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'A whistle-stop tour de force with an expert guide . . . Pure fire.' Symeon Brown 'A smorgasbord of fascinating cameos . . . [Bardowell's] paid his dues, people, and now it's time to enjoy the fruits of what he's witnessed.' John Masouri, Echoes Magazine Dancehall isn't just music. It's a...

This is not a taste, nor an anti-taste, manual. This is an interrogation of the importance we place on seemingly objective ideas of taste in a culture that is saturated by imagery, and the dangerous impact this has on our identities, communities and politics. This book is dedicated to understanding the industries of taste. From the food we eat to the way we spend our free time, Olah exposes the shallow waters of 'good' and 'bad' taste and the rigid hierarchies that uphold this age-old dichotomy.

Mister Good Times is the enthralling story of a black kid growing up in a (largely white) working class world; of vivid, often violent experiences on the football terraces; of the emerging club scene growing out of a melting pot of styles; of how Jay, with his contemporaries, took the music of black America, gave it a distinctly London twist and used the marriage of styles to forge a hugely successful career as a trailblazing DJ and broadcaster, becoming an inspiration to a whole generation of dance music fans, black and white, without ever compromising his integrity.