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Author Kate Bornstein ushers listeners on a funny, fearless, and wonderfully scenic journey across the terrains of gender and identity. On one level, Gender Outlaw details Bornstein's transformation from heterosexual male to lesbian woman, from a one-time IBM salesperson to a playwright and performance artist. But this particular coming-of-age story is also a provocative investigation into our notions of male and female, from a self-described nonbinary transfeminine diesel femme dyke who never stops questioning our cultural assumptions.

The Mill on the Floss, first published in 1860, tells the story of Maggie Tulliver and her brother Tom as they grow from children to young adults in the small rural town of St. Ogg's, England. Intelligent and passionate, Maggie yearns to develop her mind and break free of the constraints of her provincial village. Though she loves her brother above anyone else, Tom's rigid, pragmatic personality often conflicts with Maggie's headstrong nature, with increasingly tragic consequences.

One of Charles Dickens's most personally resonant novels, Little Dorrit speaks across the centuries to the modern audience. Its depiction of shady financiers and banking collapses seems uncannily topical, as does Dickens's compassionate admiration for Amy Dorrit, the "child of the Marshalsea," as she struggles to hold her family together in the face of neglect, irresponsibility, and ruin. Intricate in its plotting, the novel also satirizes the cumbersome machinery of government.

Rick Greenberg joined the Corps right out of high school because he always wanted to be a Marine. Little did he know what it would ultimately cost him to even approach earning such a title. After boot camp, "Greeny", as he was later known by his Recon team buddies, attended radio communication school in San Diego, California. As a radio operator, upon arrival in Vietnam, Greenberg was both surprised and troubled when he was arbitrarily assigned to the First Recon Battalion, generally considered to be an elite unit.

David Weir explores the conflicting attitudes towards modernity present in decadent culture by examining the difference between aesthetic decadence - the excess of artifice - and social decadence, which involves excess in a variety of forms, whether perversely pleasurable or gratuitously cruel. Such contrariness between aesthetic and social decadence led some of its practitioners to substitute art for life and to stress the importance of taste over morality, a maneuver with far-reaching consequences.

He was known as the Wildman more than 100 years ago, terrorizing lumberjacks and farmers who complained that their lives were at stake. The American Indians, depending on their tribe, had many names for the Creature: Sasahevas, Sasquatch, Bukwas (wild man of the woods), See'atco (one who runs and hides). What would Native American Indians have to gain from falsifying the existence of a Beast?

Rights of Man presents an impassioned defense of the Enlightenment principles of freedom and equality that Thomas Paine believed would soon sweep the world. He boldly claimed, "From a small spark, kindled in America, a flame has arisen, not to be extinguished. Without consuming...it winds its progress from nation to nation."

The Provincetown Players created a revolution in American theatre, making room for truly modern approaches to playwriting, stage production, and performance. In Staging America, Jeffery Kennedy gives the unabridged story in a meticulously researched and comprehensive narrative that sheds new light on the history of the Provincetown Players. At the center of the study is an extensive account of the career of George Cram Cook, the Players' leader and artistic conscience, as well as one of the most significant facilitators of modernist writing in early twentieth-century American literature.