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H.H. Munro (Saki) is one of the undisputed masters of the short story. In this complete compendium, the full gamut of his subjects and themes is experienced. His stories are imbued with humorous satire, biting irony, and often the macabre, all of which have one target: the stupidities and hypocrisies of Edwardian upper-class society.

Flann O'Brien's most popular and surrealistic novel concerns an imaginary, hellish village police force and a local murder.

Weird, satirical, and very funny, its popularity has suddenly increased with the mention of the novel in the TV series Lost.

The Roman poet Juvenal was the greatest satirist of Imperial Rome. His 16 satires encompass attacks on the immorality, abuses and hypocrisy of the Romans of his day. The last of the great Roman poets, he wrote between CE 110 and 130, his approach to satire coming close to modern expectations of the genre.

A soldier in the First World War who never actually sees any combat, Josef Svejk is the awkward protagonist - and none of the other characters can quite decide whether his bumbling efforts to get to the front are genuine or not. Often portrayed as one of the first anti-war novels, Hasek's classic satire is a tour-de-force of modernist writing, influencing later writers such as Hemingway, Faulkner and Joseph Heller.

The first of Kafka’s three great novels, The Man Who Disappeared (America) follows the picaresque adventures of Karl Rossman, who is banished to America following a family scandal. Upon his arrival, Karl immediately happens upon his uncle, and from there follows a pattern of wandering, adoption and expulsion as Karl marches inexorably on towards the interior of the continent. With its blitheness and comical moments, The Man Who Disappeared is perhaps the most charming of Kafka’s works.

Gogol's great comic masterpiece paints an hilariously satirical picture of provincial life in 19th century Russia. Its publication in 1847 not only provided inspiration for succeeding generations of Russian writers, but fanned the already flickering flames of social discontent which were eventually to flare up and consume Russia in the revolution of 1917.

Tobias Smollett, in his creation of the Scot Roderick Random, exposes the sheer incompetence and injustice of the Royal Navy, as well as the snobbery and hypocrisy prevalent in English middle-class society at the time. Set in the mid-18th century, this picaresque novel follows the life and adventures of Roderick, the eponymous hero who has been shunned by his gentleman father's family on the basis of the lowliness of his mother's family.

Petronius’ Satyricon is a rampant and vivacious Roman adventure dating back to the first century, during the reign of Nero. It follows the exploits of Encolpius, an impoverished ex-gladiator, and his boy-lover Giton. The action is fleet and the narrative sweeping: over the course of their journey we meet a host of lewd and comical rogues, including beggars, prostitutes, poets, sodomites, and pedants, and witness many strange and curious events, including a remarkably vulgar multi-course feast, hosted by the pompous nouveau riche Trimalchio

A blistering rebuke of religious hypocrisy, Elmer Gantry is the story of a charismatic and manipulative social climber who rises to power within his church, despite his insincerity. Though he preaches against immorality and temptation, Reverend Dr Elmer Gantry can’t seem to give up his own vices, and he leaves a trail of broken people behind him in his pursuit of pleasure and power, betraying anybody and doing anything to get ahead.

Born in 1623 as the youngest child of a wealthy Essex family, Margaret Cavendish became a Maid of Honour to Queen Henrietta Maria before going on to marry the widowed William Cavendish, Duke of Newcastle. She was a prolific writer whose work encompassed a range of genres. The Blazing World is part fiction and part feminist text in which a lady is shipwrecked and seeks to ensure that the Blazing World in which she finds herself is transformed into a Utopia - free of war, sexual discrimination, and religious discord.

In the final book of the series that began with The Darling Buds of May, the fun-loving Pop Larkin finds himself confined to a bed following a mild heart attack - caused by a little too much of what he fancied. Ma battles with the doctors as she attempts to find an adequate cure, but it turns out that a seductive nurse is all he needs. Pa's spirits truly recover themselves when he is forced to defend his home from the ministry's railway plans. This concludes the tales of H. E. Bates' Larkin family.

In the third sequel to The Darling Buds of May, Charley and Mariette decide to get baby Blenheim christened, leading to a wholesale christening of all seven of the Larkin children. Chaos abounds as the vicar, Mr Candy, is run ragged by the naughty twins, Zinnia and Petunia, and finds himself the object of desire for Pop's second eldest, Primrose. To top it all off, Pop buys a fairground on a whim, and Mlle Dupont arrives to discover that Pop is not a Lord, nor does he live in a mansion.

A year has passed, and in this third novel of the Pop Larkin series, Pop Larkin is preparing to build the bungalow he promised Charley and Mariette upon their engagement. He buys a country home slated for demolition, intending to convert it for the two, but it is not long before a London couple persuade him to sell it. Pop, ever the trickster, sells it for an extortionate price, as the two social climbers know little about country life.

When Cedric Charlton, an unsuspecting tax inspector, arrives at the door of the Pop Larkin farm, he soon forgets the purpose of his visit: The fun-loving Ma and Pop Larkin distract him at every turn with strawberries, cream, alcohol, and their attractive young daughter, Mariette. Well known by the popular TV series starring David Jason and Catherine Zeta-Jones, The Darling Buds of May is the quintessential feel-good country romp.

This is a story from the "Great Ghost Stories" collection.

The Diary of Nobody (1892) created a cultural icon, an English archetype. Anxious, accident-prone, occasionally waspish, Charles Pooter has come to epitomize English suburban life. His diary chronicles encounters with difficult tradesmen, the delights of home improvements, small parties, minor embarrassments, and problems with his troublesome son. The suburban world he inhabits is hilariously and painfully familiar in its small-mindedness and its essential decency.

First published in 1766 and a perennial favourite since then, The Vicar of Wakefield is built around the naive but loveable figure of Dr. Primrose. He and his family live in rural bliss until disaster threatens to destroy their happiness: abduction, impoverishment, and betrayal combine to lay them low, but a surprising figure brings hope when all seems lost...

Young, wealthy Arabella is obsessed with French romances: brought up by a reclusive widowed father in an isolated castle, she has educated herself through their pages, and been led to believe that their dramas and absurdities are reality. She blindly adheres to their example and interprets her everyday life through their lens, thinking that life consists of uncontrollable passions and murderous violence, and that any man would die for her. Thus she embarks on a series of hilarious misadventures, insistent on the reality of her imaginary world, like Don Quixote before her.

With one impatient phone call, a young Christopher Isherwood is drawn into the film industry. On the other end of the line is the brilliant yet temperamental Austrian director Friedrich Bergmann. Christopher’s job is to rescue the script of a saccharine love story set in nineteenth-century Vienna, a film called Prater Violet. Meanwhile, in the real Vienna of 1934, the Austrian right crushes a socialist uprising. Bergmann is distraught; his family is in danger in Vienna, while his prophecy of a coming war goes unheeded by his British colleagues.

When her husband is suddenly killed in a car accident, the widowed Milly Bott is surprised to find that he has left her only a small fraction of his wealth, bequeathing the rest to a charity for fallen women, with the cryptic note that ‘my wife will know why’. From that moment she knows that her late husband must have known about her clandestine affair.