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It has been more than a year since his wife had passed. FBI Special Agent Jack Paris lived a complex life with one foot in the world of violence and another in a place of normalcy. Now she's gone, and Paris seeks a way to continue his connection with her, even without her physical presence. It's a fierce winter in Yosemite, and it's not uncommon people end up dead. Hikers fall; cars take a wrong turn. But this was no accident. 

Convicted felon Alvin Cooper was eventually granted work furlough from prison. While at a local bank, he sees a picture of the manager's family. He becomes obsessed with the manager's teenage daughter and kidnaps her.  

Five thrilling tales of mystery, mayhem, and murder from an exceptional quintet of Edgar, CWA Dagger, and National Book Award winners.

This quartet of crime stories about deadly books, penned by award-winning contemporary mystery writers, includes The Little Men, What's in a Name?, The Book of the Lion, and From the Queen.

This collection includes four book-centered mystery novellas from four masters of the craft: The Scroll, Reconciliation Day, The Compendium of Srem, and The Mysterious Disappearance of the Reluctant Book Fairy. 

When a scream shatters the summer night outside their country house in the Hudson Valley, reformed literary forger Will and his wife Meghan find their daughter Maisie shaken and bloodied, holding a parcel her attacker demanded she present to her father. Inside is a literary rarity the likes of which few have ever handled, and a letter laying out impossible demands regarding its future.  

Fifteen years ago, a deranged young man abducted a teenage girl in a parking lot. He chose her for her innocence. Punished her for her beauty. Dowsed her with gasoline and tried to purify her with fire. Detective Jacob Rein managed to stop the lunatic and lock him up for life. Now the girl who survived that horrible ordeal has been found dead, an apparent suicide. Near her body is a letter from "The Master" - a bloodchilling promise to finish what he started.

New York City, 1899. When it comes to show business, Gilded Age opera singer Ella Shane wears the pants. The unconventional diva breaks the mold by assuming "trouser roles"-male characters played by women - and captivating audiences far and wide with her travelling theater company. But Ella's flair for the dramatic takes a terrifying turn when an overacting Juliet to her Romeo drinks real poison during the final act of Bellini's I Capuleti e i Montecchi.

1985, Boston. In Vietnam, Andy Roark witnessed death and horrifying destruction. Still feeling adrift and unsettled, Andy has struck up a welcome friendship with Nguyen, a Vietnamese restaurant owner. Sipping beer and trading memories after the restaurant shutters, Andy gradually learns of the extraordinary lengths Nguyen took to flee Saigon shortly after its fall. Andy's latest case, too, has ties to Vietnam. His new client, a beautiful and enigmatic young Vietnamese woman, hires him to investigate her uncle's murder.

Following a whirlwind engagement to Viscount "Lyndy" Lyndhurst, Stella Kendrick is finding her footing within an elite social circle in picturesque rural England. Except tea time with refined friends can be more dangerous than etiquette faux pas - especially in the company of Lady Philippa, the woman Lyndy was once set to marry, and her husband, the ostentatious Lord Fairbrother....                  

As a tabby cat with criminal tendencies, MacGyver is always a whisker away from trouble. But when he stumbles upon a litter of four motherless kittens, he really has his paws full. It's clear Mac has to take care of the cuddly little furballs, at least until he finds them each a human. That's not going to be easy though. Not when Mac's the prime suspect in a series of thefts at Storybook Court - and his loving but concerned owners, Jamie and David, have put him under house arrest. As if that could stop a clever cat like Mac....

A headless stranger is found in the woods of Wild Thyme, a small town in the Endless Mountains of Pennsylvania. All signs point to a man-killing bear, and Officer Henry Farrell would just as soon leave this hunt to the Game Commission. But doubts arise when he discovers the victim was a retired investigator. What drew the investigator to sleepy Wild Thyme? Before Henry can find answers, his own nephew disappears into the hills. Then an old flame dies under suspicious circumstances, leaving Henry as the prime suspect. 

Ted Sweeney. Affable everyman in small-town Montana. Tailgate hung on with baling wire, owner of his own business. Ten minutes ago, his biggest worry had been how to pay for the engagement ring rattling around in his pocket. But that was before he came home to find a corpse tidily arranged in his favorite recliner, his "old pal of a piece of furniture". Is it a warning or a setup or what? Sweeney can't help but admire the efficiency of the work, the slice deep across the guy's throat. Somebody knew what they were doing.  

Maud is an irascible 88-year-old Swedish woman with no family, no friends, and...no qualms about a little murder. Ever since her darling father's untimely death when she was only 18, Maud has lived in the family's spacious apartment in downtown Gothenburg rent-free, thanks to a minor clause in a hastily negotiated contract. That was how Maud learned that good things can come from tragedy. Now in her late 80s, Maud contents herself with traveling the world and surfing the net from the comfort of her father's ancient armchair. It's a solitary existence, and she likes it that way. 

Joyce Carol Oates, a queenpin of the noir genre, has brought her keen and discerning eye to the curation of an outstanding anthology of brand-new top-shelf short stories (and poems by Margaret Atwood!). While bad men are not always the victims in these tales, they get their due often enough to satisfy listeners who are sick of the gendered status quo, or who just want to have a little bit of fun at the expense of a crumbling patriarchal society. This stylistically diverse collection will make you squirm in your seat, stay up at night, laugh out loud, and inevitably wish for more.

1959. Delpha Wade killed a man who was raping her. Wanted to kill the other one, too, but he got away. Now, after 14 years in prison, she's out. It's 1973, and nobody's rushing to hire a parolee. Persistence and smarts land her a secretarial job with Tom Phelan, an ex-roughneck turned neophyte private eye. Together, these two pry into the dark corners of Beaumont, a blue-collar, Cajun-influenced town dominated by Big Oil. 

The new novel from award-winning author Lisa Sandlin catches up with the almost-murdered secretary Delpha Wade (The Do-Right, 2015, set in 1973) as she's released from a hospital in order to be tucked into the back seat of a police cruiser. Her boss, PI Tom Phelan, sets out to spring her. He needs her back in his investigation business, where he'll soon be chasing a skulking grand larcenist and plotting how to keep a ganjapreneur out of the grabby hands of a brand new agency, the DEA.

As an aircraft mechanic, Sierra Bauer is a woman in a man's world. Her life has finally returned to normal after losing her brother in a plane crash, and almost losing her career in the FAA investigation that followed. But normal is pitched into a tailspin when she finds a frozen body in a plane she is inspecting. Detective Quinn Moore is certain Sierra's discovery is happenstance until he learns the victim, Tori Hjelle, is the woman Sierra blames for her brother's death. Despite his attraction to her, he must consider Sierra a prime suspect.

It’s 1956, and working-mother Ava Lark and her son, Lewis, have rented a house in a less-than-welcoming Boston suburb. There, Lewis finds he is only able to befriend the other fatherless kids on the block, Jimmy and Rose. But when Jimmy goes missing, neighborhood paranoia ramps to new heights, further ostracizing Ava and Lewis.

An ax-wielding monk hacks at the door. Toby Peters is on the other side, running as fast as his recently broken leg will allow. Alongside him is Salvador Dalí, dressed in a rabbit suit, insistently muttering "grasshoppers" as they try to make their escape. Dalí insists on being carried across the lawn, so Peters hobbles along with the surrealist in his arms. They get in the car just as the monk chops down the front door. The car doesn't start, and the monk charges silently, the ax in the air.