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Since Woody Allen has been prolific in his output and transparent in his presentation to the public, it is easy to lose sight of the remarkable breadth of his career. Indeed, over his career, Woody has excelled at slapstick humor while also tackling philosophical themes, often in the same films. His films have appealed to both a mass audience as well as an international art house audience.

This audiobook analyzes the themes and progression of the composers' most famous works, comparing and contrasting them to each other and other composers' great works.

If one assembled a list of the most iconic actors of the film noir genre, Robert Mitchum would surely rank at the top of the list. With his deadpan façade and slow, monotone verbal delivery, Mitchum encapsulated the disillusioned hero of the postwar crime genre.

In the early 20th century, Westerns were one of the most popular genres in Hollywood. One of the young stars at the forefront was Gene Autry, a Texan whose life story made him a natural to be the country's most famous "singing cowboy". Autry came of age at a time when the "singing cowboy" was at the apex of his popularity, and like his most famous successor, Roy Rogers, Autry actually got his start in show business as a singer. Of course, the popularity of Autry's music and country music in general was bolstered by the fact that he became one of the biggest stars in Hollywood.

Over the course of a career that spanned several decades and ranged from the stage to movies and television, Shirley MacLaine has been one of the most critically acclaimed actresses in America.

Of all the great actors of the 20th century, none personifies acting royalty more than Laurence Olivier. Some of this is simply due to the fact that he was actually knighted in 1947, along with a lengthy list of other honors. Of course in addition to the literal sense of the term, there is undeniably a manner in which Olivier qualifies as acting royalty. It is not for nothing that Spencer Tracy once referred to Olivier as "the greatest actor in the English-speaking world".

In the majority of cases, a pop or rock fan who is asked about a particular celebrity will answer in unambiguous terms.

Of all the screen legends whose names remain synonymous with Hollywood, few took as long to become a star as Spencer Tracy, who is today recognized as one of the greatest actors ever, but whose career did not truly take off until he was already in his mid-30s. However, after joining MGM in 1935, Tracy catapulted to fame with one of the most impressive runs in Hollywood history, winning Oscars for Best Actor in 1938 and 1939 after already being nominated in 1937.

To be sure, strong-willed women populated both cinema and popular culture before Barbra Streisand, but Streisand was unique in her ability to appeal to diverse groups in America. She also arrived at a time when acting roles for women were generally less flexible than they would become by the end of the century. Making her story all the more compelling is that Streisand never met conventional standards of American beauty or acting style.

When the American Film Institute assembled its top 100 actors of all time at the close of the 20th century, Jimmy Stewart ranked third, behind only Humphrey Bogart and Cary Grant. There is a certain inevitability to these three actors ranking at the top of the list; after all, they were the dominant faces of Hollywood during the height of the era known as classical Hollywood cinema, a time before the onset of television when the movies still enjoyed relatively uncontested supremacy over American entertainment.

Marlon Brando. Few names in the acting profession evoke such a strong, almost visceral reaction. Over the course of his long, prolific career, he was considered perhaps the greatest actor of the 20th century, as well as one of the most complicated and misunderstood. Uniquely able to be both emotionally charged and technically constrained in the same performance, he single-handedly changed the direction of not only the American style of acting.

Andy Kaufman never liked to call himself a comedian, so it's a testament to his skills and routines that he is nonetheless considered one of the late 20th century's most famous comedians. In fact, Kaufman's eccentric style and theatrics made him one of the most unique performers of his era, whether it was doing a song and dance routine or staying in character to the extent that nobody could tell whether he was being himself or not.

Walter Matthau is probably best-remembered for his films with Jack Lemmon, but he was clearly an established actor in Hollywood by the time they appeared in their first film together. Before his movies with Lemmon, Matthau most often played shady criminals in dramatic films, and his character in Elia Kazan's A Face in the Crowd (1957) offers one of the best examples.

In 1948, American polls rated Bing Crosby "the most admired man alive", and it's no surprise given how popular he was across every major form of entertainment during the decade. With a string of major hits, Crosby was the most popular singer in the country during that era, with classic songs like "White Christmas" helping pave the way for other singers as varied as Bob Hope, Dean Martin, and Frank Sinatra. In fact, young Sinatra modeled his clothing and style after Crosby, who was his idol growing up.

By the 1920s English comic Stan Laurel had been in dozens of films, and American Oliver Hardy had appeared in hundreds, but it was not until they formed a duo together in 1926 that they began to truly be noticed. Once they did, however, Laurel and Hardy became one of the most famous comedy teams in American history, with a career that spanned four decades and included over 100 combined shorts and feature films.

Kitty Carlisle surely stands as one of the most recognizable figures of the 20th century, but unlike major actors, actresses, and other artistic luminaries, however, Carlisle was not decorated so much for any specific performances. Instead, she came to embody the very face of art in the United States.

In the space of just a few years, Bob Dylan, born Robert Allen Zimmerman, rose from the obscurity of a small Minnesota town to a position of royalty atop the folk music landscape. Not content to remain for long within that niche, however, he went on to conquer rock with elements of blues, jazz, pop, country, gospel, rockabilly, and ethnic music of the British Isles, not to mention authoring several books, working in film soundtracks, acting, and holding international art exhibits of his work along the way.

America has always celebrated its star entertainers, but Frank Sinatra remains a unique American legend. A pop culture fixture for over half a century, Sinatra's music is still cherished, and his persona remains its own archetype of the quintessential American star. Sinatra transcended genres to the extent that his music stands alone as its own kind of American music, with songs like "New York, New York," "Chicago," and "Come Fly With Me" instantly recognizable among all Americans.

Americans have always loved movie stars, and there have been no shortage of Hollywood icons, but one man has long been considered the greatest male star. From the time he first became a leading man, Humphrey Bogart's screen image has resonated with viewers more than perhaps any other actor.

In the 1940s, there were few actors who personified the all-American look like Burt Lancaster, who set Hollywood ablaze quickly with performances in movies like The Killers, The Flame and the Arrow, and The Crimson Pirate. Indeed, his status as a heartthrob was cemented by 1953's From Here to Eternity, when he and Deborah Kerr shot a romantic scene on a Hawaiian beach that ensured the film's inclusion in the American Film Institute's Top 100 Romantic Films of the 20th century.

As it turned out, however, that was just the first phase in a critically acclaimed career that would span over 40 years. As Lancaster grew older, he wisely veered away from the early kinds of roles he had as a leading man and branched out into more distinguished roles that were also more challenging, earning him brand new levels of acclaim. In time, he would go on to be nominated for four Academy Awards for Best Actor, including a win for Elmer Gantry (1960) when he was in his late 40s. By the time he was finished, the American Film Institute named him 19th on its list of the 50 best actors of the 20th century.