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In this powerful and wide-ranging collection of essays, Rebecca Solnit turns her attention to the war at home. This is a war, she says, "[W]ith so many casualties that we should call it by its true name, this war with so many dead by police, by violent ex-husbands and partners and lovers, by people pursuing power and profit at the point of a gun or just shooting first and figuring out who they hit later."

In his great triptych The Millennium, Bosch used oranges and other fruits to symbolize the delights of Paradise. Whence Henry Miller's title for this, one of his most appealing books; first published in 1957, it tells the story of Miller's life on the Big Sur, a section of the California coast where he lived for 15 years. Big Sur is the portrait of a place - one of the most colorful in the United States - and of the extraordinary people Miller knew there.

Alongside their personal stories, the writers -decorated novelists, poets, and essayists - address the history of the C-section as well as its risks, social inequities, impact on the body, and psychological aftermath. My Caesarean is a heartfelt meditation, offering much-needed comfort through shared experience.

Anthony Bourdain chases the fumigation truck in Bergen County, New Jersey. Dave Eggers tells it straight: Illinois is Number 1. Louise Erdrich loses her bikini top in North Dakota. Jonathan Franzen gets waylaid by New York's publicist...and personal attorney...and historian...and geologist. John Hodgman explains why there is no such thing as a "Massachusettsean."

In 1993, Fox debuted a strange new television show called The X-Files. Little did anyone suspect that the series would become one of the network's biggest hits - and change the landscape of television in the process. Now, on the occasion of the show's 25th anniversary, TV critics Zack Handlen and Todd VanDerWerff unpack exactly what made this haunting show so groundbreaking. Witty and insightful reviews of every episode of the series, revised and updated from the authors' popular A.V. Club recaps, leave no mystery unsolved and no monster unexplained.

To celebrate the 20th anniversary of the show's debut, Sepinwall and Seitz have reunited to produce The Sopranos Sessions, a collection of recaps, conversations, and critical essays covering every episode. Featuring a series of new long-form interviews with series creator David Chase, as well as selections from the authors' archival writing on the series, The Sopranos Sessions explores the show's artistry, themes, and legacy, examining its portrayal of Italian Americans, its graphic depictions of violence, and its deep connections to cinematic and television classics.

In Dumb Luck and the Kindness of Strangers, Gierach looks back to the long-ago day when he bought his first resident fishing license in Colorado, where the fishing season never ends, and just knew he was in the right place. And he succinctly sums up part of the appeal of his sport when he writes that it is "[A]n acquired taste that reintroduces the chaos of uncertainty back into our well-regulated lives".

Part history, part memoir, I Am a Stranger Here Myself taps dimensions of human yearning: the need to belong, the snarl of family history, and embracing womanhood in the patriarchal American West. Gwartney becomes fascinated with the missionary Narcissa Prentiss Whitman, the first Caucasian woman to cross the Rocky Mountains and one of 14 people killed at the Whitman Mission in 1847 by Cayuse Indians. Whitman's role as a white woman drawn in to "settle" the West reflects the tough-as-nails women in Gwartney's own family.

Born on the West Coast, the son of Bronx-born parents, Steve Wasserman is a generalist and public intellectual but is perhaps less well known as a cultural essayist and social critic of the first rank. In thirty splendid essays, originally published in such diverse publications as The New Republic and The Nation, The American Conservative and The Progressive, The Village Voice and The Economist, Wasserman delivers a riveting account of the awakening of an empathetic sensibility and a lively mind.

Forty essays on history, art, and literature to lift your mind and spirit. Guy Davenport serves as the listener's guide through history and literature, providing links between music and sculpture, modernist poets and classic philosophers, the past and present-pointing out the values and avenues of thought that have shaped our ideas and our thinking.

For author and Slow Stories podcast host Rachel Schwartzmann, slowing down has changed her story in ways she could have never imagined. In this poignant and timely collection, she invites us to step away from the turmoil of daily life and awaken to the pleasures of living and creating with intention.

Echoing the lyricism of Leonard Cohen and the lighthearted poignance of Anne Lamott, Suspended by No String is a thought-provoking anthology of spiritual reflections that will inspire listeners to reclaim their childlike sense of wonder. Suspended by No String is a collection of essays, personal narrative, and poetical reflections for listeners of all spiritual stripes—those who are devout, those who aren't sure what to believe, and those who may not be religious in a traditional sense but who nevertheless want to build a relationship with a force infinitely beyond themselves.

Kelly McMasters found herself in her mid-thirties living her fantasy: she'd moved with her husband, a painter, from New York City to rural Pennsylvania. The pastoral landscape and the bookshop they opened were restorative at first, for her and her marriage. But soon, she was quietly plotting her escape. In The Leaving Season, McMasters chronicles the heady rush of falling in love and carving out a life in the city, the slow dissolution of her relationship in an isolated farmhouse, and the complexities of making a new home for herself and her children as a single parent.

In this exceptional book, inclusion leader Annahid Dashtgard shares her experiences looking for and teaching about belonging in our divided world. Through moving and deft interlocking stories, Dashtgard examines what it means to belong—to a country, in a marriage, and in our skin—and the price we pay when that belonging is absent.

Judith Thurman, a prolific staff writer at The New Yorker for more than two decades, has gathered a selection of her essays and profiles in A Left-Handed Woman. They consider our culture in all its guises: literature, history, politics, gender, fashion, and art, though their paramount subject is the human condition. Thurman is one of the preeminent essayists of our time—"a master of vivisection," as Kathryn Harrison wrote in the New York Times. "When she's done with a subject, it's still living, mystery intact."

Author Joni B. Cole worries that Vlad the Impaler may be a distant cousin. She feuds with a dead medium. She thinks (or overthinks) about insulting birthday cards, power trips, and the real reason writers hate Amazon. And she wishes, really wishes, all those well-meaning people would stop talking about Guatemala. At once irreverent and thought provoking, Cole's collection is a joy ride through eclectic essays that arrive smack on that sweet spot between soul searching and social commentary, between humor and heft.

A few years ago, Erica Heller realized how universal the longing is for one more moment with a lost loved one. It could be a parent, a sibling, a mentor, or a friend, but who wouldn't love the opportunity to sit down, break bread, and just talk? Who wouldn't jump at the chance to ask those unasked questions, or share those unvoiced feelings?

The police murders of two Black men, Philando Castile and George Floyd, frame this searing exploration of the historical and fictional narratives that white America tells itself to justify and maintain white supremacy. From the country's founding through the summer of Black Lives Matter in 2020, David Mura unmasks how white stories about race attempt to erase the brutality of the past and underpin systemic racism in the present.

In a series of intimate and humorous dispatches, McOuat examines her identity as a queer woman, and as a mother, through the lens of the pop culture moments in the '80s and '90s that molded her identity. McOuat stirs the ingredients required to conjure an unsettled spirit: the horrors of pregnancy and motherhood, love and loss, the supernatural, kaleidoscopic sexuality, near-miss experiences, and the unexplained moments in life that leave you haunted.

Indiana champions shining examples of literary and artistic merit regardless of whether the individual artist or writer is famous; asserts a standard of care and tradition that has nothing to do with the ivory tower establishment; is unafraid to deliver the coup de grâce when someone needs to say the emperor has no clothes; speaks in the same breath—in the same discerning, insolent, eloquent way—about high art and pop culture. Few writers could get away with saying the things Gary Indiana does. And when the writing is this good, it's also political, plus it's a riot of fun.