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The Moog synthesizer "bent the course of music forever" Rolling Stone declared. Bob Moog, the man who did that bending, was a lovable geek with Einstein hair and pocket protectors. He walked into history in 1964 when his homemade contraption unexpectedly became a sensation-suddenly everyone wanted a Moog. The Moog's gamechanging sounds saturated sixties counterculture and burst into the disco party in the seventies to set off the electronic dance music movement. Bob had singlehandedly founded the synth industry and became a star.

This memoir by Anne Heche is as personal as it gets, offering a peek inside the mind of the late Emmy-award winning actress, director, and author of the New York Times bestseller Call Me Crazy.

The Red Hot Chili Peppers were going to be a one-time act for a friend's album release party. Forty years later the funk rock band is arguably one of the best known and the longest running in the United States. Everything that happened in 1983 set the course for the rest of the band's career. The scrappy band quickly rose to scene-wide fame, playing all over Los Angeles, and gaining fans and media attention wherever they performed.

In Roadhouse Blues, Bob Batchelor presents an epic tale of one of rock's (and America's) most significant periods, as the "Age of Aquarius" gave way to a new age of mayhem, presidential misdeeds, and murder. Batchelor combines cultural history, musical and lyrical analysis, and a broad stroke of pop-culture mythos to give fresh perspective on a pivotal time. Candid, authoritative, and utterly absorbing, Roadhouse Blues is a biography of a man, a band, and an era that set the tone for the contemporary world.

John W. Bubbles was the ultimate song-and-dance man. A groundbreaking tap dancer, he provided inspiration to Fred Astaire, Eleanor Powell, and the Nicholas Brothers. His vaudeville team Buck and Bubbles captivated theater audiences for more than thirty years. Most memorably, in the role of Sportin' Life he stole the show in the original production of Gershwin's Porgy and Bess, in the process crafting a devilish alter ego that would follow him through life.

In A Banker's Journey, financial journalist and historian Daniel Gross, who, like Edmond Safra, traces his heritage to Aleppo, Syria, reconstructs the public life of an intensely private man. With exclusive access to Safra's personal archives, Gross tracks the banker's remarkable journey from Beirut to Milan, São Paulo, Geneva, and New York—to the pinnacle of global finance.

Jean Beauvoir joined the Plasmatics in 1979, playing bass and keyboards for the most notorious band to emerge out of the New York City punk scene. By 1982, he was a member of Little Steven and the Disciples of Soul, a retro-rock revival act headed by Steven Van Zandt. The Disciples of Soul videos played on MTV during the network's earliest years, making Beauvoir one of the first Black recording artists to cross the start-up music channel's "color line".

When a schoolteacher decides to teach her Grade 8 class about filmmaking and creates a documentary that ends up being broadcast internationally, she sets in motion a career of storytelling for an age group largely ignored by TV executives . . . and creates one of the most-loved television franchises of all time

The Merchant of Venom traces Don Rickles's career from his rise in the 1950s to a late-in-life resurgence thanks to the Toy Story franchise, his role in Martin Scorsese's Casino, and scores of TV appearances from Carson to Seth Meyers. In the intervening decades, Rickles conquered every medium he worked in, including film, television, and on stage. He was idolized by a generation of younger comedians including Jerry Seinfeld, Chris Rock, and Jay Leno, and performed in the shadow of a shocking open secret: he was the nicest man in town.

The smooth veneer of the duo's songs made Steely Dan popular and famous in the 1970s, but the polish glossed over the underlying layers of anger, disappointment, sleaze, and often downright weirdness lurking just beneath the surface. The elliptical lyrics—were—and continue to be-an endless source of fascination. What kind of person was capable of writing such songs? Donald Fagen has always kept his true self hidden behind walls of irony, confounding most journalistic enquiries. Nightfly cracks open the door to reveal the life behind the lyrics.

The world loves Sheriff Andy Taylor. Yet the actor who played him was intensely private. Here, for the first time, is the real Andy Griffith, his career and life defined by the island that made him in the years soon after World War II. He achieved his artistic breakthrough while acting in The Lost Colony drama on Roanoke Island, then spent the rest of his life repaying the island for giving him that start. Here, in unique closeup, is Andy of Manteo, reveling in wild, watery and loving ways with his fellow islanders.

Keith Hatschek tells the story of three determined artists: Louis Armstrong, Dave Brubeck, and Iola Brubeck and the stand they took against segregation by writing and performing a jazz musical titled The Real Ambassadors. First conceived by the Brubecks in 1956, the musical's journey to the stage for its 1962 premiere tracks extraordinary twists and turns across the backdrop of the civil rights movement.

When the Nicholas Brothers danced, uptown at the Cotton Club, downtown at the Roxy, in segregated movie theatres in the South, and dance halls across the country, audiences cheered, clapped, stomped their feet, and shouted out uncontrollably. In Brotherhood in Rhythm, Constance Valis Hill interweaves an intimate portrait of these great performers with a rich, detailed history of jazz music and dance, both bringing their act to life and explaining their significance through a colorful analysis of their eloquent footwork, their full-bodied expressiveness, and their changing style.

Hearts on Fire is about the creative explosion in Canadian music of the early 2000s, which captured the world's attention in entirely new ways. The Canadian wave didn't just sweep over one genre or one city, it stretched from coast to coast, affecting large bands and solo performers, rock bands and DJs, and it connected to international scenes by capitalizing on new technology and old-school DIY methods.

When a young screenwriter goes online to check out the promotional website for a new poker movie called Rounders, he's shocked to discover how similar it is to a screenplay he wrote a few years earlier. Against all odds, he proceeds to take on Miramax and the Hollywood system with the help of an ingenious lawyer. Jeffrey Grosso simply has to prove how it could have happened and convince a judicial system that often favors studios over writers that he's a victim of intellectual property theft, which results in a ten-year landmark legal battle against Hollywood's most notorious studio.

In 1985, Mark Bryan heard Darius Rucker singing in a dorm shower at the University of South Carolina and asked him to form a band. For the next eight years, Hootie & the Blowfish-completed by bassist Dean Felber and drummer Soni Sonefeld-played every frat house, roadhouse, and rock club in the mid-Atlantic and Southeast, becoming one of the biggest independent acts in the region.

Carol Cash Large, longtime friend of Blake Shelton, helped move the award-winning musician to Nashville just two weeks after he graduated high school at the tender age of seventeen and has been with him every step of the way since. In Blake Shelton: Happy Anywhere, she takes you backstage for personal and unique insight into the life of the young singer. From Shelton's work with producer Bobby Braddock, recording his number one song "Austin," and performing on the Grand Ole Opry to his record-breaking seventeen consecutive number one songs and beyond, she has been right there.

This is the first full-length biography of this mid-twentieth century multi-faceted star. One of the central tensions of Dale's life revolved around chasing the elusive work/family balance, making her story instantly relatable to women today. In addition to fame, Dale longed for a happy, stable, family life. Her roles of wife and mother became the foundation for her public persona: the smart, smiling, cheerful cowgirl. Unusual for the time were Dale Evans's attempts to control the trajectory of her career at a time when men dominated decision-making in the entertainment fields.

When it was finally released, Heaven's Gate failed so completely with reviewers and at the box office that it put legendary studio United Artists out of business and marked the end of Hollywood's auteur era. Or so the conventional wisdom goes. Charles Elton delves deeply into the making and aftermath of the movie and presents a surprisingly different view to that of Steven Bach, one of the executives responsible for Heaven's Gate, who wrote a scathing book about the film and solidified the widely held view that Cimino wounded the movie industry beyond repair.

What might we dare to expect from an actor's autobiography, even one from a star as personable as George Sanders? In the case of Memoirs of a Professional Cad, we possibly get more than we deserve. George Sanders undoubtedly led a colorful, glamorous, and even action-packed life, spanning the peak years of Hollywood's golden age. But the greatest joy of his memoirs is how funny they are and how penetrating their author's wit.