検索キーワード： 制作 "-emdashery books-" 芸術・文学

After three acclaimed novels - The Russian Debutante's Handbook, Absurdistan, and Super Sad True Love Story - Gary Shteyngart turns to memoir in a candid, witty, deeply poignant account of his life so far.

Shteyngart shares his American immigrant experience, moving back and forth through time and memory with self-deprecating humor, moving insights, and literary bravado. The result is a resonant story of family and belonging that feels epic and intimate and distinctly his own. Provocative, hilarious, and inventive, Little Failure reveals a deeper vein of emotion in Gary Shteyngart' s prose.

After their parents divorced in the 1970s, Andre Dubus III and his three siblings grew up with their exhausted working mother in a depressed Massachusetts mill town saturated with drugs and crime. To protect himself and those he loved from street violence, Andre learned to use his fists so well that he was even scared of himself. He was on a fast track to getting killed—or killing someone else—or to beatings-for-pay as a boxer.

In the 1930s, Jill Ker's parents bought a sheep farm on the western plains of New South Wales. In 1944, they lost nearly everything when a drought hit. Forced to leave Coorain, 11-year-old Jill and her mother settled in Sydney where Jill struggled to find a place for herself among Sydney's elite. Her story, both a chronicle of life in the Australian outback and the odyssey of a brilliant woman fighting the constraints of her time, offers a loving view of Australia.

Lisey's Story, Stephen King's most personal and powerful novel, explores wellsprings of creativity, the temptations of madness, and the secret language of love. In this special event, recorded live at Symphony Space in New York City, King is interviewed by Irish novelist John Connolly. Maria Tucci reads a selection from Lisey's Story.

In this startling group memoir, four friends - Black and White, gay and straight, immigrant and American-born - use Toni Morrison’s novels as a springboard for intimate and revealing conversations about the problems of everyday racism and living whole in times of uncertainty. Tackling everything from first love and Soul Train to police brutality and the Black Lives Matter movement, the authors take up what it means to read challenging literature collaboratively and to learn in public as an act of individual reckoning and social resistance.

Gran innovador de las letras francesas, amado, odiado, criticado, antisemita confeso, revolucionó la narrativa de su tiempo y se convirtió en uno de los más grandes escritores en la historia de la literatura europea del siglo XX, al mismo nivel de monstruos como Thomas Mann, André Malraux, Marcel Proust, Franz Kafka y James Joyce.

The daughter of a respectable self-made businessman, the middle-aged Eliot was cast into social exile when she began a scandalous liaison with married writer and scientist George Henry Lewes. Only her burgeoning literary success allowed her to overcome society's disapproval and eventually take her proper place at the heart of London's literary elite. The territory of her novels encompassed the entire span of Victorian society.

They are icons of the literary world whose soaring works have been discussed and analyzed in countless classrooms, homes, and pubs. Yet for most readers, the living, breathing human beings behind the classics have remained unknown - until now. In this utterly captivating book, Dr. Elliot Engel, a leading authority on the lives of great authors, illuminates the fascinating and flawed members of literature’s elite. In lieu of stuffy biographical sketches, Engel provides fascinating anecdotes.

Nació el 14 de noviembre de 1840 en París. En 1855, a los quince años, goza ya de cierta reputación como caricaturista. Ingresa en el estudio Gleyre, donde conocerá a Bazille, Renoir y Sisley. Frecuentaría este estudio hasta el invierno de 1863-1864. El 8 de agosto de 1867, nace su primer hijo, Jean, ignorado por la familia del pintor. Su situación familiar es muy difícil y tras un fallido intento de suicidio en el mes de junio, recibe ayuda económica de Gaudibert.

"ความรัก" … เป็นสิ่งที่ใครจะบีบบังคับให้เกิดขึ้นไม่ได้ ตลอดระยะเวลาตั้งแต่เล็กจนโต หม่อมฉันถูกสอนให้รู้จักคน รู้จักค่าของคน และรู้จักวิธีใช้คน และค่าของคนนี้เอง ก็สอนให้หม่อมฉันรู้จักเลือก "ค่าของความรัก" ด้วยหม่อมฉันแน่ใจว่า ยามใดที่หม่อมฉันมีทุกข์ ยามนั้น ผู้หญิงที่หม่อมฉันเลือกสรรแล้ว จะช่วยปลอบโยนด้วยหัวใจของมิตร… ด้วยหัวใจรักที่ยอมทุกข์ด้วยกันเสมอ…

Après avoir été tour à tour humoriste et animateur de télévision, c’est aujourd’hui dans l’écriture que Dany Turcotte prend plaisir. D. Turcotte et fils est son premier livre. Il y raconte son enfance à Jonquière, au Saguenay, au sein d’une famille marquée par l’alcoolisme de son père, la faillite de l’entreprise familiale, D. Turcotte et fils, et le divorce de ses parents.

Lord Byron was the most celebrated of all the Romantic poets. Troubled, handsome, sexually fluid, disabled, and transgressive, he wrote his way to international fame—and scandal—before finding a kind of redemption in the Greek Revolution. He also left behind the vast trove of thrilling letters (to friends, relatives, lovers, and more) that form the core of this remarkable biography.

In The World of J.R.R. Tolkien, you will join Dr. Dimitra Fimi to delve into Tolkien’s complex and multilayered mythology, examining all these ingredients and more. In these 10 lectures, you will explore and appreciate Middle-earth as medieval, mythological, and modern, a literary creation that was shaped by forces old and new. And you may be surprised to discover just how much of Tolkien’s legendarium was constructed posthumously, with his son Christopher compiling and publishing many of Tolkien’s later works after his death.

Sarah Polley's work as an actor, screenwriter and director is celebrated for its honesty, complexity and deep humanity. She brings all those qualities, along with her exquisite storytelling chops, to these six essays. Each one captures a piece of Polley's life as she remembers it, while at the same time examining the fallibility of memory, the mutability of reality in the mind, and the possibility of experiencing the past anew, as the person she is now but was not then. As Polley writes, the past and present are in a “reciprocal pressure dance”.

Morgan is a prolific writer, and after a career spanning over 20 years, she shows little signs of slowing. Known for her television works such as The Split and The Hour, as well as the films The Iron Lady, Shame and Suffragette, Morgan's plays are regularly performed in theatres around the country. Now her name will be found on bookshelves too: Morgan's book, This Is Not a Pity Memoir, documents the havoc wreaked on her life over the last few years with her husband in a coma and her own treatment for breast cancer.

［商品について］―たまきという女性に「あなたの長髪が嫌い」と言われ、夢二はどうしたでしょうか―1、長髪の理由を伝え説得した　2、固く一本に髪を結わいて見せた

From her childhood, where there was no blueprint for success, to building a career as a bestselling novelist against all odds, Amanda Prowse explores what it means to be a woman in a world where popularity, slimness, beauty and youth are currency—and how she overcame all of that to forge her own path to happiness.

Why did Agatha Christie spend her career pretending that she was 'just' an ordinary housewife, when clearly she wasn't? As Lucy Worsley says, 'She was thrillingly, scintillatingly modern'. Her life was 'modern' too: she went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness. So why—despite all the evidence to the contrary—did Agatha present herself as a retiring Edwardian lady of leisure?

Relegated during her lifetime to the pulpy genre of mystery, Patricia Highsmith has emerged since her death in 1995 as one of “our greatest modernist writers” (Gore Vidal). Presented for the first time, this one-volume assemblage of her diaries and notebooks posthumously discovered behind Highsmith’s linens and culled from more than 8,000 pages by her devoted editor, Anna von Planta—traces the mesmerizing double-life of an artist who “[worked] like mad to be something”.

A decade and a half before surprising the world with a book of Civil War poetry, Herman Melville was already confident of what was “poetic” in his prose. As Hershel Parker demonstrates in this book, Melville was steeped in poetry long before he called himself a poet. Here Parker, the dean of Melville studies, gives a compelling, in-depth account of how one of America’s greatest writers grew into the vocation of a poet.