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The first full-length biography of the Nobel laureate to appear in a quarter century, Mad at the World illuminates what has made the work of John Steinbeck an enduring part of the literary canon: his capacity for empathy. Angered by the plight of the Dust Bowl migrants who were starving even as they toiled to harvest California's limitless bounty and appalled by the country's refusal to recognize the humanity common to all of its citizens, Steinbeck took a stand against social injustice - paradoxically given his inherent misanthropy.

John Tresch offers a bold new biography of a writer whose short, tortured life continues to fascinate. Shining a spotlight on an era when the lines separating entertainment, speculation, and scientific inquiry were blurred, Tresch reveals Poe's obsession with science and lifelong ambition to advance and question human knowledge. He remained an avid and often combative commentator on new discoveries, publishing and hustling in literary scenes that also hosted the era's most prominent scientists, semi-scientists, and pseudo-intellectual rogues.

A Writer Prepares, an examination of the first quarter century of one writer's life, is arguably the work of two writers. There's the middle-aged fellow who wrote about half of it at a blistering pace in 1994, and there's the octogenarian who finished the job another quarter century later. The older fellow brought less raw energy to the task, and his memory is a long way from infallible, but one can only hope he's offset these losses with a slight edge in judgment, in perspective, in maturity.

In Cross of Snow, the result of more than 12 years of research, including access to never-before-examined letters, diaries, journals, and notes, Nicholas Basbanes reveals the life, the times, the work - the soul - of the man who shaped the literature of a new nation with his countless poems, sonnets, stories, essays, and translations, and whose renown was so wide-reaching that his deep friendships included Charles Dickens, Nathaniel Hawthorne, Ralph Waldo Emerson, Julia Ward Howe, and Oscar Wilde.

Endpapers excavates the extraordinary histories of the author's grandfather and father: the renowned publisher Kurt Wolff, dubbed "perhaps the 20th century's most discriminating publisher" by the New York Times Book Review, and his son Niko, who fought in the Wehrmacht during World War II before coming to America.

The Life of the Author: William Shakespeare delivers a fresh and exciting new take on the life of William Shakespeare, offering listeners a biography that brings to the foreground his working life as a poet, playwright, and actor. It also explores the nature of his relationships with his friends, colleagues, and family and asks important questions about the stories we tell about Shakespeare based on the evidence we actually have about the man himself.

A comprehensive biographical and critical reading of the works of American poet and memoirist Maya Angelou (1928-2014). Linda Wagner-Martin covers all six of Angelou's autobiographies, as well as her essay and poetry collections, while also exploring Angelou's life as an African American in the United States, her career as stage and film performer, her thoughtful participation in the Civil Rights actions of the 1960s, and her travels abroad in Egypt, Africa, and Europe.

Famous authors, like everybody else, know that one day they will die. Final Chapters tells the fascinating stories of more than 100 writers' encounters with death - and their attitudes toward the Grim Reaper: fear, uncertainty, or acceptance.

The pitch went like this: Chris Butler, a retired cop, ran a private investigator firm in Concord, California. His business had a fascinating angle - his firm was staffed entirely by soccer moms. In fact, Butler employed PI Super Moms: attractive, organized, smart, and trained in investigative techniques, self-defense, and weaponry. This American Life host Ira Glass described them as "MILF: Charlie's Angels." When this story came across Pete Crooks's desk when he was working at Diablo magazine in 2010, he was instantly hooked.

The Landscapes of Anne of Green Gables explores L. M. Montgomery's deep connection to the landscapes of Prince Edward Island that inspired her to write the beloved Anne of Green Gables series. From the Lake of Shining Waters and the Haunted Wood to Lover's Lane, you'll be immersed in the real places immortalized in the novels. Using Montgomery's journals, archives, and scrapbooks, Catherine Reid also explores the many similarities between Montgomery and her unforgettable heroine, Anne Shirley.

In Bearing Witness, John Carpenter explores how across the world, those who experienced the war tried to make sense of it both during and in its immediate aftermath. The digestion of a cataclysmic event can take generations. But in this fascinating audiobook, Carpenter brings together all those who did their best to communicate what they saw in the moment so that it could never be lost.

Forever a girl obsessed with all things French, sweet freak Amy Thomas landed a gig as rich as the purest dark chocolate: leave Manhattan for Paris to write ad copy for Louis Vuitton. Working on the Champs-Élysées, strolling the charming streets, and exploring the best patisseries and boulangeries, Amy marveled at the magnificence of the City of Light. But does falling in love with one city mean turning your back on another? As much as Amy adored Paris, there was part of her that felt like a humble chocolate chip cookie....

In Angry Optimist, Lisa Rogak charts his unlikely rise to political stardom, from his early stand-up days to the short-lived but acclaimed Jon Stewart Show. Drawing on interviews with current and former colleagues, she reveals how things work behind the scenes at The Daily Show.

Pigeonholed in popular memory as a Jazz Age epicurean, a playboy, and an emblem of the Lost Generation, F. Scott Fitzgerald was at heart a moralist struck by the nation's shifting mood and manners after World War I. In Paradise Lost, David Brown contends that Fitzgerald's deepest allegiances were to a fading antebellum world he associated with his father's Chesapeake Bay roots. Yet as a midwesterner, an Irish Catholic, and a perpetually in-debt author, he felt like an outsider in the haute bourgeoisie haunts.

While 1858 in London may have been noteworthy for its broiling summer months and the related stench of the sewage-filled Thames River, the year is otherwise little remembered. And yet, historian Rosemary Ashton reveals in this compelling microhistory, 1858 was marked by significant, if unrecognized, turning points. For ordinary people, and also for the rich, famous, and powerful, the months from May to August turned out to be a summer of consequence.

This gripping, deeply thoughtful book considers the future of civilization in the light of what we know about climate change and related threats. David Orr, an award-winning, internationally recognized leader in the field of sustainability and environmental education, pulls no punches: Even with the Paris Agreement of 2015, Earth systems will not reach a new equilibrium for centuries.

When Jessa Crispin was 30, she burned her settled Chicago life to the ground and took off for Berlin with a pair of suitcases and no plan beyond leaving. Half a decade later, she's still on the road, in search not so much of a home as of understanding, a way of being in the world that demands neither constant struggle nor complete surrender.

When Andrew Offutt died, his son, Chris, inherited a desk, a rifle, and 1,800 pounds of pornographic fiction. Andrew had been considered the "king of 20th-century smut", with a writing career that began as a strategy to pay for his son's orthodontic needs and soon took on a life of its own, peaking during the 1970s, when the commercial popularity of the erotic novel reached its height. With his dutiful wife serving as typist, Andrew wrote from their home in the Kentucky hills, locked away in an office no one dared intrude upon.

Jonathan Franzen's work raises major questions about the possibilities of contemporary fiction: How does one appeal to a broad mass of mainstream readers on the one hand while persuading connoisseurs, on the other, that one's fiction has is high art? Even more acutely, how did Franzen move from the rage that animates his first two novels to the more generous comic stance of the two later novels, on which his reputation rests?

Danielle Flood, a journalist born of the wartime love triangle that inspired the one in Graham Greene's The Quiet American, searches for her father after surviving a bizarre youth of privilege, estrangement, and cruelty. As she yearns for her father's love and presence, Danielle's beautiful French and Vietnamese mother leaves her in burlesque house dressing rooms in the American Midwest, in convent schools in Long Island and Dublin, and with strangers in New York City.