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In the opening pages of his seminal book-length study of Alfred Hitchcock, Hitchcock's Films (1965), Robin Wood famously asked, "Why Should We Take Hitchcock Seriously?" Wood then proceeded to offer a detailed examination of Hitchcock's career to that point, arguing that the Master of Suspense belonged among the ranks of the preeminent directors in Hollywood, and that his films were among the most important in American culture.

In the 1960s and 1970s, no actor personified cool, calm and collected like Steve McQueen, whose suave anti-hero protagonists made men jealous and women swoon. As actor Donald Logue puts it in The Tao of Steve, "Steve is the prototypical cool American male. He's the guy on his horse, the guy alone. He has his own code of honor, his own code of ethics, his own rules of living. He never, ever tries to impress the women, but he always gets the girl."

It almost goes without saying that nobody occupies a place in pop culture that remotely resembles the one in which William Shatner finds himself. As an actor who has been about as critically acclaimed as he has been lampooned, Shatner seems to relish every aspect of his image, whether he's making fun of himself and others on a celebrity roast or appearing in humorous commercials as a spokesman for Priceline.com.

In 1956 Duke Ellington was featured on the cover of Time magazine after a bravura performance at the Newport Jazz Festival that summer. This remains one of his most iconic achievements and a landmark for jazz music as a whole; only four jazz musicians were ever displayed on the cover of Time. At the same time, however, this recognition stands as one of the prevailing ironies of Ellington's career, as he was deep into the latter stages of his performing life by this point.

In the 1960s and 1970s, no actor personified cool, calm and collected like Steve McQueen, whose suave anti-hero protagonists made men jealous and women swoon. As actor Donald Logue puts it in The Tao of Steve, “Steve is the prototypical cool American male. He's the guy on his horse, the guy alone."

It is something of a cliché to say that an actor’s life was like a movie he or she might have starred in, but in the case of Myrna Loy, the cliché is true. It is easy to picture her as a little girl, riding the range with her rancher father, sitting around the table and participating charmingly in family discussions of current events.

In 1940, the 4th most popular star in the US was a foreign actor from Australia, and unlike other movie stars, he was more notorious for his pursuits off the screen than on it. In an era long before social media, Errol Flynn represented the epitome of a swashbuckling playboy, with enough mystery and intrigue surrounding him and his background to fascinate even those who didn’t see his movies.

By the turn of the 20th century, American entertainment was still preoccupied with European-style operetta, as embodied in the works of cellist-composer Victor Herbert. Traditional dance forms moved from European stories to the American prairie in Oklahoma by the late 1940s, and what was once the property of Bavarian princes became the singing standards of cowboys riding through the corn fields in "Oh What a Beautiful Morning" and "Out of My Dreams".

Hollywood has never lacked leading men who could captivate viewers with dramatic performances that depict them as suave romantics or dashing heroes, especially during the Golden Age of Hollywood, when stars like Humphrey Bogart, Clark Gable, and Cary Grant graced screens. But in the mid-20th century, one of the most popular stars was a man who’s been frequently overlooked.

Exhibitionism and narcissism coupled with talent are not the sole property of modern entertainment, as some might suppose. From the beginnings of American theater and film, various personality types prone to self-intoxication by the status of their own careers have acted-out at will in their public lives. For them, there is no barrier between the professional and the private.

In terms of original choreography, it was the age of Jerome Robbins that marked the first real departure from traditional dance on stage and in film. Only 10 years Robbins’ junior, Robert Louis Fosse, better known as Bob Fosse, followed his colleague’s example by mixing daring new jazz forms with virtually every traditional and popular genre to produce previously unseen modes of dance expression on Broadway and in film. Fosse forever changed the way the modern audience viewed dance on stage and film.

The “Golden Age” of American film that began in the pre-World War II years has never truly ended, moving from its early connection with “film noir” to the epics of the 1960s and beyond. Similarly, movie stars still enjoy a degree of exoticism they have possessed since the days of silent film. However, in the modern day, the screen actor is not so narrowly constrained by public image as to prevent the leading of a double life, once impermissible for powerful studio heads.

By the mid-20th century, a musical revolution was stirring, and a generation that had not fought in the wars was ready to put the sorrows of the previous 50 years away. Requiring a commentary on modern life all its own, the first post-war generation went for self-expressed rock and roll, with Elvis Presley leading the movement. Jazz, incubated within America, grew into an increasingly sophisticated harmonic and rhythmic language, even though older generations were not able or willing to so easily follow.

Patty, LaVerne, and Maxene Andrews created their “unique sound” in part through the development of a “very bright harmonic sense,” first achieved by the older sister, LaVerne. The trio mastered a virtuosic use of close, intricate harmonies, coupled with a precise and a seemingly telepathic rhythmic sense that could be honed for performance in a short period of rehearsal time. These qualities were enveloped in a timbral sheen reminiscent of multiple trumpets.

Despite her distinction and other more notable accomplishments, many people today are not familiar with the groundbreaking actress Dorothy Dandridge, even though she was among the most charismatic and beautiful actresses of the era. Her alluring nightclub acts set pulses pounding across the globe, and she was Hollywood’s first black leading actress. Sadly, all of it came at a high price.

He was a pioneering film director who had 518 films to his credit. His work spanned the silent and sound eras. Most of his films were completed in a span of 15 years. But today he is known only for one of his films, one considered by historians to be a landmark in cinema as well as the most controversial ever made. He could not escape the controversy of this one film before he died in relative obscurity, his contributions to the motion picture industry forever marred.

Despite a general dearth of African American names rising to musical prominence during the years of Reconstruction, Black talent existed in good measure for both popular and classical genres. And among the most notable musicians celebrated in the present day is composer Scott Joplin, who in his day earned the moniker “King of Ragtime”.

In the early 20th century, Germany's most renowned film directors were pioneering the genre known as "expressionism", and within it, Fritz Lang was known as the "Master of Darkness". Together with his eventual wife Thea von Harbou, Lang wrote a number of acclaimed movies. Some of his well-known films include Dr. Mabuse the Gambler (1922), Die Nibelungen (1924), Metropolis (1927), and Woman in the Moon (1929).

In the 1920s, the burgeoning movie industry was starting to come into its own, and virtually no actor was as famous - or infamous - as John Barrymore. Like many other film stars his age, Barrymore’s career had started in other forms of entertainment, in his case theater. By the time movies were becoming popular, Barrymore was one of the world’s foremost Shakespearean actors.

While actors like Humphrey Bogart and Cary Grant remain household names, and actresses like Greta Garbo are still widely remembered, few had careers that enjoyed the success of William Powell. In a career spanning several decades, Powell would receive three Oscar nominations for Best Actor for critically acclaimed movies, so it is somewhat ironic that he is mostly remembered today for his association with the more famous Myrna Loy. Together, they starred in 14 films, including the 1934 box office hit, The Thin Man.