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The glorious but tragic story of King Arthur and the Knights of the Round Table is one of the great legends of Western civilization. Storytellers and poets down the centuries have returned repeatedly to the universal themes of the Quest of the Holy Grail and the love between Sir Launcelot and Queen Guenever. Yet the first printed account, written by the 15th century knight Sir Thomas Malory, remains unmatched.

A lonely young Brit working on a novel is charmed by his landlady and her bohemian lodgers. He rooms with an English runaway and want-to-be star, the delightfully decadent Sally Bowles, and holidays on the Baltic coast with a repressed Englishman and his swaggering German lover.

Published in 1899, The Solitary Summer is a charming companion to von Arnim’s earlier novel Elizabeth and Her German Garden. As with its prequel, the novel is semi-autobiographical and in the form of a series of diary entries. The narrator decides to spend one summer alone in her country house far away from the demands and distractions of the world. She offers us a witty and lyrical account of a solitary summer, filled with reading and reflections on her beloved garden. However, her months removed from society turn out to be less solitary than planned.

In the heart of rural Yorkshire at the turn of the 20th century, 28-year-old Mary runs her farm while trapped in a loveless marriage. Her world is upended by the arrival of David Rossitur, a charismatic young socialist who challenges her beliefs and tries to unionise the farmers. As Mary grapples with her attraction to David’s fiery idealism, the novel explores the simmering tensions between tradition and progress in a small farming community.

Against a backdrop of modernisation, extravagant luxury, political intrigue and sexual immorality, Saccard treats close relationships as money-making opportunities and loved ones as mere commodities. As one character puts it: ‘You see, everything is fine, as long as you make money from it.’