検索キーワード： 制作 "Blackstone Audio, Inc." ユーモア・風刺文学・フィクション

A cult classic in the United Kingdom since its first publication there in the 1970s, Don't Point That Thing at Me is the first of a series of hilarious and dark-humored crime thrillers featuring the Honorable Charlie Mortdecai: degenerate aristocrat, amoral art dealer, seasoned epicurean, unwilling assassin, and acknowledged coward.

You Know Me, Al is a classic of baseball, the game and the community. Jack Keefe, one of literature's great characters, is talented, brash, and conceited. Self-assured and imperceptive, impervious to both advice and sarcasm, Keefe rises to the heights, but his inability to learn makes for his undoing. Through a series of letters from this bush-league pitcher to his not-quite-anonymous friend Al, Lardner maintains a balance between the funny and the moving, the pathetic and the glorious.

After his final trip up the river Thames with his three companions - - Harris, George, and Montmorency the dog - - Jerome K. Jerome sat down to write his proposed book, The Story of the Thames. But before he could tackle the work in the serious manner intended, his humor took over and gave birth to a masterpiece of unquenchable comedy. This is a classic of English humor, justifiably loved around the world.

With this satirical novella, English schoolmaster Edwin A. Abbott provides both a mathematical fantasy and pointed observations on the social hierarchy of Victorian culture. The narrator, “a Square,” resides in the fictional two-dimensional world of Flatland. When he is visited by a sphere, he is suddenly faced with proof of the existence of three dimensions and is forced to see the limitations of his world.

Says Charles Pooter, "I fail to see - because I do not happen to be a 'somebody' - why my diary should not be interesting." Surprisingly, Mr. Pooter's life is fascinating! The fascination is two-fold: firstly, his astounding arrogance that we should care about his domestic trivia and narcissistic scribblings. Secondly, we can all sympathize with (and wince at!) this ridiculous slave to convention.

Some might remember My Friend Irma as the movie that served as the launching pad for Dean Martin and Jerry Lewis. Others recall a television show of the same name. But My Friend Irma actually originated as a radio sitcom that aired on CBS from 1947 to 1954. The show chronicled the daily highjinks of an extremely dim-witted blond stenographer named Irma Peterson and her screwball friends.

Meet Dr. Nancy Beach, a relationship counselor who hosts a local radio show called Love's a Beach. One problem: The relationship guru can't seem to make her own relationships work, sending her credibility and ratings into the toilet. Meet Jacob Cope, a walking thesaurus of phobias, a Lehman Brothers casualty who's lost his job and swagger and now yearns to be a ventriloquist. When Nancy and Jacob are set up on a blind date and hit it off, their siblings, desperate to be rid of them, encourage the young couple to move in together.

A young bride shuts herself up in a bedroom on her wedding day, refusing to get married. In this moving and humorous look at contemporary Israel and the chaotic ups and downs of love everywhere, her family gathers outside the locked door, not knowing what to do. The harder they try to reach the defiant woman, the more the despairing groom is convinced her refusal should be respected. But what, exactly, ought to be respected? Is this merely a case of cold feet? A feminist statement? A mourning ritual for a lost sister?

This novel centers on the figure of Ilya Ilyich Oblomov, a member of the dying class of the landed gentry, who spends most of his time lying in bed gazing at life in an apathetic daze, encouraged by his equally lazy servant Zakhar and routinely swindled by his acquaintances. But this torpid existence comes to an end when, spurred on by his crumbling finances, the love of a woman, and the reproaches of his friend, the hardworking Schtoltz, Oblomov finds that he must engage with the real world and face up to his commitments.