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Welcome to Edmund Spenser’s 1590s epic poem, The Faerie Queene. This text-faithful, line-by-line prose rendering transports modern listeners into a vast narrative tapestry. Knights traverse diverse fantastical landscapes including the shadowy depths of an enchanted forest, a treacherous underwater lair, a mysterious subterranean kingdom, and the deadly Bower of Bliss.

Many have attempted to read Spenser’s original masterpiece only to retreat, daunted by language that was deliberately archaic even in Elizabethan times. Classical educator Rebecca K. Reynolds bridges this gap, crafting a prose adaptation that gradually introduces more of Spenser’s distinctive vocabulary and diction. By the final volume, listeners will find themselves prepared to engage directly with Spenser’s original text with confidence and delight.

Welcome to Edmund Spenser’s 1590s epic poem, The Faerie Queene. This text-faithful, line-by-line prose rendering transports modern listeners into a vast narrative tapestry. Knights traverse diverse fantastical landscapes including the shadowy depths of an enchanted forest, a treacherous underwater lair, a mysterious subterranean kingdom, and the deadly Bower of Bliss.

Britta Lindquist left Sitka six years ago in an attempt to distance herself from the love of her life, Yuri Belikov. Upon her return, she finds Yuri absent and his wife about to deliver a child. When tragedy strikes, Britta suddenly finds herself caring for Yuri’s children—and her life intertwining with the man she’s tried so hard to forget. But Britta’s other great love is for the violin, and her talent is recognized by Brenton Maltese, a conductor from England.

Much-Afraid begins her journey, crippled and disfigured, with the cry, "Oh, if only I could escape from this Valley of Humiliation altogether and go to the High Places." She leaves her Fearing relatives behind, and presses on to the Realm of Love. As the Chief Shepard explains, no Fears can live in this realm, because "perfect love casts out fears and everything that torments".

Mark Redfield narrates from a specially prepared text for performance by Dickens himself, and performs all of your favorite characters, in this beloved Christmas tale of forgiveness and redemption. Since 1843, “A Christmas Carol” has delighted millions around the globe and has come to embody the spirit of Christmas for all who have been touched by its magic.

A collection of eclectic poetry penned by three kings of Pulp fiction from the 1930s. Songs of Giants: The Poetry of Pulp is a collection of 26 poems by writers H.P. Lovecraft, Edgar Rice Burroughs, and Robert E. Howard. Inspired by the illustrated book of the same name by artist Mark Wheatley.

Not often thought of as a romantic, Poe nonetheless captured the beauty of love in many of his works. In this collection, Poe offers his short poem, aptly titled, "Romance", followed by three short stories, "Morella", "Eleonora", and "Ligeia", ending with the poem, "Annabel Lee".

Johanna Ilg has lived her entire life in Main Amana, one of the seven villages inhabited by devout Christians who believe in cooperative living, a simple lifestyle, and faithful service to God. Although she's always longed to see the outside world, Johanna believes her future is rooted in the community. But when she learns a troubling secret, the world she thought she knew is shattered and she is forced to make difficult choices about a new life and the man she left behind.

"Thank goodness you're such a plain child. You'll have to rely on your wits." So went the words of Grandma Bebe. And for all of my growing-up years, I scoffed at the beauty of my sister and what I saw as her meaningless existence. But my wits hadn't served me well in this instance, for here I was, in jail. And while I could have seen it as carrying on the family tradition (Grandma Bebe landed in jail for her support of Prohibition), the truth is, my reasons for being here would probably break her heart."

The Singer quickly became a favorite of evangelists, pastors, artists, students, teachers and readers of all sorts when it was originally published in 1975. Retelling the story of Christ through an allegorical and poetic narrative of a Singer whose Song could not be silenced, Miller's work reinvigorated Christian literature and offered believers and seekers the world over a deeply personal encounter with the gospel.

Elizabeth Duncan has nowhere to turn. In charge of her younger brother and sister after their parents die, her options are limited. When she hears that the Shaker community in the next county takes in orphans, she presents herself and her siblings at Harmony Hill. Despite the hard work and strange new beliefs around her, Elizabeth is relieved to have a roof overhead and food to eat. But when she feels a strong attachment to a handsome young Believer named Ethan, life gets complicated.

Who will become the new minister of Grace Chapel? The church board can't stop squabbling, and every week the congregation hears a sermon from a different minister. Finally, a charming man is appointed to take over the pulpit, but the townspeople offer him a chilly reception. During his stay at the inn, the sisters slowly warm up to him. But will he win over the townsfolk - and Aunt Ethel - as well?

It’s Christmas Eve in Mt. Jefferson, but unlike snow, peace is not in the forecast. In this story that spans over fifty years, family values collide with poor decisions, posing a daunting challenge to what should be the happiest time of the year.

Discover the wisdom and wonder of poetry through candid conversations with some of the most powerful poets of the 21st century. In this remarkable collection, Ben Palpant, author of Letters from The Mountain, invites listeners into intimate, one-on-one interviews with seventeen acclaimed poets.

The collection of Kipling poetry, performed by Mark Redfield, with music by Jennifer Rouse, are taken mostly from “Barrack-Room Ballads”. The poems mostly dramatize the concerns, yearnings, emotions, and thoughts of British soldiers at war, stationed in India, or at home - now forgotten by their fellow countrymen.