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In her career as a science reporter, Nell Greenfieldboyce has reported from inside a space shuttle, the bottom of a coal mine, and the control room of a particle collider; she's presented news on the color of dinosaur eggs, ice worms that live on mountaintop glaciers, and signs of life on Venus. In this, her debut book, she delivers a wholly original collection of powerful, emotionally raw, and unforgettable personal essays that probe the places where science touches our lives most intimately.

Lars Horn's Voice of the Fish, the latest Graywolf Press Nonfiction Prize winner, is an interwoven essay collection that explores the trans experience through themes of water, fish, and mythology, set against the backdrop of travels in Russia and a back injury that left Horn temporarily unable to speak. In Horn's adept hands, the collection takes shape as a unified book: short vignettes about fish, reliquaries, and antiquities serve as interludes between longer essays, knitting together a sinuous, wave-like form that flows across the book.

In this staggering work of documentary and poetry, Mai Der Vang reopens a wrongdoing that deserves a new reckoning. As the US abandoned them at the end of the Vietnam War, many Hmong refugees recounted stories of a mysterious substance that fell from planes during their escape from Laos in the mid-1970s. This substance, known as "yellow rain," caused severe illnesses and thousands of deaths. These reports prompted an investigation into allegations that a chemical biological weapon had been used against the Hmong in breach of international treaties.

I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life can not matter. The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric and the essay in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America.

The Burden, edited by award-winning Detroit newspaper columnist Rochelle Riley, is a powerful collection of essays that create a chorus of evidence that the burden is real. The Burden expresses the voices of well-known Americans, such as actor/director Tim Reid who compares slavery to a cancer diagnosis, and former Detroit News columnist Betty DeRamus who recounts the discrimination she encountered as a young Black Detroiter in the south.

In her admired works of fiction, including the recent The Book That Matters Most, Ann Hood explores the transformative power of literature. Now, with warmth and honesty, Hood reveals the personal story behind these works of fiction. Growing up in a mill town in Rhode Island, in a household that didn't foster the love of literature, Hood nonetheless learned to channel her imagination and curiosity by devouring The Bell Jar, Marjorie Morningstar, The Harrad Experiment, and other works.

Writing in the grand American tradition of Annie Dillard and Barry Lopez, Donovan Hohn is an "adventurous, inquisitive, and brightly illuminating writer" (New York Times). Since the publication of Moby-Duck a decade ago, Hohn has been widely hailed for his prize-winning essays on the borderlands between the natural and the human. The Inner Coast collects 10 of his best, many of them originally published in such magazines as the New York Times Magazine and Harper's.

The author of the New York Times bestselling novel The Gates of the Alamo, the sweeping Texas history Big Wonderful Thing, and decades of incisive journalism, Stephen Harrigan is an adept writer skilled in crafting memorable characters. From this singular voice now comes a collection of essays tackling the most personal, and yet most expansive, themes of all: identity, memory, and time itself.

Jens Baggesen's The Labyrinth (1792–93) is a genre-bending and highly personal travel book that follows the young Danish author's journey, made in 1789, from Copenhagen through Germany to the Swiss border at Basel. In its outer form, it follows the conventions of travel writing: describing the cities, landscapes, and notable people encountered on the route, while also offering critical commentary on art, architecture, theater, and literature, mixed with reactions to the unfolding French Revolution.

True friends are hard to find and even harder to describe. But with real life stories, friendship quotes, inspirational quotes, and anecdotes, Friends Are Everything has everything you ever need for friendship empowerment.

In this thoughtful collection of essays, Andrea Barrett draws from her experiences writing some of the most acclaimed historical fiction of our time to explore the mysteries and delights of the genre. Inspiration found in the past, she argues, can illuminate fiction, just as dust scatters light and makes the unseen visible.