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Anne Carson's remarkable first book about the paradoxical nature of romantic love Since it was first published, Eros the Bittersweet, Anne Carson's lyrical meditation on love in ancient Greek literature and philosophy, has established itself as a favorite among an unusually broad audience...

The autobiographical essays in The Girls in My Town create an unforgettable portrait of a family in Los Angeles. Reaching back to her grandmother's childhood and navigating through her own girlhood and on to the present, Angela Morales contemplates moments of loss and longing, truth and beauty, motherhood and daughterhood. 

E. B. White's greatest stories, asides, essays, jokes, and tall tales about the city he arguably saw clearest, loved best, and skewered most mercilessly. Over more than fifty years at the New Yorker, E. B. White came to define a kind of ideal American prose: clear, casual, democratic, and urbane...

A trans essayist with a checkered past takes on the big questions of human existence Move over Michel de Montaigne, there's a new girl in town An ABA Indie Next Pick A San Francisco Chronicle Women's History Month Book Pick An Allstora Queer History 101 Book Club Pick Set against a...

From the New York Times bestselling author of The Unspeakable and The Problem with Everything comes a new collection of must-listen essays. "For the last five or six years, on many afternoons around 4 or 5 pm, I've been overcome with the sensation that my life is effectively over. Note the...

With Amazon's growing power in both bookselling and publishing, considering where and how we get our books is more important now than ever. The simple act of putting a book in a reader's hands—what booksellers call handselling—becomes a catalyst for an exploration of the moral, financial, and political pressures all indie bookstores face.

In this refreshing collection, one of our best writers on desert places, Gary Paul Nabhan, challenges traditional notions of the desert. Beautiful, reflective, and at times humorous, Nabhan's extended essay also called "The Nature of Desert Nature" reveals the complexity of what a desert is and can be. He passionately writes about what it is like to visit a desert and what living in a desert looks like when viewed through a new frame, turning age-old notions of the desert on their heads.

In the century since the Armenian Genocide, Armenian survivors and their descendants have written of a vast range of experiences using storytelling and activism, two important aspects of Armenian culture. Wrestling with questions of home and self, diasporan Armenian writers bear the burden of repeatedly telling their history, as it remains widely erased and obfuscated. Telling this history requires a tangled balance of contextualizing the past and reporting on the present, of respecting a culture even while feeling lost within it.

Author Joni B. Cole worries that Vlad the Impaler may be a distant cousin. She feuds with a dead medium. She thinks (or overthinks) about insulting birthday cards, power trips, and the real reason writers hate Amazon. And she wishes, really wishes, all those well-meaning people would stop talking about Guatemala. At once irreverent and thought provoking, Cole's collection is a joy ride through eclectic essays that arrive smack on that sweet spot between soul searching and social commentary, between humor and heft.

Craig Childs bears witness to rock art of the Colorado Plateau—bighorn sheep pecked behind boulders, tiny spirals in stone, human figures with upraised arms shifting with the desert light, each one a portal to the open mouth of time. With a spirit of generosity, humility, and love of the arid, intricate landscapes of the desert Southwest, Childs sets these ancient communications in context, inviting listeners to look and listen deeply.

A revelatory collection of essays on the DeafBlind experience, and a manifesto on the power and untapped potential of touch. Born Deaf into an ASL-speaking family and blind by adolescence, John Lee Clark learned to embrace the possibilities of his tactile world. He is on the frontlines of the Protactile movement, which gave birth to an unprecedented tactile language and a way of life based on physical connection.

In this exceptional book, inclusion leader Annahid Dashtgard shares her experiences looking for and teaching about belonging in our divided world. Through moving and deft interlocking stories, Dashtgard examines what it means to belong—to a country, in a marriage, and in our skin—and the price we pay when that belonging is absent.

Disequilibria: Meditations on Missingness is a hybrid memoir that recounts the 1982 disappearance of the author's stepfather, James Edward Lewis, a pilot and Vietnam veteran. Recounting his family's experiences in searching for answers, Lunday interrogates the broader cultural and conceptual responses to the phenomenon of missingness by connecting his stepfather's case to other true-life disappearances as well as those portrayed in fiction, poetry, and film.

Leah Myers may be the last member of the Jamestown S'Klallam Tribe in her family line, due to her tribe's strict blood quantum laws. In this unflinching and intimate memoir, Myers excavates the stories of four generations of women in order to leave a record of her family. Beginning with her great-grandmother, the last full-blooded Native member in their lineage, she connects each woman with her totem to construct her family's totem pole: protective Bear, defiant Salmon, compassionate Hummingbird, and perched on top, Raven.

According to the Washington Post, no one who cares about contemporary African-American cultures can ignore Bell Hooks's electrifying feminist explorations. Targeting cultural icons as diverse as Madonna and Spike Lee, Outlaw Culture presents a collection of essays that pulls no punches. As Hooks herself notes, interrogations of popular culture can be a "powerful site for intervention, challenge and change." And intervene, challenge, and change is what hooks does best.

The Uncollected Essays of Elizabeth Hardwick is a companion collection to The Collected Essays, a book that proved a revelation of what, for many, had been an open secret: that Elizabeth Hardwick was one of the great American literary critics, and an extraordinary stylist in her own right. The thirty-five pieces that Alex Andriesse has gathered here-none previously featured in volumes of Hardwick's work-make it clear that her powers extended far beyond literary criticism.

A collection of essays about father figures in popular culture, Dad Bod unpack the ideas that inform our collective image of fatherhood as it is found in movies, television shows, and video games. Follow a newly minted parent as he journeys to the heart of dadness to redefine what it means to be a father.

In his award-winning debut essay collection, What Cannot Be Undone, Walter M. Robinson shares surprising stories of illness and medicine that do not sacrifice hard truth for easy dramatics. These true stories are filled with details of difficult days and nights in the world of high-tech medical care, and they show the ongoing struggle in making critical decisions with no good answer. This collection presents the raw moments where his expertise in medical ethics and pediatrics are put to the test. 

The Tashkent-born Russian-American literary critic, editor, essayist, and journalist Vladislav Davidzon has been covering post-Soviet Ukraine for the past ten years, a tumultuous time for that country and the surrounding world. In late 2015, a year and a half after the 2014 Revolution swept away the Moscow-leaning kleptocratic President Viktor Yanukovich, Davidzon and his wife founded a literary journal, The Odessa Review. This eagerly anticipated debut tells the real story of what happened in Ukraine from the keen and resilient perspective of an observer at its center.

With Mountain Madness, Clinton Crockett Peters chronicles his travels and personal transformation from a West Texas evangelical to mountain guide to humbled humanist after a near-fatal injury in Japan's Chichibu Mountains. From 2007 to 2010, Peters lived in Kosuge Village, nestled in central Japan's peaks, where he was the only foreigner in town. This essay collection profiles who he was before Japan, why he became obsessed with mountains, and his fallout from mountain obsession. Ultimately, the collection asks, how can landscape create and end identities?