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Dancer, award-winning choreographer, show producer, stand-up comedienne, TV/film actress, and author, Norma Miller shares her touching historical memoir of Harlem's legendary Savoy Ballroom and the phenomenal music and dance craze that "spread the power of Swing across the world like Wildfire". It was a time when the music was Swing, and Harlem was king.

It seems unlikely that James Naismith, who grew up playing "Duck on the Rock" in the rural community of Almonte, Canada, would invent one of America's most popular sports. But Rob Rains and Hellen Carpenter's fascinating, in-depth biography James Naismith: The Man Who Invented Basketball shows how this young man - who wanted to be a medical doctor, or if not that, a minister (in fact, he was both) - came to create a game that has endured for over a century.

In Muhammad Ali, Michael Ezra considers the boxer who calls himself “The Greatest” from a new perspective. Ezra’s incisive study examines the relationships between Ali’s cultural appeal and its commercial manifestations. Citing examples of the boxer’s relationship to the Vietnam War and the Nation of Islam - which serve as barometers of his “public moral authority” - Muhammad Ali analyzes the difficulties of creating and maintaining these cultural images, as well as the impact these themes have on Ali’s meaning to the public.

Going beyond previous studies, Becoming Laura Ingalls Wilder focuses upon Wilder's years in Missouri from 1894 to 1957. Utilizing her unpublished autobiography, letters, newspaper stories, and other documentary evidence, John E. Miller fills the gaps in Wilder's autobiographical novels and describes her 63 years of living in Mansfield, Missouri.

Hollywood Madonna explores the full saga of Loretta Young's professional and personal life. She made her film debut at age four, became a star at fifteen, and many awards and accolades later, made her final television movie at age seventy-six. This biography withholds none of the details of her affair with Clark Gable and the daughter that powerful love produced. Bernard F. Dick places Young's affair in the proper context of the time and the choices available to women in 1935.

In Losing It, William Ian Miller brings his inimitable wit and learning to the subject of growing old: too old to matter, of either rightly losing your confidence or wrongly maintaining it, culpably refusing to face the fact that you are losing it. The "it" in Miller's "losing it" refers mainly to mental faculties - memory, processing speed, sensory acuity, the capacity to focus. But it includes other evidence as wel l- sags and flaccidities, aches and pains, failing joints and organs. What are we to make of these tell-tale signs?

As a writer in Wired magazine puts it, Neil Young is a "folk-country-grunge dinosaur [who has been] reborn (again) as an Internet-friendly, biodiesel-driven, multimedia machine." In Neil Young and the Poetics of Energy, William Echard stages an encounter between Young's challenging and ever-changing work and current theories of musical meaning - an encounter from which both emerge transformed.

For nearly 20 years Robert H. Phelps ran interference for, cheered on, and sometimes scolded star reporters and top editors at The New York Times. Starting his editing career at the desk of the Providence Journal-Bulletin, Phelps joined The New York Times as a copy editor, eventually serving as the Times news editor for the Washington bureau. Along the way he struggled with balancing his moral ideals and his personal ambition. In this compelling memoir, Phelps interweaves his personal and professional experiences with some of the most powerful stories of the era.

This compact introduction to the life and works of composer Elliott Carter provides a fresh perspective on one of the most significant American composers of the 20th and 21st centuries. A leading voice of the American classical music tradition and a two-time winner of the Pulitzer Prize for Music, Carter was initially encouraged to become a composer by Charles Ives, and he went on to learn from Walter Piston at Harvard University and Nadia Boulanger in Paris. Drawing on Carter's voluminous writings and compositions, James Wierzbicki provides a clear discussion of Carter.

John Cage was a giant of American experimental music - composer, writer, and artist. He is most widely known for his 1952 composition "4'33", whose three movements continue to challenge the definition of music by being performed without playing a single note. In questioning fundamental tenets of Western music, Cage was often at the center of controversy, and is regarded as an important contributor to many facets of American culture.

Edgar Allan Poe (1809-1849) was an American original - a luminous literary theorist, an erratic genius, and an analyst par excellence of human obsession and compulsion. The scope of his literary achievements and the dramatic character of Poe's life have drawn readers and critics to him in droves. And yet, upon his death, one obituary penned by a literary enemy in the New York Daily Tribune cascaded into a lasting stain on Poe's character, leaving a historic misunderstanding.

Max Fleischer (1883-1972) was for years considered Walt Disney's only real rival in the world of cartoon animation. The man behind the creation of such legendary characters as Betty Boop and the animation of Popeye the Sailor and Superman, Fleischer asserted himself as a major player in the development of Hollywood entertainment. Out of the Inkwell: Max Fleischer and the Animation Revolution is a vivid portrait of the life and world of a man who shaped the look of cartoon animation.

The Beatles: Image and the Media charts the transformation of the Beatles from teen idols to leaders of the youth movement and powerful cultural agents. Drawing upon American mainstream print media, broadcasts, albums, films, and videos, the study covers the band's career in the United States. Michael R. Frontani explores how the Beatles' media image evolved and how this transformation related to cultural and historical events.

When it comes to living life to its fullest, Rosalind Russell's character Auntie Mame is still the silver screen's exemplar. And Mame, the role Russell will always be remembered for, embodies the rich and rewarding life Bernard F. Dick reveals in his biography, Forever Mame: The Life of Rosalind Russell. Drawing on personal interviews and information from the archives of Russell and her producer-husband Frederick Brisson, Dick begins with Russell's childhood in Waterbury, Connecticut.

Joan Crawford was a leading film personality for more than 50 years, from her beginnings as a dancer in silent films of the 1920s, to her portrayals of working-class shop girls in the Depression '30s, to her Oscar-winning performances in classic films such as Mildred Pierce. Today, many picture Crawford only as a wire hanger-wielding shrew rather than the personification of Hollywood glamour. This new biography of Crawford sets the record straight, going beyond the gossip to find the truth about the legendary actress.

Writing was the central passion of Emerson's life. While his thoughts on the craft are well developed in "The Poet", "The American Scholar", Nature, "Goethe", and "Persian Poetry", less well known are the many pages in his private journals devoted to the relationship between writing and reading. Here, for the first time, is the Concord Sage's energetic, exuberant, and unconventional advice on the idea of writing, focused and distilled by the preeminent Emerson biographer at work today.

A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first Black performer to gain artistic control over the representation of African Americans in commercial television and film.

In a book distinguished by clarity and passion, Robert Zaretsky considers why Albert Camus mattered in his own lifetime and continues to matter today, focusing on key moments that shaped Camus' development as a writer, a public intellectual, and a man.

Barbara Stanwyck (1907-1990) rose from the ranks of chorus girl to become one of Hollywood's most talented leading women-and America's highest paid woman in the mid-1940s. Shuttled among foster homes as a child, she took a number of low-wage jobs while she determinedly made the connections that landed her in successful Broadway productions. Stanwyck then acted in a stream of high-quality films from the 1930s through the 1950s. Directors such as Cecil B. DeMille, Fritz Lang, and Frank Capra treasured her particular magic

This is the first serious biography of a man widely considered one of Texas’ - and America’s - greatest songwriters. Like Jimmie Rodgers, Woody Guthrie, Robert Johnson, and Hank Williams, Townes Van Zandt was the embodiment of that mythic American figure, the troubled troubadour.