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Melbourne, 1927. The summer flowers smell like Christmas the night Zara Dickins meets Harry Holt. Zara is wearing a dress she has designed and made herself. White organdie over a short black slip, with black embroidery and a crimson taffeta sash. It is party season and the university crowd are celebrating end-of-year exams. Zara loves dancing with the boys and flirting with them, but it's a game to her. Nothing serious. Until Harry. He plans to be a politician once he finishes law. She, a fashion designer, if she can find a way to break out of the secretarial pool.

Eddie Twyborn is bisexual and beautiful, the son of a Judge and a drunken mother. With this androgynous hero – Eudoxia/Eddie/Eadith Twyborn – and through his search for identity, for self-affirmation and love in its many forms, Patrick White takes us on a journey into the ambiguous landscapes, sexual, psychological and spiritual, of the human condition.

Waldo is the competent man of reason – he sees himself as the superior intellect. Arthur, accepted as a half-wit, is the innocent, God's fool, loving and outgoing in a blundering way. As they compete with and care for each other through half a century, their lives are inextricably intertwined – the two sides of man's nature forming a totality.

Mrs Standish, ageing but still beautiful, is drawn into secret liaisons, while her daughter Eden experiments openly and impulsively with left-wing politics and love affairs. Only the son, Elyot, remains an aloof and scholarly observer –until dramatic events shock him into sudden self-knowledge.

With the death of her mother, middle-aged Theodora Goodman contemplates the desert of her life. Freed from the trammels of convention, she leaves Australia for a European tour and becomes involved with the residents of a small French hotel. But creating other people's lives, even in love and pity, can lead to madness. Her ability to reconcile joy and sorrow is an unbearable torture to her. On the journey home, Theodora finds there is little to choose between the reality of illusion and the illusion of reality. She looks for peace, even if it is beyond the borders of insanity.

Naïma has always known that her family came from Algeria – but up until now, that meant very little to her. Born and raised in France, her knowledge of that foreign country is limited to what she's learned from her grandparents' tiny flat in a crumbling French sink estate: the food cooked for her, the few precious things they brought with them when they fled. On the past, her family is silent. Why was her grandfather Ali forced to leave? Was he a harki – an Algerian who worked for and supported the French during the Algerian War of Independence?

Over three parts, Ellen van Neerven takes traditional storytelling and gives it a unique, contemporary twist. In ‘Heat’, we meet several generations of the Kresinger family and the legacy left by the mysterious Pearl. In ‘Water’, a futuristic world is imagined and the fate of a people threatened. In ‘Light’, familial ties are challenged and characters are caught between a desire for freedom and a sense of belonging.

Gerard is 12. He hates his name, but loves flying round the streets of Glasgow on his bike, or mucking about with his gang, the Broncos. He’s a bright kid, but trouble seems to follow him. No one really knows what it’s like at home for Gerard; he’s used to carrying a lot on his small shoulders. Gerard doesn’t always make good decisions. And on one April morning, in the blink of an eye, he makes a very bad one – one that will upend his whole world.

The daughter of a wealthy merchant, Anneke Sheldrake suddenly finds her family bankrupted when her father’s ship is swept away at sea. Forced to find a way to provide for herself and her siblings, Anneke rejects an offer of marriage from a despised cousin and instead turns to her late mother’s family business – brewing ale. Armed with her mother’s recipes, she then makes a bold deal with her father’s aristocratic employer, putting her home and family at risk.

Holocaust Island was the inaugural winner of the David Unaipon Award in 1989. Graeme Dixon's poems address contemporary and controversial issues – from Black deaths in custody to the struggles of single mothers – and are as relevant today as when his book was first published. This dynamic collection is threaded with poems of spirited humour and sharp satire. Dixon's powerful voice rings out loud and clear.

The Big Book of Australian Yarns is master storyteller Jim Haynes's comprehensive collection of factual and fascinating stories and humour. The yarns range from the poignant to the hilarious, from the ridiculously Australian to the unexplained and spooky. There are heroic and inspiring characters, as well as larrikins and crooks, and everyday humorous events told with a refreshing understatement that vividly evokes a vanishing Australia.

Aboriginal lawyer, writer and filmmaker Larissa Behrendt has long been fascinated by the story of Eliza Fraser, who was purportedly captured by the Butchulla people after she was shipwrecked on their island off the Queensland coast in 1836. In this deeply personal audiobook, Behrendt uses Eliza's tale as a starting point to interrogate how Aboriginal people – and indigenous people of other countries – have been portrayed in their colonisers' stories.