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Dismissed by a bored author at a book signing, a betrayed young man named David Sedaris made a vow. Someday, when it was his turn at the table, he’d connect with his readers. The experience has been even more revealing than he’d hoped.In this hilarious and perceptive essay, the celebrated humorist reflects on the unusual patterns of forced socialization between author and audience, and the obligations and sometimes surprising returns of not-so-chance encounters with strangers: jokes, secrets, insights, and even charity.

With makeup and an affected Elvis pout, Tucson’s Charlie Schmid was a crude parody of a bad-boy heartthrob. In 1964, he still had a hold on girls who’d follow him anywhere. He murdered three of them. It was the dawn of the free-love movement - perfect for a magnetic madman who’d also foreshadow its end a few years later in the malignant charisma of Charles Manson. The inspiration for a classic story by Joyce Carol Oates, Schmid, the most bizarre serial killer of any era, was the epitome of a narcissist flattered into believing he could get away with murder.

In 1860, a sloop drifted into New York Harbor. Not a soul on board - just blood from cabin to deck. Looted coins led to Bowery thug Albert Hicks, the ax slayer who turned his shipmates into chum. His crimes were absolutely fiendish. His execution was pure ballyhoo. It drew nearly ten thousand bloodthirsty sightseers to the city - including the enterprising showman P. T. Barnum. Refreshments were served as the most notorious and unrepentant mass murderer of the era made history as one of America’s first celebrity killers.

At a remote little inn not far from the Kansas homestead of Laura Ingalls Wilder lived the Bender family. These pioneers welcomed unwary visitors with jackrabbit stew and a sledgehammer to the skull. In time, their apple orchard gave up its secrets - a burial ground for their mutilated victims, each stripped of their possessions. The devilish enterprise on “Hell’s Half-Acre” would earn the Bloody Benders an undying place in the annals of American infamy. But it was the mysterious fate of eldest daughter, Kate, that would make them the stuff of mythic campfire prairie tales.

During the Depression, economic anxieties found an outlet in a series of child murders that triggered an irrational nationwide hysteria: pedophiliac psychopaths were overrunning the country. As America was brought to rage and fury by the press and the FBI, lynch mobs took to the streets, reason gave way to doomsday scenarios, and one father was even driven to murder his three daughters to “save them” from a degenerate crime wave. A terrifying cautionary essay, Panic explores the combustible mix of unfounded fears, moral crusades, and the dangers of collective thinking.