

Fifteen years ago the feeders rose from the shadows to transform the world into a graveyard. The few survivors exist in fortified settlements surrounded by the empty ruins of a destroyed civilization. For years the citizens of New City Redoubt have relied on an elite cadre of Crossers to navigate the feeder infested wasteland between settlements in order to trade for vital supplies. But the Outside is becoming ever more dangerous, and the ranks of the Crossers grow thinner with every crossing.

In the near future—after a virus has swept the globe and the oil has run dry—what’s left of humanity has created a new technology, one that turns plastic back into oil. A mad scramble for resources ensues, with new cities being built on the seven largest landfills in the world. Plastic is the new gold. Tracer is the adopted daughter and hired gun for the president of PH City—built outside of what used to be Los Angeles, atop the Puente Hills landfill. When a distress call comes from the landfill city outside of Las Vegas, the president of PH sends Tracer to answer it.

The fifteen stories and three screenplays that make up Volumes Two and Three of the Emmy® Award–winning Netflix Original series Love, Death & Robots. Featuring bestselling authors and screenwriters from all over the globe, curated by filmmakers Tim Miller and David Fincher, and Supervising Director Jennifer Yuh Nelson.

The Starship Atlantis takes you on an unforgettable journey through the extraordinary. From alien civilizations and rogue AI to desperate missions on the brink of collapse, these stories will transport you across the stars into the heart of the unknown. This anthology features six never-before-published novellas and short stories, plus two exclusive bonus tales.

The animals of Mr. Jones’s Manor Farm are overworked, mistreated, and desperately seeking a reprieve. In their quest to create an idyllic society where justice and equality reign, the animals of Manor Farm revolt against their human rulers, establishing the democratic Animal Farm under the credo, “All Animals Are Created Equal.” Out of their cleverness, the pigs—Napoleon, Squealer, and Snowball—emerge as leaders of the new community. In a development of insidious familiarity, the pigs begin to assume ever greater amounts of power, while other animals assume more of the work.

Winston Smith works in the Ministry of Truth—or Minitrue as it is called in Newspeak—where he alters newspapers and reports to follow the arbitrary dictates of Big Brother’s propaganda. Beneath his outward conformity, however, Winston dreams of sharing his treasonable thoughts and breaking through the loneliness in which he lives. Thus he takes his first dangerous steps, writing a diary of his doubts and then falling in love with a woman of the Party, the beautiful and brave Julia.

For internet sleuths, nothing beats a first-hand account—especially when it’s your own. Desperate for tangible evidence about a shadow government, monstrous creatures, and a laboratory complex built deep beneath the Denver International Airport, Jessica wrangles a gaggle of like-minded armchair warriors to break into the facility seeking not only validation, but vindication too. Using the Escaping Denver podcast as a loose guide, this ragtag team discovers it’s not breaking in that’s hard, it’s getting out.

Over two centuries have passed since the Third World War reduced civilization to ashes in a global nuclear inferno. Unforgiving geomagnetic storms rage, blocking out the sun and poisoning the radioactive Earth. Humanity clings to survival above the tempestuous skies in giant airships, sustained by Hell Divers—brave souls who risk their lives plunging to the surface for essential parts and supplies.

Titan Valentino has been offered a job they can’t refuse. Tai, a gender-neutral courtesan, receives a scandalous proposition: seduce an actor’s virgin fiancée. The money is enough to pay off Tai’s crushing medical debt, a tantalizing prospect. Too bad Aisha Malik isn’t the easy target they expect. A standoffish historian who hates to be touched, she’s laser-focused on her career, and completely unaware that her marriage has been arranged behind her back. This could be the one instance where Tai’s charm and charisma fail them. Then an accidental heist throws them together as partners in crime.

The first issue in the second century of Weird Tales features a new HELLBOY story by Mike Mignola and Christopher Golden. Editor Jonathan Maberry has built a collection of cosmic horror that will destabilize your worldview.

Assemble Artifacts: A short story magazine that assembles a thrilling new mix of stories from genres including horror, science-fiction, comedy, and suspense. Buried at the heart of every story in the magazine is a unique artifact, an object that has inspired our storytellers to create a big idea, an irresistible question, a new immersive world, or a sense of wonder. Includes “Nothing Was Already Here” by April Wolfe, “Labyrinth Loop” by Isabel J. Kim, “Divine” by Michael Griffo, “Dismantle” by Joshua Sky, “The Twelve Gates Barber Shop” by K.T. Jayne, and “Refrain” by Gretchen McNeil.

After waking up with no memories in an underground facility, a squad of elite soldiers and scientists must try to recall what their mission is. But first, it’s a race against the clock to escape their collapsing bunker before it becomes a tomb. Topside, an even more dangerous world of fiery skies and desolate terrain awaits. As they venture out to explore their strange new surroundings, bits of memory begin to return, though nothing can prepare them for the strange forces protecting this bleak landscape.

In a city of thirty million, Ryan Connors thought he could vanish into the shadows and escape his old life to grieve the loss of his wife and son. But when the young daughter of one of his closest friends is kidnapped, he must reunite with his former extraction and recon team—The Nameless— and find those responsible. As Ryan and his team begin to unravel a deep macabre plot that goes far beyond a missing girl, they quickly realize that it threatens the entire world.

Hobart, 2022: a city with a declining population, in the grip of a dark recession. A rusty ship sails into the harbor and begins to unload its cargo on the site of the once famous but now abandoned Gallery of Future Art, known to the world as GoFA. One day the city’s residents are awoken by a high-pitched sound no one has heard for two generations: a factory whistle. GoFA’s owner, world-famous billionaire Dundas Faussett, is creating his most ambitious installation yet. He’s going to defeat technology’s dominance over our lives by establishing a new Year Zero: 1948.

An apocalypse has snatched away most of humanity; the ragged, remaining few are picking up the pieces. Was it the Rapture as revealed to St. John, or some other calamity of biblical proportions? The Kid hears his calling: to find the source of the evil, and put an end to it. He seeks out the help of the Old Man—who, in his own time, traveled to the ends of the Earth and back, in his own vain quest to save the world. Together, they set off across a grim landscape populated by survivors turned brigands, bandits, and exhausted warring factions.

Cursed and dying, Thorn has landed at a crossroad. He can either give up and die, or walk a path he never wanted to touch. Reluctantly accepting that his only chance at life rests in corrupt magic, Thorn soon finds himself exploring a world of ancient mysteries, all while trying to hide his tracks from those who want to hunt him down. Pursued by bounty hunters intent on dragging him back in chains, Thorn soon discovers the plot is deeper than he thought. Even the Tardoff clan, one of the powerful challenger families, is intent on capturing him and extracting his knowledge of ancient runes.