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Beauty isn't everything. Beneath Simone's long fake hair, phony smile, and saline booty is a web of trickery, lies, and murder. After being attacked by Jimmy, Simone's web of lies begins to violently unravel. One by one, her skeletons are falling out of the closet and revealing her true colors. While Simone fights to keep the man and life that she stole, Chance is fighting desperately to keep his life with Gia. Amidst the hot and steamy passion, which builds between Gia and Chance like a scorching inferno, is the fear of Chance being locked away for the rest of his life.

Meet Omari, a gorgeous, hardworking 28-year-old man from the South Side of Chicago. No matter how hard he works at his job at UPS, it is never enough to take care of himself and his long-term girlfriend. After continuous pressure from his older cousin, Ching, Omari finally trades in busting his ass for working under Ching, hustling three major blocks on the West Side. All is good as Omari juggles work and the drug game - until Ching involves him in the murder of someone who ends up being the governor's nephew.

Detective Easy Rawlins returns in a mystery set in 1961 Los Angeles as Easy accepts a job searching for a beautiful woman nicknamed Black Betty who works as a housekeeper in Beverly Hills.

Love wasn’t supposed to be a part of the deal… Even a famed matchmaker like Nolan Madaris’s great-grandmother can’t get it right every time. Nolan, the notorious fun-loving ladies’ man, could never connect with someone as straitlaced as tech whiz Ivy Chapman. Yet the scheme Ivy proposes is tempting - they can pretend to be a couple, just long enough to satisfy their families. But someone forgot to clue in their hearts. What happens, though, when Ivy’s plan to get her relatives off her back has an unexpected side effect: getting her into Nolan’s bed?

Doing Time: For the prison writers whose work is included in this anthology, it means more than "serving a sentence"; it means staying alive and sane, preserving dignity, reinventing oneself, and somehow retaining one's humanity. For the last quarter century the prestigious writers' organization PEN has sponsored a contest for writers behind bars to help prisoners face these challenges. The contest honors the best short stories, plays, essays, and poems among hundreds submitted annually by men and women nationwide.

Quatro mulheres da mesma família, com faces-fases em encruzilhamento, compõem uma gira, um xirê de águas.

A Black American woman travels through the United States and Europe in search of her lost father. In the letters she writes to him she remembers her strict Catholic childhood in Chicago, her move to bohemian New York, and her bewilderment at growing up. When she discovers Degas' painting of a young circus performer hanging by her teeth at the top of a circus tent, she makes the performer, 'Miss La La', the symbol of her life.

Quella narrata in questo volume è la storia personale dell'autrice, che qui si racconta in quanto mamma di tre figli, Andrea, Tilahun e Zenebech: i genitori biologici di Tila e Zene, entrambi etiopi ma fratelli non di sangue, sono stati costretti ad abbandonarli o hanno perso la vita durante la guerra civile nel Paese africano. Emilia all'epoca ha fatto una scelta importante e profondamente delicata, e non se ne è mai pentita.

In 1985, police bombed a West Philadelphia row house owned by the Afrocentric cult known as Move, killing 11 people and starting a fire that destroyed 60 other houses. At the heart of Philadelphia Fire is Cudjoe, a writer and exile who returns to his old neighborhood after spending a decade fleeing from his past and who becomes obsessed with the search for a lone survivor of the event: a young boy seen running from the flames.

Depois de ter conhecido o mundo como oficial da Marinha, o jornalista Garrett McCray agora viaja de Washington até a cidade de Paradise, no Velho Oeste, a fim de entrevistar um médico de destaque para seu jornal, dirigido a leitores pretos. Garrett achava que o Dr. Colton Lee seria um assunto interessante... até conhecer a irmã dele, Spring Lee. Ela mora sozinha, administra o próprio rancho, usa calças jeans em vez de vestidos e é a mulher mais fascinante que ele já conheceu. Só que Spring não está interessada no amor.

Por toda a América as plantações de tabaco floresceram e trouxeram riqueza aos senhores de terra durante o século XIX. Quando a bonança começa seu declínio, Howell Walker já vislumbra o próprio fim e sabe que precisará de um substituto para administrar os últimos dias de Lockless, sua propriedade no coração da Virgínia, Estados Unidos. Logo fica claro que seu único herdeiro, Maynard, não tem a menor aptidão para a missão. E mesmo o jovem Hiram, com sua resiliência e memória infalíveis, não poderia fazê-lo―além de filho ilegítimo de Walker, ele é um escravo.

Bigger Thomas, the central figure in Richard Wright’s novel Native Son (1940), eludes easy categorization. A violent and troubled character who rejects the rules of society, Bigger is both victim and perpetrator, damaged by racism and segregation on the South Side of Chicago, seemingly raping and killing without regrets. His story has electrified readers for more than eight decades, and it continues to galvanize debates around representation, respectability, social justice, and racism in American life.

Quattro splendidi racconti del pluripremiato autore Richard Larson vengono pubblicati per la prima volta in italiano insieme alla versione originale inglese: Fate la conoscenza de La ragazza fantasma e del suo guardiano artificiale in una discarica di Bujumbura. Festeggiate insieme a degli edonisti post-umani in “Facciamolo virale.” Scoprite cosa succede a un prodigio del basket quando si rifiuta di essere “Reticolato.” E guardate un ragazzo legarsi al fantasma digitale di suo nonno in “Il ritorno.”

“The poet is endemic with life itself,” Will Alexander once said, and in this searing pas de trois, Refractive Africa: Ballet of the Forgotten, he has exemplified this vital candescence with a transpersonal amplification worthy of the Cambrian explosion. “This being the ballet of the forgotten,” he writes as diasporic witness, “of refracted boundary points as venom.” The volume’s opening poem pays homage to the innovative Nigerian-Yoruban author Amos Tutuola; it ends with an encomium to the modernist Malagasy poet Jean-Joseph Rabearivelo.

Set in Soweto, the urban heartbeat of South Africa, Innards tells the intimate stories of everyday Black folks processing the savagery of apartheid with grit, wit, and their own distinctive bewildering humor. Rich with the thrilling textures of township language and life, it braids the voices and perspectives of an indelible cast of characters into a breathtaking collection flush with forgiveness, rage, ugliness, and beauty.

Damballah, Hiding Place, and Sent for You Yesterday provide a stunning introduction to the uncompromising work of John Edgar Wideman, whose literary achievements have inspired The New York Times to name him “one of America’s premier writers of fiction”. Damballah’s narratives examine the vexed history of Homewood, a Pittsburgh, Pennsylvania, neighborhood whose origins are rooted in a time when slavery was still legal in the United States of America.

The year is 1921, and America is burning. A fire of vice and virtue rages on every shore, and Chicago is its beating heart. Nelly Sawyer is the daughter of the “wealthiest Negro in America”, whose affluence catapulted his family to the heights of Black society. After the unexpected death of her only brother, Nelly becomes the premier debutante overnight. But Nelly has aspirations beyond society influence and marriage.

Nessuno sa il mio nome è la seconda raccolta di saggi di James Baldwin pubblicata per la prima volta nel 1961 e scritta durante la sua permanenza in Europa, quando la distanza dagli Stati Uniti, fortissimamente voluta, gli aveva permesso di riflettere in modo nuovo sulla condizione delle persone nere in una società dominata dai bianchi. Trascendere la sterile categoria di blackness, sia essa quella imposta dal mondo bianco o quella eretta a scopo difensivo dalla comunità nera, divenne il nucleo dell’opera di Baldwin come scrittore.