検索キーワード： 制作 "Recorded Books" エッセイ

How to Die is both an absorbing excursion through some of Western literature’s most compelling works on the subject of death as well as an anecdote-driven argument for cultivating a better understanding of death in the belief that, if we do, we’ll know more about what it means to live a meaningful life.

In her fiction, Claire Messud "has specialized in creating unusual female characters with ferocious, imaginative inner lives" (Ruth Franklin, New York Times Magazine). Kant’s Little Prussian Head & Other Reasons Why I Write opens a window on Messud’s own life: a peripatetic upbringing; a warm, complicated family; and, throughout it all, her devotion to art and literature.

Tracing 25 centuries of human history, from the fourth century BC to the present day, Manguel dedicates each of his chapters to a single character - ranging from our best-known thinkers, scientists, and artists to seemingly minor figures of whom we know little more than one inspired utterance - in whom he identifies a particular way of asking the question "why?"

Reminiscent of Joan Didion's White Album or Kurt Vonnegut's Palm Sunday, Visions and Revisions is a collage-style portrait of a tumultuous era that puts the listener on the streets of NYC during the early '90s AIDS crisis, also touching on such diverse subjects as the serial murders of gay men, Peck's first loves upon coming out, and the transformation of LGBT people from marginal, idealistic fighters to their present place in a world of widespread, if fraught, mainstream acceptance.

A princess of White Russian descent, Marie Vassiltchikov was 23 years old when she was trapped in Berlin by the outbreak of World War II. In these secret diaries, she chronicles the glamorous rise and shattering fall of the Nazi Party, as seen from the vantage point of her desk at the Foreign Ministry. She also describes how she and her friends became involved in a desperate conspiracy to murder Hitler.

What does it take to escape the plotlines mapped onto us? Searching for clues in the work of her literary foremothers, Lipson untangles what it means to be a girl, a woman, a lover, a partner, a daughter, and a mother in a world all too ready to reduce us to stock characters.

When Peter Schjeldahl, The New Yorker’s art critic and the leading art writer of his generation, published his eye-opening autobiographical essay, “The Art of Dying,” in December 2019, he reported that he had lung cancer and had been given six months of life. Fortunately, his treatment was showing some improvement, and so, he wrote, “These extra months are a luxury that I hope to have put to good use.”

Virginia Hamilton (1936-2002) was not only one of the most magnificent writers who ever lived — winning honors such as the Newbery Medal, Newbery Honor, National Book Award, and the Coretta Scott King Award for classics like The House of Dies Drear, The People Could Fly, M. C. Higgins the Great, and Her Stories — she was one of the greatest thinkers we ever had on children's literature.

A collection of twenty thought-provoking essays from “one of the most brilliant, innovative, and eloquent writers on earth” (Publishers Weekly).

In Ghost Dogs, Dubus’s nonfiction prowess is on full display in his retelling of his own successes, failures, triumphs, and pain. In his longest essay, “If I Owned a Gun,” Dubus reflects on the empowerment and shame he felt in keeping a gun, and his decision, ultimately, to give it up. Elsewhere, he writes of a violent youth and of settled domesticity and fatherhood, about the omnipresent expectations and contradictions of masculinity, about the things writers remember and those they forget.