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The secret of their identities has fueled debate for hundreds of years: Who are the nameless nobleman and the dark-haired mistress? And what did they do to inspire the creation of more than 150 deeply intimate poems? Whether William Shakespeare's sonnets are pure fiction or the lingering echo of an autobiographical account, this exquisitely written collection defied traditional love poem conventions to explore the many layers of romance, the dangers of lust, and the nuances of beauty.

Through her transcendent imagery, distinct punctuation, experimental slant rhyme, and wordplay, Emily Dickinson set herself apart from every other poet of her time. These essential works - thematically divided into poems on life, nature, love, and time and eternity - reveal a keen, humorous observer whose art, like the artist herself, defied tradition.

In "The Waste Land,” T. S. Eliot’s eulogy for all that is buried after World War I, April promises a flowering. But as the world mourns the spirit of a bygone era, what future can emerge from the cold, dead, infertile ground? Doubt and fear grip the narrator, too, in “The Love Song of J. Alfred Prufrock” - a self-examination of an anxious, overeducated man unable to act against feelings of paralyzing impotence.

One of the best-known poets of the Revolutionary War era, Phillis Wheatley made history with this collection, which was the first such work to be published from an African American woman. Celebrated on both sides of the Atlantic, Wheatley found admirers in the likes of Voltaire, George Washington, Benjamin Franklin, and John Paul Jones.

Countee Cullen was already a prominent literary figure when he published Color, his auspicious debut collection of poetry. In deceptively simple verse, and in harmony with lyric tradition rather than rebellion against it, Cullen covered such complex terrain as race, faith, mortality, sexuality, and identity. Cullen may be less well known today than his contemporaries, but his emotional candor, creative ambition, and impudent humor retain an unforgettable spark.

Almustafa has been exiled in the island city of Orphalese for twelve years when he sees his ship coming with the mist. Before he sets sail, the beloved prophet is asked by his followers to impart his truth. In these twenty-eight poetic essays, he offers profound inspiration on such matters of love and friendship, freedom and self-knowledge, joy and sorrow, pleasure, prayer, and death. In doing so, Almustafa offers a universal serenity. A Lebanese émigré to the United States, Gibran wrote The Prophet to transcend the barriers between East and West.

Defiant, eloquent, and thoroughly modern, Claude McKay’s early collection of celebrated poems is widely recognized as having helped to spark the Harlem Renaissance. In Harlem Shadows, McKay gives precise and poignant expression to the injustices of white oppression in many forms. He also paints a vivid picture of Harlem at the dawn of its rebirth and shows the tremendous vitality of the neighborhood as well as the many threats it faced.

After spending her high school years in Hawaii, Kathleen Norris was woefully unprepared for Bennington College in the 1960s, with its culture of drugs, sex, and bohemianism. But it was also at Bennington that she discovered her great love of poetry, which carried her to New York City at a time when a new generation of poets was emerging and shaking up the establishment of time and place.

2015 World Poetry Slam Champion and Woman of the World co-Champion Emtithal "Emi" Mahmoud presents her hauntingly beautiful debut poetry collection. Brimming with rage, sorrow, and resilience, this collection traverses an expansive terrain: genocide; diaspora; the guilt of surviving; racism and Islamophobia; the burdens of girlhood; the solace of sisterhood; the innocence of a first kiss. Heart-wrenching and raw, defiant and empowering, Sisters’ Entrance explores how to speak the unspeakable.

A collection of thrilling verse, including both new poems and beloved favorites, from the celebrated poet, modern cult icon, and author of Chelsea Girls. Eileen Myles’ work is known for its blend of reality and fiction, the sublime and the ephemeral. Her work opens readers to astonishing new considerations of familiar places, like the East Village in her iconic Chelsea Girls, and invites them into lush - and sometimes horrid - dream worlds, imbuing the landscapes of her writing with the vividness and energy of fantasy.

The first all-new collection of poems since 2011’s Snowflake/different streets - and following the critically acclaimed Afterglow (a dog memoir), as well as the volume of selected poems, I Must Be Living Twice - here, in Evolution, we find the eminent, exuberant writer at the forefront of American literature, upending genre in a new vernacular that enacts - like nobody else - the way we speak (inside and out) today. Evolution, with its channeling of Quakers, Fresca, and cell phones, radiates vital insight, purpose, and risk.

In his first attempt at the epic form, Ngũgĩ tells the story of the founding of the Gĩkũyũ people of Kenya, from a strongly feminist perspective. A verse narrative, blending folklore, mythology, adventure, and allegory, The Perfect Nine chronicles the efforts the Gĩkũyũ founders make to find partners for their ten beautiful daughters - called “The Perfect Nine” - and the challenges they set for the 99 suitors who seek their hands in marriage. The epic has all the elements of adventure, with suspense, danger, humor, and sacrifice.

In an astounding debut poetry collection, Cave Canem, Callaloo, and Lambda Literary fellow Ife-Chudeni A. Oputa presents a relentless but refined portrait of one young woman's journey toward self-discovery. Her poems explore the eternal themes of the human condition - nature, origin, shame, identity, desire, mortality - with sensitivity and specificity. They illuminate and interrogate the ways that her characters inflict and experience pain, ultimately revealing how we must all face our shame in order to grow. No voice is blameless; no person is exempt.

These masterly poems span the whole of Nabokov's career from "Music", written in 1914, to the short, playful "To Vera", composed in 1974. The works are newly translated by Dmitiri Nabokov, and include "The University Poem", an extraordinary autobiographical poem in which Nabokov recalls his life in Cambridge, with its crooked alleys and age-old gates, teas at the vicar's and British girls. Included to are such poems as "To Russia" ("Will you leave me alone! I implore you!), the enchanting "Eve", and verse about America, sport, love, and poetry itself.

Seasoned journalist Tom Flynn shares his experiences on that "forever September morning" from his perspective as a journalist and neutral observer who stands apart from the event, but also as a participant, a survivor, and now a defining chronicler of the morning that changed our nation forever: September 11, 2001.