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London is abuzz as the beautiful Ray Marcable’s final shows at the West End approach. Before she jets off to perform in America everyone in the city is clamoring to see her once more. The lines wrap around the street and crowds are tightly knit together. One fateful night, just as he is nearing the box office, a man drops to the ground—dead. Although a knife protrudes from his back and there were countless potential witnesses, no one knows the poor man and no one saw who did the deadly deed. It is up to Inspector Alan Grant of Scotland Yard to solve this case.

Gerald Wade is among the many invited to the Chimneys estate for a party. Rented by Sir Oswald and Lady Coote for the season, it is rather the place to be. Unfortunately, during his stay there Gerry has garnered the teasing of his friends for a particular talent of his: to oversleep. One day the set decides to “fix” the matter with a little joke. The plan is to set out eight alarm clocks in Gerry’s room, all set to different times … as early as 6:30 a.m.! When they go to check on him, his friends discover that Gerry hasn’t overslept this time. In fact, he has been murdered.

Thomas Wolfe’s first novel, Look Homeward, Angel, is at once a semi-autobiographical coming-of-age story and a dark novel depicting a cynical post-war world view. The book follows the life of Eugene Gant, a young man driven by passion, intellect, and a search for something greater than himself. His earliest years in rural North Carolina include a wonderful education in poetry and literature against the backdrop of a loving, but tumultuous family life.

The animals of Mr. Jones’s Manor Farm are overworked, mistreated, and desperately seeking a reprieve. In their quest to create an idyllic society where justice and equality reign, the animals of Manor Farm revolt against their human rulers, establishing the democratic Animal Farm under the credo, “All Animals Are Created Equal.” Out of their cleverness, the pigs—Napoleon, Squealer, and Snowball—emerge as leaders of the new community. In a development of insidious familiarity, the pigs begin to assume ever greater amounts of power, while other animals assume more of the work.

Jack Kerouac tells the story of Jack Duluoz, a French-Canadian boy growing up in Kerouac’s own birthplace, the dingy factory town of Lowell, Massachusetts. There, Doctor Sax, with his flowing cape, slouched hat, and insinuating leer, is chief among the many ghosts and demons that populate Jack’s fantasy world.

Before Jack Kerouac expressed the spirit of a generation in his 1957 classic On the Road, he spent years figuring out how he wanted to live and, above all, learning how to write. Atop an Underwood brings together more than sixty previously unpublished works that Kerouac wrote before he was twenty-two, ranging from stories and poems to plays and parts of novels, including an excerpt from his 1943 merchant marine novel, The Sea Is My Brother. These writings reveal what Kerouac was thinking, doing, and dreaming during his formative years and reflect his primary literary influences.

Unique among Jack Kerouac’s novels, Visions of Gerard captures the scenes and sensations of earliest childhood, the first four years in the life of Ti Jean Duluoz as they unfold in the short, tragic-happy life of his brother, Gerard. Set in Kerouac’s hometown of Lowell, Massachusetts, childhood’s intensity, innocence, suffering, and delight unfold as Gerard interacts with animals, has visions of Our Lady in heaven, astonishes the priest in the church confessional, and observes his family as they laugh and drink and weep—that is, when he isn’t sick and confined to bed.