検索キーワード： 制作 "--Tyson Hanks" アフリカ系アメリカ人

The recipe for forgiveness begins with an open heart and a full belly. Sisters Rose Tillman and her sister Marvina Nash haven't spoken in decades—not since Rose sent Marvina $40 to register their business and Marvina used that money for her own personal purposes. Now retired, Rose wants to open the restaurant they'd once dreamed of. But, to her horror, Rose realizes she's forgotten their mother's secret spice mix recipe, known to only one other person in the world.

An ancient prophecy comes to pass. The shackled and the oppressed gain unimaginable powers. And the re-evolution of Earth begins. In 1850s Mississippi, a young enslaved woman named Mirabelle barely survives day to day, praying for a better life. Then, a solar eclipse envelops the world in an eerie glow. Suddenly, not only Mirabelle but all Black people become virtually unkillable. The enslaved throw off their shackles. And all that was is now–undone. But evil will always find a way. So it falls on Mirabelle and her allies to outrun their enemies and unlock the secrets of an ages-old prophecy.

She's a homie hopper. She's confused. She doesn't take accountability for anything. She's f*cking her way through all her brothers' friends. I've heard more than a few of those when people talk about me, and I have even felt the same way my damn self. I didn't know what I wanted. I mean, I knew what I wanted. I wanted marriage, love, and the commitment that I made to my husband—ex-husband. I've found myself confused after my divorce from Naheim. It would have been easier to stay and forgive him for something that broke me. It would have been easier for him to stay and forgive me.

I came home and ended up with two enemies because of the women I choose to love. Kendra was the one I thought I loved, but the feeling I felt when I looked into Alaia's eyes told me that I had never experienced love with Kendra. When I looked into my Joy's eyes, I wanted to give her the stars, moons, and the sky wrapped up with a big fat ass bow. So, for her, I would go to war to make sure Tweety had no part in touching her ever again.

Nina Ford doesn’t like to put all her eggs in one basket. She works multiple jobs, she enjoys multiple hobbies, she dates multiple men. In her thirty years of life, Nina has never come across a man who has all the things she’s looking for. She loves fun and excitement—and she has a man for that. She loves confidence and humor—and she has a man for that. She loves intelligence and ambition—and she has a man for that. She loves passion and romance—and she has a man for that. She’s always been content rotating a few men in and out of her life to get her needs met.

With Yves carrying not one but two blessings, she wants to be the mother that she couldn’t be for her late daughter. Coming home from rehab, there are a lot of feelings that Yves can’t shake. Roddy is the love of her life, but why does everything in their relationship seem so hard? With their past, she wonders if they’ll be able to restore what they used to have. Or is it best to call it quits and focus on their kids?

After a difficult five years, at age forty-three, Nina Morgan Clarke’s time has finally arrived. With an ex-husband relocated across the country, her father bouncing back after the loss of his beloved wife, and her daughter, Xandra, thriving at boarding school, Nina is stepping into her dream job as a trifecta: a first-generation, Black female head of the storied Royal-Hawkins School. To mark the moment, Nina and her best friend, Marisol, take a long-overdue girls’ trip to celebrate the second half of Nina’s life—which is shaping up to be the best part of her life.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

When Another Country appeared in 1962, it caused a literary sensation. James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit.

Jim Crow Florida, 1950. Twelve-year-old Robert Stephens Jr., who for a trivial scuffle with a white boy is sent to The Gracetown School for Boys. But the segregated reformatory is a chamber of horrors, haunted by the boys that have died there.

Reese "Gypsy" Shackelford has had a hard life, supporting herself and two daughters on a Waffle House salary. Never mind that her sister, Taylor, is living the good life with her family in an upscale neighborhood across town and sees Gypsy as a liability and the victim of her own misfortune. However, Gypsy and Taylor aren’t prepared for the global pandemic of 2020 that would not only change their lives forever but also the lives of everyone in the city of Fayetteville, the state of North Carolina, the United States, and the entire world.

Born the daughter of an enslaved woman and a Louisiana plantation owner, Jeannette Bébinn is raised alongside her white half sister—until her father suddenly dies. His vindictive wife refuses twelve-year-old Jeannette her inheritance and sells her into slavery. Now on her own, Jeannette must fight the injustices she faces because of her mixed race. She escapes enslavement and travels from Mississippi to Philadelphia to New York to Ohio, all while searching for purpose, love, and her place in a country torn asunder by the burgeoning Civil War.

Recovering from heartbreak, unlucky-in-love events manager Cara has vowed to avoid relationships. That is until fate throws her into the path of handsome and kind Henry, who is worlds apart from the men she’s dated before. Unfortunately, this encounter is short-lived when Cara misses her coach home—and with it, any chance of seeing him again. But fate is not finished with the mismatched couple.

Jada Townsend-Matthews is the most reviled woman in America after turning down a proposal on a reality dating show. When she comes home to lick her wounds, Jada finds herself working at San Diego's newest cupcake bakery, Sugar Blitz, alongside the uptight owner and professional football player Donovan Dell. When a reporter mistakenly believes Jada and Donovan are an item, they realize they can use the misunderstanding to their advantage to help the bakery and rehabilitate Jada's image. Faking a relationship should be simple, but sometimes love is the most unexpected ingredient.

In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake". Activating multiple registers of "wake" - the path behind a ship, keeping watch with the dead, coming to consciousness - Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation.

Venus McGee, Draya Carter, and Jackie Benson are coworkers with a lot in common. They’re smart, independent, driven, and deserving of recognition - certainly more than they’ve been handed by a demoralizing boss. He’s the topic of conversation at their impromptu get-together after the company holiday party, where the threesome fantasizes about a life without him. There has to be an alternative to taking a deep breath and sucking it up. There is. It’s just not the one they expected. When morning comes, Venus, Draya, and Jackie are blindsided by murder....

Penelope Grand has scrapped her failed career as an artist in Pittsburgh and moved back to Brooklyn to keep an eye on her ailing father. She's accepted that her future won't be what she'd dreamed, but now, as gentrification has completely reshaped her old neighborhood, even her past is unrecognizable. Old haunts have been razed, and wealthy white strangers have replaced every familiar face in Bed-Stuy. Even her mother, Mirella, has abandoned the family to reclaim her roots in the Dominican Republic. That took courage. It's also unforgivable.

At the center: a young woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life, but which caused her light-skinned mother to deny her even the simplest forms of love. There is Booker, the man Bride loves, and loses to anger.

Best-selling author La Jill Hunt dishes the dirt in Old Habits Die Hard. Hunt focuses her attention on the fine ladies of the premier nail salon After Effex. Ya Ya, Camille, Taryn, and Monya bring the crazy drama as their love lives go for a rollercoaster ride.

Dealing with the aftermath of her husband’s affair has not been easy for Sylvia Blackwell. When she vowed to stay by his side for better or for worse, she never imagined that would mean becoming a parent to Jordan, his troubled teenaged love child. Now, Sylvia is facing a new dilemma that could not only be the final straw that breaks her fragile marriage, but could also shatter her already strained relationship with her sister, Janelle.