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If you want to understand the Black experience in the US, you must understand hip-hop, and Psalms of My People is your guide. Treating hip-hop like sacred scripture, lenny duncan traces its history—the artists, their lyrics, and the cultural context—to reveal its role as a conduit to tell the modern story of Black liberation in this country, following the bloody trail from the end of the Civil Rights Era through the day George Floyd was sacrificed on the streets of america.

Liberation Literature also features a foreword by Laura Pegram, founder of Kweli, and an introduction by Dr. Rudine Sims Bishop, the "mother of" multicultural children's literature. It is a must-have for anyone interested in writing, the history of African American representation, children's literature, and literature overall.

Growing up in Seale, Alabama as a Black Queer kid, then attending the Rhode Island School of Design as an undergraduate, Jon Key hungered to see himself in the fields of Art and Design. But in lectures, critiques, and in the books he read, he struggled to see and learn about people who intersected with his identity or who GOT him. So he started asking himself questions: What did it mean to be a graphic designer with his point of view? What did it mean to be a Black graphic designer?

"Dearly Beloved, we are gathered here today to get through this thing called life." When Prince spoke those words over celestial organ sounds in the opening moments of "Let's Go Crazy," he wasn't just inaugurating yet another Billboard Hot 100 hit—one of forty-seven in his career; he was also giving voice to the deep-seated and richly complex spiritual underpinning of his art.