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On a train to Berlin in late 1930, William Bradshaw locks eyes with Arthur Norris. This chance encounter ignites a close friendship between the two Englishmen, one that draws Bradshaw into the seedier quarters of the city. Here, Norris runs a dubious import–export business and lives in excited fear of his bullying secretary, his creditors and his dominatrix girlfriend, Anni. Yet there is something sinister about Norris himself. Bradshaw’s new companion is a man of contradictions: heavily in debt but extraordinarily lavish, excessively polite but sexually deviant.

Frugal and fearsome, Horace Lamb rules his household with whimsical tirades and oppressive sarcasm. While his wife and five children shiver through the cold months and live in quiet dread, the shrewd Bullivant maintains a sharp servant’s grip on all situations. When Horace transforms overnight to be considerate and caring, chaos ensues–and at the heart of the turmoil are the servants, who watch, scheme and survive as the family’s grievances spill out.

With one impatient phone call, a young Christopher Isherwood is drawn into the film industry. On the other end of the line is the brilliant yet temperamental Austrian director Friedrich Bergmann. Christopher’s job is to rescue the script of a saccharine love story set in nineteenth-century Vienna, a film called Prater Violet. Meanwhile, in the real Vienna of 1934, the Austrian right crushes a socialist uprising. Bergmann is distraught; his family is in danger in Vienna, while his prophecy of a coming war goes unheeded by his British colleagues.

Breaking a long silence, Oliver, a young Englishman, writes to his elder brother, Patrick. Oliver, the idealistic younger brother, is living in a Hindu monastery and has decided to take his final monastic vows. Patrick, a successful, long-married publisher, newly in love with a boy in Los Angeles, decides to visit Oliver to persuade him not to renounce the world.

This is the audio program to play at home over Christmas or during the car journey to see relatives. Dylan Thomas, "The Little Match Girl," and "The Nutcracker" are read by Jenny Agutter with accompanying Tchaikovsky's music - this is a must for Christmas. It contains new recordings as well as some of the finest tracks from the Naxos AudioBooks catalogue.

In the stifling confines of Edwardian Yorkshire, Muriel Hammond is waiting for her life to begin. Marriage, respectability, duty–these are all part of the script–but just as she believes that ‘men do as they like’ while women ‘wait to see what they will do’, she dreams of a life beyond those boundaries. As war transforms the village of Marshington and friends slot into their expected roles, Muriel needs courage to reframe her sad fate as a ‘surplus woman’ and look towards her own independent future.

Published in 1888, The Legacy of Cain is the last of Wilkie Collins’s completed novels. Two sisters, Helen and Eunice, are brought up by their father, Reverend Gracedieu. He has deliberately kept the girls in ignorance of their true ages, to disguise the fact that one of them was adopted after her birth mother was executed for the brutal murder of her husband. In time, both girls fall for the same man, Philip Dunboyne, but when he eventually chooses one of the sisters, events take a sinister turn.

A lonely young Brit working on a novel is charmed by his landlady and her bohemian lodgers. He rooms with an English runaway and want-to-be star, the delightfully decadent Sally Bowles, and holidays on the Baltic coast with a repressed Englishman and his swaggering German lover.

Rose Macaulay was a fascinating and influential British writer, known for her wit and intellect. First published in 1920, Potterism is a powerful satire about the Potter newspaper empire, and the ways in which journalists struggled during the First World War and the 1920s to balance the truth and what would sell. While Jane and Johnny Potter are at Oxford they learn to despise their father’s popular newspapers, though they still end up working for the family business. But Jane is greedy and wants more than society will let her have.

Fräulein Schmidt and Mr. Anstruther is a novella written by Elizabeth von Arnim, a British-German author known for her witty and insightful novels. Published in 1907, the story revolves around the correspondence between two main characters, Fräulein Rose-Marie Schmidt, a spinster in her late 30s, and Mr. Henry Anstruther, a kind and sympathetic stranger, as they navigate their lives and explore their feelings for each other.

Published in 1899, The Solitary Summer is a charming companion to von Arnim’s earlier novel Elizabeth and Her German Garden. As with its prequel, the novel is semi-autobiographical and in the form of a series of diary entries. The narrator decides to spend one summer alone in her country house far away from the demands and distractions of the world. She offers us a witty and lyrical account of a solitary summer, filled with reading and reflections on her beloved garden. However, her months removed from society turn out to be less solitary than planned.

The very liberal Kirks are throwing a party. For Howard Kirk, liberal sociology lecturer whose deluded sense of heroism has him moving seductively around the university campus, the net must be perfectly cast: ‘if you want to have something that’s genuinely unstructured, you have to plan it carefully.’ Kirk embodies the contradictions of the era’s intellectual and political climate. As he navigates complex relationships with his wife, his students and his colleagues, he pursues personal and professional agendas under the guise of progressive thought.

Following a harrowing séance, the main character, Maskull, embarks on an extraordinary adventure to the planet Tormance. As he journeys northwards, encountering blood-stained landscapes that embody various philosophies and lifestyles, Maskull pursues the divine essence of the world. At the end of his arduous and increasingly mystical quest he finds a dark secret and an unforgettable revelation.

The Caravaners, a comic novel by Elizabeth von Arnim, describes an Edwardian caravan holiday in the English county of Kent from the viewpoint of the pompous and self-important Baron Otto von Ottringel, a major in the German army.

George Babbitt has it all: a successful real estate job, a shiny car, a modern house equipped with all the latest technology, and a devoted wife and three children. However, underneath his public persona, he’s beginning to feel that something is missing, and when a tragic incident occurs Babbitt revolts against his hollow life. Can he overthrow everything he values, or will he remain trapped in the machinery of modern life?

Richard Mardick is an elderly man with a secret that he has kept since his youth. He recounts his memories to his young protégé and secretary so that his story can be preserved. Faced with illness, the teenage Richard was sent to live with different relatives while being trained as a farmer. Lonely and stifled by family life, he then met a girl and his life changed… with shattering significance for his future.

Overcome with grief at her husband’s death, Lady Franklin, an eligible young widow, unburdens herself to Leadbitter–a gallant, hard-bitten ex-soldier who has invested his savings in the car he drives for hire–as he takes her on a series of journeys. He in turn beguiles her with stories of his non-existent wife and children, drawing her out of her self-absorption and weaving a dream-life with Lady Franklin at its heart.

Romance blossoms when Catherine, a 47-year-old widow, and the 25-year-old Christopher meet at repeated performances of a poorly attended play. However, 1920s London society is shocked by such a match, its disapproval shared by Catherine’s daughter and son-in-law, the curate Stephen. As events unfold, can their relationship survive the opprobrium of those around them as well as the disparity in their ages?