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Based on true crimes, The Specimen is a mesmerizing story about one woman’s search for truth and vengeance in the darkest of places—where the deadliest secrets lie hidden in plain sight on a freshly dusted shelf.

When Greta Molina’s old friend Tiller offered her the job, a ten-day cattle drive across the Wyoming prairie from the ranching town of Ten Sleep, it sounded like a well-paid break. Three hundred and twenty cows and calves, two guys her age she’s known since college, and a few long days on an ATV will give her time to sort out the mess in her head. The canyon along the trail has a history, sure, but nature has a tendency toward violence. Greta can accept that, even if it makes her insides squirm.

It begins with a gunshot: a student's public suicide on a university campus. The blast radius of this tragic explosion expands to encompass 50 years of our history and two of the grandest characters in recent American fiction: Simon Magnus, a comic-book writer who transfigured popular culture turned gender activist who transfigures the English language, and Ash del Greco, an online occultist who by the age of 20 has seen to the end of everything and wants desperately to prove the superiority of mind over matter.

Dawn is breaking over the Guilleries, a rugged mountain range in Catalonia frequented by wolf hunters, brigands, deserters, race-car drivers, ghosts, and demons. In a remote farmhouse called Mas Clavell, an impossibly old woman lies on her deathbed. Family and caretakers drift in and out. Meanwhile, all the women who have lived and died in that house are waiting for her to join them. They are preparing to throw her a party.

In 1921, Marian Arnold, the heiress to a brewing baron’s empire, seeks solace in the glass butterfly house on her family’s Wisconsin estate as Prohibition and the deaths of her parents cast a long shadow over her shrinking world. When Marian’s sanctuary is invaded by nightmarish visions, she grapples with the line between hallucinations of things to come and malevolent forces at play in the present. With dead butterflies as the killer’s ominous signature, murders unfold at a steady pace. Marian, fearful she might be next, enlists the help of her childhood friend Felix.

Ivory Malinov’s only brethren are the wolves. Abandoned by her family, and cast out by everyone she held dear, Ivory has lived centuries without love. She has sustained her sanity by preparing for one purpose—to destroy her greatest enemy. Then she picks up the scent of a man. Her salvation. Her lifemate. The curse of all Carpathian women.

Harriet Hunt is completely alone. Her father disappeared months ago, leaving her to wander the halls of Sunnyside house, dwelling on a past she’d rather keep buried. She doesn’t often venture beyond her front gate, instead relishing the feel of dirt under her fingernails and soft moss beneath her feet. Consequently, she’s been deemed a little too peculiar for popular Victorian society. This solitary life suits her fine though—because outside, magic awaits.

Silke Vriese Reinders knows a war is coming. The demon slayer has seen it over and over again in the cards—and the battle will be for the survival of not just her remote village but all mankind. Silke knows the only way to win will be with the help of the Carpathians. A fact that fills her with trepidation, as she is fated to be the lifemate to one of the ancient supernatural warriors—bound to a complete stranger and responsible for his soul.

Locked in a castle with a clan of devious vampires, one woman is caught in a literal fight for her life. Vampires have always fascinated Kazan Korvic, so much so that she’s made it her life’s work to craft weapons designed solely to kill them. But when she is attacked and captured by an entire clan, Kazan’s fascination turns ferocious.

On a snowy December night, single mother Rebecca Carter drives her van into a snowbank to avoid hitting an elk on a desolate mountain highway. She is at the end of her rope, out of money and food. Still, she refuses help from a man in a pickup truck—Rebecca’s adolescent daughter, Moonflower, is on the run from a grisly secret, and the last thing they can afford is to be remembered by anyone they meet.

Molly Wasziak’s life has not gone the way she dreamed. Facing depression after several miscarriages, Molly is adapting to her husband’s purchase of a peculiar old farm. A search for a family tree pulls Molly deep into a centuryold murder case and a web of deception, all made more mysterious by the disturbing shadows and sounds inside the farmhouse.

Miscellaneous “Lanie” Stones is the necromancer that Doédenna, god of Death, has been praying for. True, she's always been more interested in books and pastries than in creating abominations and raising armies of the undead. But still—she lives to love and serve Saint Death. And damn it duodecifold, Saint Death needs her! Lanie has many talents—her powers of death magic are growing more complex and stranger every day—but first and foremost is her ability to lay the unrestful dead to their unending slumber.

Once, Sammy Dominguez thought he knew how the world worked. The ugly things in his head—his uncle’s pathetic death, his parents’ mistrust, the twisted horrors he writes for the Internet—didn’t matter, because he and his girl, Ellery, were on track for the good life in this messed-up world. Then a car accident changed everything. Spiraling with grief and guilt, Sammy scrambles for distraction. He finds it in shock-value videos of gore and violence that terrified him as a child. When someone messages him a dark web link to footage of Ellery dying, he watches.

In an immersive Southern Gothic with echoes of Shirley Jackson’s The Lottery and Sharp Objects by Gillian Flynn, a restauranteur lured by pandemic-era incentives moves her family to a seemingly idyllic small town in Georgia, only to discover a darkness lurking beneath the Southern hospitality and sun-dappled streets.

Keera is an exile struggling to survive, forced to rob passing travelers or face starvation. When she steals from the wrong man—a vicious masked warrior named the Viper—his hand around her throat awakens an ancient magic within her, and she uses it to escape his clutches. Now, Keera must master her power to protect the city of Kelvadan—the only place an exile like her can find a home—from the Viper and his growing army.

It's 2004 and former reality TV star and party girl Maya Miller has just married the most eligible bachelor on the planet: Colin Sterling, of the globally famous Sterling family whose history of aristocratic titles and land holdings rival a British royal and whose media empire is comparable to the Murdochs. To some, Maya represents the American dream. To others, a gold digger. But when Colin's cousin Arianna, the heiress to the family's immense fortune, is found murdered, Maya is thrust into the spotlight.

In the age of belief, magic is a myth. But when an apocalyptic crusade comes to the remote border of Gul Kana, that belief is shattered, as is the tenuous peace that held the Five Isles together. Now the prophecies that were used to justify this war are unraveling, revealing a hidden agenda while the world lies in the wake of the degradations of this war. But a slim skein of hope resides within the hidden truths, long kept secret and scattered throughout the isles—truths less reliant upon prophecy than heroism and great sacrifice.

In Darkover’s dim past, before the tumultuous Ages of Chaos, small kingdoms still vied for power. But with the rise of psychic abilities called laran, unscrupulous leaders turned to half-trained sorcerers for an advantage. One such struggle arose between the realms of Hastur and its ambitious neighbor, Carcosse. Leora Hastur is still a child when her laran awakens, and the resulting crisis almost claims her life. Her beloved older sister, Neave, and her father’s small circle of telepathic workers manage to save her, but nothing can shield her from the horrors of the impending war.

A battered woman awakens atop a forgotten gravesite by Lake Superior's southern shore. Identified only by the locket around her neck inscribed with the name Rebecca, she seeks refuge with an elderly lighthouse keeper. But as Rebecca struggles to remember who she is, she finds herself haunted by the lingering memories of Annabel, a mysterious woman who perished in the lake's unforgiving waves years earlier. With the spirit of Annabel seemingly reawakened, and an unknown adversary on the hunt to silence Rebecca once and for all, more is at stake than reclaiming her own memories.

A Place Between Waking & Forgetting is dark speculative fiction, an Afro-Irreal collection in which transformative stories of culture, diversity, climate change, unlimited futures, collisions of worlds, mythology, and more, inhabit. It cases black people stories in bold and evocative text, at times deeply flawed but potentially redeemable protagonists in rich hues of blackness and light. Something beautiful, something dark in lyrical language packed with affection, dread, anguish and hope.